The Desert Home: The Adventures of a Lost Family in the Wilderness — Context and Discussion
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This digital edition of The Desert Home: The Adventures of a Lost Family in the Wilderness — Context and Discussion is described by source-level measurements including 97,596 words, 7 hr 5 min estimated reading time, and 10 detected text sections.
The text analysis averages about 21.7 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Family -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
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Read the Text
This was one of the first books that Mayne Reid wrote. Its action takes place in a central part of North America, designated a Desert. Some people set out to travel in this central desert, when they somewhat lose their way. Luckily they eventually spot the light of a farm-house, where they knock and receive hospitality.
Their kind host and his family then explain to them how they came to live where they do, and what a lovely place it is. Reid is very knowledgeable about animals and also plants. Much of the rest of the book is taken up with tales of encounters with various animals, and with stories of the uses of many trees and shrubs.
It is written in an unusual style, but in fact, because of the shortness of the chapters, it can hold the reader's attention very well.
As with several other books by this author it had been very badly typeset, apparently using old and damaged type. This made the OCRed version of the text come out very full of misreads, but it was fun tidying this up. Apologies if any more misreads come to light.
________________________________________________________________________ THE DESERT HOME, BY CAPTAIN MAYNE REID.
THE GREAT AMERICAN DESERT.
There is a great desert in the interior of North America. It is almost as large as the famous Saara of Africa. It is fifteen hundred miles long, and a thousand wide. Now, if it were of a regular shape--that is to say, a parallelogram--you could at once compute its area, by multiplying the length upon the breadth; and you would obtain one million and a half for the result--one million and a half of square miles. But its outlines are as yet very imperfectly known; and although it is fully fifteen hundred miles long, and in some places a thousand in breadth, its surface-extent is probably not over one million of square miles, or twenty-five times the size of England. Fancy a desert twenty-five times as big as all England! Do you not think that it has received a most appropriate name when it is called the _Great American Desert_?
Now, my young friend, what do you understand by a desert? I think I can guess. When you read or hear of a desert, you think of a vast level plain, covered with sand, and without trees, or grass, or _any_ kind of vegetation. You think, also, of this sand being blown about in thick yellow clouds, and no water to be met with in any direction. This is your idea of a desert, is it not? Well, it is not altogether the correct one. It is true that in almost every desert there are these sandy plains, yet are there other parts of its surface of a far different character, equally deserving the name of _desert_. Although the interior of the great Saara has not been fully explored, enough is known of it to prove that it contains large tracts of mountainous and hilly country, with rocks and valleys, lakes, rivers, and springs. There are, also, fertile spots, at wide distances from each other, covered with trees, and shrubs, and beautiful vegetation. Some of these spots are small, while others are of large extent, and inhabited by independent tribes, and even whole kingdoms of people. A fertile tract of this kind is called an oasis; and, by looking at your map, you will perceive that there are many oases in the Saara of Africa.
Of a similar character is the Great American Desert; but its surface is still more varied with what may be termed "geographical features." There are plains--some of them more than a hundred miles wide--where you can see nothing but white sand, often drifting about on the wind, and here and there thrown into long ridges such as those made by a snowstorm. There are other plains, equally large, where no sand appears, but brown barren earth utterly destitute of vegetation. There are others, again, on which grows a stunted shrub with leaves of a pale silvery colour. In some places it grows so thickly, interlocking its twisted and knotty branches, that a horseman can hardly ride through among them. This shrub is the _artemisia_--a species of wild sage or wormwood,--and the plains upon which it grows are called by the hunters, who cross them, the _sage prairies_. Other plains are met with that present a black aspect to the traveller. These are covered with lava, that at some distant period of time has been vomited forth from volcanic mountains, and now lies frozen up, and broken into small fragments like the stones upon a new-made road. Still other plains present themselves in the American Desert. Some are white, as if snow had fallen freshly upon them, and yet it is not snow, but salt! Yes; pure white salt-- covering the ground six inches deep, and for fifty miles in every direction! Others, again, have a similar appearance; but instead of salt, you find the substance which covers them to be soda--a beautiful efflorescence of soda!
