The Wouldbegoods — Themes and Context
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For The Wouldbegoods — Themes and Context, the stored edition analysis reports 83,018 words, 6 hr 1 min estimated reading time, and 10 detected text sections.
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These were the dreadful words of our Indian uncle. They made us feel very young and angry; and yet we could not be comforted by calling him names to ourselves, as you do when nasty grown-ups say nasty things, because he is not nasty, but quite the exact opposite when not irritated. And we could not think it ungentlemanly of him to say we were like jam, because, as Alice says, jam is very nice indeed--only not on furniture and improper places like that. My father said, "Perhaps they had better go to boarding-school." And that was awful, because we know father disapproves of boarding-schools. And he looked at us and said, "I am ashamed of them, sir!"
Your lot is indeed a dark and terrible one when your father is ashamed of you. And we all knew this, so that we felt in our chests just as if we had swallowed a hard-boiled egg whole. At least, this is what Oswald felt, and father said once that Oswald, as the eldest, was the representative of the family, so, of course, the others felt the same.
And then everybody said nothing for a short time. At last father said:
"You may go--but remember--" The words that followed I am not going to tell you. It is no use telling you what you know before--as they do in schools. And you must all have had such words said to you many times. We went away when it was over. The girls cried, and we boys got out books and began to read, so that nobody should think we cared. But we felt it deeply in our interior hearts, especially Oswald, who is the eldest and the representative of the family.
We felt it all the more because we had not really meant to do anything wrong. We only thought perhaps the grown-ups would not be quite pleased if they knew, and that is quite different. Besides, we meant to put all the things back in their proper places when we had done with them before any one found out about it. But I must not anticipate (that means telling the end of a story before the beginning. I tell you this because it is so sickening to have words you don't know in a story, and to be told to look it up in the dicker).
We are the Bastables--Oswald, Dora, Dicky, Alice, Noël, and H. O. If you want to know why we call our youngest brother H. O. you can jolly well read _The Treasure Seekers_ and find out. We were the Treasure Seekers, and we sought it high and low, and quite regularly, because we particularly wanted to find it. And at last we did not find it, but we were found by a good, kind Indian uncle, who helped father with his business, so that father was able to take us all to live in a jolly big red house on Blackheath, instead of in the Lewisham Road, where we lived when we were only poor but honest Treasure Seekers. When we were poor but honest we always used to think that if only father had plenty of business, and we did not have to go short of pocket-money and wear shabby clothes (I don't mind this myself, but the girls do), we should be quite happy and very, very good.
And when we were taken to the beautiful big Blackheath house we thought now all would be well, because it was a house with vineries and pineries, and gas and water, and shrubberies and stabling, and replete with every modern convenience, like it says in Dyer & Hilton's list of Eligible House Property. I read all about it, and I have copied the words quite right.
It is a beautiful house, all the furniture solid and strong, no casters off the chairs, and the tables not scratched, and the silver not dented; and lots of servants, and the most decent meals every day--and lots of pocket-money.
But it is wonderful how soon you get used to things, even the things you want most. Our watches, for instance. We wanted them frightfully; but when I had had mine a week or two, after the mainspring got broken and was repaired at Bennett's in the village, I hardly cared to look at the works at all, and it did not make me feel happy in my heart any more, though, of course, I should have been very unhappy if it had been taken away from me. And the same with new clothes and nice dinners and having enough of everything. You soon get used to it all, and it does not make you extra happy, although, if you had it all taken away, you would be very dejected. (That is a good word, and one I have never used before.) You get used to everything, as I said, and then you want something more. Father says this is what people mean by the deceitfulness of riches; but Albert's uncle says it is the spirit of progress, and Mrs. Leslie said some people called it "divine discontent." Oswald asked them all what they thought, one Sunday at dinner. Uncle said it was rot, and what we wanted was bread and water and a licking; but he meant it for a joke. This was in the Easter holidays.
We went to live at Morden House at Christmas. After the holidays the girls went to the Blackheath High School, and we boys went to the Prop. (that means the Proprietary School). And we had to swot rather during term; but about Easter we knew the deceitfulness of riches in the vac., when there was nothing much on, like pantomimes and things. Then there was the summer term, and we swotted more than ever; and it was boiling hot, and masters' tempers got short and sharp, and the girls used to wish the exams, came in cold weather. I can't think why they don't. But I suppose schools don't think of sensible things like that. They teach botany at girls' schools.