There are mountains, too--indeed, one-half of this Desert is very mountainous; and the great chain of the Rocky Mountains--of which you have no doubt heard--runs sheer through it from north to south, and divides it into two nearly equal parts. But there are other mountains besides these; mountains of every height, and sometimes in their shape and colour presenting very striking and singular appearance. Some of them run for miles in horizontal ridges like the roofs of houses, and seemingly so narrow at their tops that one might sit astride of them. Others, again, of a conical form, stand out in the plain apart from the rest, and look like teacups turned upside down in the middle of a table. Then there are sharp peaks that shoot upward like needles, and others shaped like the dome of some great cathedral--like the dome of Saint Paul's. These mountains are of many colours. Some are dark, or dark-green, or blue when seen from a distance. They are of this colour when covered by forests of pine or cedar, both of which trees are found in great plenty among the mountains of the Desert.
There are many mountains, where no trees are seen, nor any signs of vegetation along their sides. Huge naked rocks of granite appear piled upon each other, or jutting out over dark and frowning chasms. There are peaks perfectly white, because they are covered with a thick mantle of snow. These can always be seen from the greatest distance, as the snow lying upon them all the year without melting proves them to be of vast elevation above the level of the sea. There are other peaks almost as white, and yet it is not with snow. They are of a milky hue, and stunted cedar-trees may be seen clinging in seams and crevices along their sides. These are mountains of pure limestone, or the white quartz rock. There are mountains, again, upon which neither tree nor leaf is to be; seen; but, in their stead, the most vivid colours of red and green and yellow and white, appearing in stripes along their sides, as though they had been freshly painted. These stripes mark the strata of different coloured rocks, of which the mountains are composed. And there are still other mountains in the Great American Desert, to startle the traveller with their strange appearance. They are those that glitter with the mica and selenite. These, when seen from a distance flashing under the sun, look as though they were mountains of silver and gold!
The rivers, too. Strange rivers are they. Some run over broad shallow beds of bright sand. Large rivers--hundreds of yards in width, with sparkling waters. Follow them down their course. What do you find? Instead of growing larger, like the rivers of your own land, they become less and less, until at length their waters sink into the sands, and you see nothing but the dry channel for miles after miles! Go still farther down, and again the water appears, and increases in volume, until-- thousands of miles from the sea--large ships can float upon their bosom. Such are the Arkansas and the Platte.
There are other rivers that run between bleak, rocky banks--banks a thousand feet high, whose bald, naked "bluffs" frown at each other across the deep chasm, in the bottom of which roars the troubled water. Often these banks extend for hundreds of miles, so steep at all points that one cannot go down to the bed of their stream; and often--often-- the traveller has perished with thirst, while the roar of their water was sounding in his ears! Such are the Colorado and the Snake.
Still others go sweeping through the broad plains, tearing up the clay with their mighty floods, and year after year changing their channels, until they are sometimes an hundred miles from their ancient beds. Here they are found gurgling for many leagues under ground--under vast rafts formed by the trees which they have borne downward in their current. There you find them winding by a thousand loops like the sinuosities of a great serpent, rolling sluggishly along, with waters red and turbid as though they were rivers of blood! Such are the Brazos and the Red River.
Strange rivers are they that struggle through the mountains, and valleys, and plateau-lands of the Great American Desert.
Not less strange are its lakes. Some lie in the deep recesses of hills that dip down so steeply you cannot reach their shores; while the mountains around them are so bleak and naked, that not even a bird ever wings its flight across their silent waters. Other lakes are seen in broad, barren plains; and yet, a few years after, the traveller finds them not--they have dried up and disappeared. Some are fresh, with waters like crystal--others brackish and muddy--while many of them are more salt than the ocean itself.
In this Desert there are springs--springs of soda and sulphur, and salt waters; and others so hot that they boil up as in a great caldron, and you could not dip your finger into them without scalding it.
There are vast caves piercing the sides of the mountains, and deep chasms opening into the plains--some of them so deep, that you might fancy mountains had been scooped out to form them. They are called "barrancas." There are precipices rising straight up from the plains-- thousands of feet in height--and steep as a wall; and through the mountains themselves you may see great clefts cut by the rivers, as though they had been tunnelled and their tops had fallen in. They are called "canons." All these singular formations mark the wild region of the Great American Desert.
It has its denizens. There are oases in it; some of them large, and settled by civilised men. One of these is the country of New Mexico, containing many towns, and 100,000 inhabitants. These are of the Spanish and mixed Indian races. Another oasis is the country around the Great Salt and Utah Lakes. Here is also a settlement, established in 1846. Its people are Americans and Englishmen. They are the Mormons; and, although they dwell hundreds of miles from any sea, they seem likely to become a large and powerful nation of themselves.
Besides these two great oases, there are thousands of others, of all sizes--from fifty miles in breadth, to the little spot of a _few_ acres, formed by the fertilising waters of some gurgling spring. Many of these are without inhabitants. In others, again, dwell tribes of Indians-- some of them numerous and powerful, possessing horses and cattle; while others are found in small groups of three or four families each, subsisting miserably upon roots, seeds, grass, reptiles, and insects. In addition to the two great settlements we have mentioned, and the Indians, there is another class of men scattered over this region. These are white men--hunters and trappers. They subsist by trapping the beaver, and hunting the buffalo and other animals. Their life is one continued scene of peril, both from the wild animals which they encounter in their lonely excursions, and the hostile Indians with whom they come in contact. These men procure the furs of the beaver, the otter, the musk-rat, the marten, the ermine, the lynx, the fox, and the skins of many other animals. This is their business, and by this they live. There are forts, or trading posts--established by adventurous merchants--at long distances from each other; and at these forts the trappers exchange their furs for food, clothing, and for the necessary implements of their perilous calling.
There is another class of men who traverse the Great Desert. For many years there has been a commerce carried on between the oasis of New Mexico and the United States. This commerce employs a considerable amount of capital, and a great number of men--principally Americans. The goods transported in large wagons drawn by mules or oxen; and a train of these wagons is called a "caravan." Other caravans--Spanish ones--cross the western wing of the Desert, from Sonora to California, and thence to New Mexico. Thus, you see, the American Desert has its caravans as well as the Saara of Africa.
These caravans travel for hundreds of miles through countries in which there are no inhabitants, except the scattered and roving bands of Indians; and there are many parts on their routes so sterile, that not even Indians can exist there.
The caravans, however, usually follow a track which is known, and where grass and water may be found at certain seasons of the year. There are several of these tracks, or, as they are called, "trails," that cross from the frontier settlements of the United States to those of New Mexico. Between one and another of these trails, however, stretch vast regions of desert country--entirely unexplored and unknown--and many fertile spots exist, that have never been trodden by the foot of man.
Such, then, my young friend, is a rough sketch of some of the more prominent features of the Great American Desert.
Let me conduct you into it, and show you--from a nearer view--some of its wild but interesting aspects. I shall not show you the wildest of them, lest they might terrify you. Fear not--I shall not lead you into danger. Follow me.
Some years ago, I was one of a party of "prairie merchants," who crossed with a caravan from Saint Louis on the Mississippi, to Santa Fe in New Mexico. We followed the usual "Santa Fe trail." Not disposing of all our goods in New Mexico, we kept on to the great town of Chihuahua, which lies farther to the south. There we settled our business, and were about to return to the United States the way we had come, when it was proposed (as we had now nothing to encumber us but our bags of money), that we should explore a new "trail" across the prairies. We all wished to find a better route than the Santa Fe road; and we expected that such an one lay between the town of El Paso--on the Del Norte River--and some point on the frontiers of Arkansas.
On arriving at El Paso, we sold our wagons, and purchased Mexican pack-mules--engaging, at the same time, a number of "arrieros," or muleteers to manage them. We also purchased saddle-horses--the small tight horses of New Mexico, which are excellent for journeying in the Desert. We provided ourselves, moreover, with such articles of clothing and provisions as we might require upon our unknown route. Having got everything ready for the journey, we bade adieu to El Paso, and turned our faces eastward. There were in all twelve of us--traders, and a number of hunters, who had agreed to accompany us across the plains. There was a miner, too, who belonged to a copper mine near El Paso. There were also four Mexicans--the "arrieros" who had charge of our little train of pack-mules. Of coarse, we were all well armed, and mounted upon the best horses we could procure for money.