Then the midsummer holidays came, and we breathed again--but only for a few days. We began to feel as if we had forgotten something, and did not know what it was. We wanted something to happen--only we didn't exactly know what. So we were very pleased when father said:
"I've asked Mr. Foulkes to send his children here for a week or two. You know--the kids who came at Christmas. You must be jolly to them, and see that they have a good time, don't you know."
We remembered them right enough--they were little pinky, frightened things, like white mice, with very bright eyes. They had not been to our house since Christmas, because Denis, the boy, had been ill, and they had been with an aunt at Ramsgate.
Alice and Dora would have liked to get the bedrooms ready for the honored guests, but a really good housemaid is sometimes more ready to say "don't" than even a general. So the girls had to chuck it. Jane only let them put flowers in the pots on the visitors' mantel-pieces, and then they had to ask the gardener which kind they might pick, because nothing worth gathering happened to be growing in our own gardens just then.
Their train got in at 12.27. We all went to meet them. Afterwards I thought that was a mistake, because their aunt was with them, and she wore black with beady things and a tight bonnet, and she said, when we took our hats off, "Who are you?" quite crossly.
We said, "We are the Bastables; we've come to meet Daisy and Denny."
The aunt is a very rude lady, and it made us sorry for Daisy and Denny when she said to them:
"_Are_ these the children? Do you remember them?"
We weren't very tidy, perhaps, because we'd been playing brigands in the shrubbery; and we knew we should have to wash for dinner as soon as we got back, anyhow. But still--
Denny said he thought he remembered us. But Daisy said, "Of course they are," and then looked as if she was going to cry.
So then the aunt called a cab, and told the man where to drive, and put Daisy and Denny in, and then she said:
"You two little girls may go too, if you like, but you little boys must walk."
So the cab went off, and we were left. The aunt turned to us to say a few last words. We knew it would have been about brushing your hair and wearing gloves, so Oswald said, "Good-bye," and turned haughtily away, before she could begin, and so did the others. No one but that kind of black, beady, tight lady would say "little boys." She is like Miss Murdstone in _David Copperfield_. I should like to tell her so; but she would not understand. I don't suppose she has ever read anything but _Markham's History_ and _Mangnall's Questions_--improving books like that.
When we got home we found all four of those who had ridden in the cab sitting in our sitting-room--we don't call it nursery now--looking very thoroughly washed, and our girls were asking polite questions and the others were saying "Yes" and "No" and "I don't know." We boys did not say anything. We stood at the window and looked out till the gong went for our dinner. We felt it was going to be awful--and it was. The new-comers would never have done for knight-errants, or to carry the cardinal's sealed message through the heart of France on a horse; they would never have thought of anything to say to throw the enemy off the scent when they got into a tight place.
They said, "Yes, please," and "No, thank you"; and they ate very neatly, and always wiped their mouths before they drank, as well as after, and never spoke with them full.
And after dinner it got worse and worse.
We got out all our books, and they said, "Thank you," and didn't look at them properly. And we got out all our toys, and they said, "Thank you, it's very nice," to everything. And it got less and less pleasant, and towards tea-time it came to nobody saying anything except Noël and H. O.--and they talked to each other about cricket.
After tea father came in, and he played "Letters" with them and the girls, and it was a little better; but while late dinner was going on--I shall never forget it. Oswald felt like the hero of a book--"almost at the end of his resources." I don't think I was ever glad of bedtime before, but that time I was.
When they had gone to bed (Daisy had to have all her strings and buttons undone for her, Dora told me, though she is nearly ten, and Denny said he couldn't sleep without the gas being left a little bit on) we held a council in the girls' room. We all sat on the bed--it is a mahogany four-poster with green curtains very good for tents, only the housekeeper doesn't allow it, and Oswald said:
"This is jolly nice, isn't it?"
"They'll be better to-morrow," Alice said; "they're only shy."
Dicky said shy was all very well, but you needn't behave like a perfect idiot.
"They're frightened. You see, we're all strange to them," Dora said.
"We're not wild beasts or Indians; we sha'n't eat them. What have they got to be frightened of?" Dicky said this.
Noël told us he thought they were an enchanted prince and princess who'd been turned into white rabbits, and their bodies had got changed back, but not their insides.
But Oswald told him to dry up.
"It's no use making things up about them," he said. "The thing is: what are we going to _do_? We can't have our holidays spoiled by these snivelling kids."
"No," Alice said, "but they can't possibly go on snivelling forever. Perhaps they've got into the habit of it with that Murdstone aunt. She's enough to make any one snivel."