We had first to cross over the Rocky Mountains, which run north and south through all the country. That chain of them which lies eastward of El Paso is called the Sierra de Organos, or "Organ mountains." They are so called from the fancied resemblance which is seen in one of their cliffs to the tubes of an organ. These cliffs are of trap rock, which, as you are aware, often presents very fantastic and singular formations, by means of its peculiar stratification. But there is a still more curious feature about these Organ mountains. On the top of one of them is a lake, which has its tides that ebb and flow like the tides of the ocean! No one has yet accounted for this remarkable phenomenon, and it remains a puzzle to the geological inquirer. This lake is a favourite resort for the wild animals of the country, and deer and elk are found in great numbers around its shores. They are not even molested by the Mexican hunters of these parts, who seem to have a superstitious fear of the spirits of the Organ mountains, and rarely climb up their steep sides.
Our party found an easy pass through the range, which brought us out into an open country on the other side. After travelling several days through the eastern spurs of the Rocky Mountains, known as the Sierras Sacramento and Guadalupe, we struck upon a small stream, which we followed downward. It brought us at length to a large river running north and south, which we knew to be the celebrated Pecos, or, as it is sometimes called, the Puerco. These, you will perceive, are all Spanish names, for the country through which we were travelling, although uninhabited and almost unexplored by the Mexican Spaniards, was yet part of their territory; and such objects as were known to them, through hunters or others, had received names in their language.
We crossed the Pecos, and travelled for some days up its left bank, in hopes of reaching some other stream that might run into it from the east, which we could follow. No such stream appeared; and we were forced at times to leave the Pecos itself, and take out into the open country for a distance of miles, before we could get back to its waters. This was on account of the deep channel which the river--working for long ages--had cut through hills that opposed its course, leaving on both sides vast precipices for its banks.
Having got farther to the north than we wished, our party at length determined to attempt the passage of the arid plain which stretched away eastward as far as the eye could reach. It was a perilous enterprise to leave the river, without some knowledge that there was water ahead of us. Travellers, under such circumstances, usually keep close to a stream--wherever it runs in the direction in which they wish to go; but we had grown impatient on not finding one flowing into the Pecos from the east; and, having filled our gourd canteens, and given our animals as much water as they could drink, we turned their heads towards the open plain.
After riding for several hours, we found ourselves in the midst of a wide desert, with neither hill, mountain, nor any other landmark in view. Scarcely a trace of vegetation appeared around us. Here and there were patches of stunted sage-bushes and clumps of thorny cactus; but not a blade of grass to gladden the eyes of our animals. Not a drop of water was met with, nor any indication that rain had ever fallen upon that parched plain. The soil was as dry as powder, and the dust, kicked up by the hoofs of our mules and horses, hung around us in clouds as we marched. In addition to this, the heat was excessive; and this, with the dust and fatigue of travel, brought on an unquenchable thirst, that soon caused us to drink up the contents of our water-gourds. Long before night they were all empty, and every one of our party was crying out from thirst. Our animals suffered worse--for we, at least, had food, while they, poor brutes, were without a bite to sustain them.
From the opening chapter, Mayne Reid addresses his young reader directly with a conversational second-person voice: “Now, my young friend, what do you understand by a desert?” This rhetorical strategy establishes the narrator as a knowledgeable guide, one who corrects common misconceptions about desert landscapes. The prose blends geographical fact with vivid sensory detail—white sand drifting like snow, stunted artemisia shrubs with silvery leaves—while the father-narrator frequently pauses to explain natural phenomena. These authorial choices create a hybrid text: part adventure story, part informal natural history lesson.
Direct Address and the Pedagogical Voice
Reid’s narrator consistently breaks the fourth wall to engage the reader in dialogue. Phrases like “I think I can guess” and “Do you not think?” simulate a classroom exchange. This technique does more than hold attention; it frames the desert as a subject to be understood, not merely endured. The narrator’s corrections—such as explaining that deserts contain mountains, rivers, and oases—serve to expand the reader’s mental map. The pedagogical tone is reinforced by the father’s habit of answering his children’s questions with mini-lectures on geology, botany, and chemistry. For instance, when Frank asks why a rivulet runs salt water, the father explains rock-salt beds in a paragraph that spans continents. These expository interludes are woven into the narrative rather than set apart, making learning feel like a natural part of the adventure.
Dialogue as a Window into Character and Practical Knowledge
The family’s conversations reveal distinct personalities and a shared reliance on applied science. When the father proposes evaporating spring water to test for salt, Frank and Harry respond with specific, character-driven fears: Frank hopes it is not Epsom salts, while Harry wishes for saltpetre and sulphur to make gunpowder. Their mother counters with a practical preference for table salt. These exchanges do not merely advance the plot; they demonstrate how each family member processes uncertainty through the lens of their own expertise—Frank as a budding naturalist, Harry as a marksman, the mother as a household manager. The father, meanwhile, uses the moment to teach a broader ecological principle: that salt springs, or “licks,” are placed by the Creator to sustain wildlife. The dialogue thus serves dual purposes: characterization and the transmission of frontier survival knowledge.
Descriptive Precision in Landscape and Labor
Reid’s descriptive passages are notable for their specificity. The family’s salt-making is rendered step by step: “Frank and Harry collected armfuls of dry wood … Cudjo erected a crane … the kettle was suspended, and filled with crystal water.” The prose attends to materials (dry wood, crystal water), actions (erecting, suspending), and setting (a spot carpeted with soft green turf). This granularity gives the reader a clear mental image of the work. Similarly, the opening description of the Great American Desert avoids generic awe; it offers a measured inventory of plains—sand, barren earth, sage prairies, lava fields—each with distinct visual and tactile qualities. The narrator’s habit of quantifying (fifteen hundred miles long, a thousand wide) and qualifying (outlines imperfectly known) lends an air of scientific credibility, even as the story remains firmly within the realm of juvenile adventure.
The Creator’s Hand: Providence and Natural Order
A recurring authorial choice is the explicit attribution of natural provision to divine design. When the father theorizes about salt springs, he tells his boys that “the Creator has so disposed it, that salt … is to be found in all parts of the globe.” He points to the hand of the Creator as an explanation for why animals gather at licks. This providential framing is not limited to religious sentiment; it functions as a narrative device that reassures both the characters and the reader that the desert, though harsh, is not chaotic. Every natural feature—from salt deposits to the artemisia shrub—is presented as purposeful. Reid thus constructs a world where survival depends not only on skill but on reading the landscape as a system of benevolent signs. This perspective shapes the family’s confidence and gives the story a moral undertone: nature rewards those who observe and trust its order.
Readers attentive to authorial craft will notice how Reid balances exposition with action, never letting the pedagogical passages stall the narrative momentum. The father’s voice—patient, precise, and occasionally playful—unifies the book’s dual aims: to entertain and to instruct. Approaching the text as a period artifact of mid-nineteenth-century children’s literature, one can appreciate how Reid’s choices in diction, dialogue, and description reflect contemporary beliefs about education, nature, and the frontier.
That grey afternoon, the desert’s silence felt almost like a held breath between sentences, Reid’s practical family pausing for every dry crackle of the brush. Later, flipping through maps, I drifted to the coast and found The Pirate Slaver: A Story of the West African Coast — Themes and Context waiting beside it, the same patient, explanatory voice, but now the stillness was salt air and waiting sails. One quiet guide passed me to the next.
Ava Taylor
1 week agoEvelyn Lopez
1 week agoSofia Scott
1 month agoCarter Martin
3 weeks ago-
Adam Humphrey - 1 month ago
{'rating': 5, 'text': "A gripping survival tale that immerses you in the harsh beauty of the desert. The family's journey is both harrowing and inspiring, showcasing human resilience and resourcefulness. The descriptions of the landscape and the creatures they encounter are vivid and educational. The characters are well-rounded, and their relationships feel authentic, adding emotional depth to the adventure. It's a timeless classic that will appeal to anyone who loves stories of endurance against the odds."} -
Brian Anthony Love - 2 weeks ago
{'rating': 2, 'text': 'This novel suffers from overwrought prose and a plot that relies heavily on convenient lessons about nature. The characters are stereotyped and lack depth, making it hard to care about their fates. The survival aspects are overshadowed by unnecessary moralizing, and the pacing is glacial. I found it difficult to finish. There are much better survival stories with more engaging narratives and realistic challenges. Not recommended for modern readers.'} -
Deborah Miller - 2 weeks ago
{'rating': 3, 'text': "The book offers a fascinating look at desert life and survival, with plenty of detailed observations that can be educational. However, the pacing is inconsistent; some sections drag with excessive detail, while others rush through major events. The family's conflicts are sometimes resolved too easily, reducing tension. Still, it's a decent read for those interested in wilderness survival and historical fiction, though it's not a page-turner."}
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Mia Mitchell
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