"All the same," said Oswald, "we jolly well aren't going to have another day like to-day. We must do something to rouse them from their snivelling leth--what's its name?--something sudden and--what is it?--decisive."
"A booby trap," said H. O., "the first thing when they get up, and an apple-pie bed at night."
But Dora would not hear of it, and I own she was right.
"Suppose," she said, "we could get up a good play--like we did when we were Treasure Seekers."
We said, "Well, what?" But she did not say.
"It ought to be a good long thing--to last all day," Dicky said; "and if they like they can play, and if they don't--"
"If they don't, I'll read to them," Alice said.
But we all said: "No, you don't; if you begin that way you'll have to go on."
And Dicky added: "I wasn't going to say that at all. I was going to say if they didn't like it they could jolly well do the other thing."
We all agreed that we must think of something, but we none of us could, and at last the council broke up in confusion because Mrs. Blake--she is the housekeeper--came up and turned off the gas.
But next morning when we were having breakfast, and the two strangers were sitting there so pink and clean, Oswald suddenly said:
"I know; we'll have a jungle in the garden."
And the others agreed, and we talked about it till brek was over. The little strangers only said "I don't know" whenever we said anything to them.
After brekker Oswald beckoned his brothers and sisters mysteriously apart and said:
"Do you agree to let me be captain to-day, because I thought of it?"
And they said they would.
Then he said: "We'll play jungle-book, and I shall be Mowgli. The rest of you can be what you like--Mowgli's father and mother, or any of the beasts."
"I don't suppose they know the book," said Noël. "They don't look as if they read anything, except at lesson times."
"Then they can go on being beasts all the time," Oswald said. "Any one can be a beast."
And now Oswald--Albert's uncle has sometimes said he is clever at arranging things--began to lay his plans for the jungle. The day was indeed well chosen. Our Indian uncle was away; father was away; Mrs. Blake was going away, and the housemaid had an afternoon off. Oswald's first conscious act was to get rid of the white mice--I mean the little good visitors. He explained to them that there would be a play in the afternoon, and they could be what they liked, and gave them the jungle-book to read the stories he told them to--all the ones about Mowgli. He led the strangers to a secluded spot among the sea-kale pots in the kitchen garden and left them. Then he went back to the others, and we had a jolly morning under the cedar talking about what we would do when Blakie was gone. She went just after our dinner.
When we asked Denny what he would like to be in the play, it turned out he had not read the stories Oswald told him at all, but only the "White Seal" and "Rikki Tikki."
We then agreed to make the jungle first and dress up for our parts afterwards. Oswald was a little uncomfortable about leaving the strangers alone all the morning, so he said Denny should be his aide-de-camp, and he was really quite useful. He is rather handy with his fingers, and things that he does up do not come untied. Daisy might have come too, but she wanted to go on reading, so we let her, which is the truest manners to a visitor. Of course the shrubbery was to be the jungle, and the lawn under the cedar a forest glade, and then we began to collect the things. The cedar lawn is just nicely out of the way of the windows. It was a jolly hot day--the kind of day when the sunshine is white and the shadows are dark gray, not black like they are in the evening.
We all thought of different things. Of course first we dressed up pillows in the skins of beasts and set them about on the grass to look as natural as we could. And then we got Pincher, and rubbed him all over with powdered slate-pencil, to make him the right color for Gray Brother. But he shook it all off, and it had taken an awful time to do. Then Alice said:
"Oh, I know!" and she ran off to father's dressing-room, and came back with the tube of _crème d'amande pour la barbe et les mains_, and we squeezed it on Pincher and rubbed it in, and then the slate-pencil stuff stuck all right, and he rolled in the dust-bin of his own accord, which made him just the right color. He is a very clever dog, but soon after he went off and we did not find him till quite late in the afternoon. Denny helped with Pincher, and with the wild-beast skins, and when Pincher was finished he said:
"Please, may I make some paper birds to put in the trees? I know how."
And of course we said "Yes," and he only had red ink and newspapers, and quickly he made quite a lot of large paper birds with red tails. They didn't look half bad on the edge of the shrubbery.
While he was doing this he suddenly said, or rather screamed, "Oh!"
And we looked, and it was a creature with great horns and a fur rug--something like a bull and something like a minotaur--and I don't wonder Denny was frightened. It was Alice, and it was first-class.
Up to now all was not yet lost beyond recall. It was the stuffed fox that did the mischief--and I am sorry to own it was Oswald who thought of it. He is not ashamed of having _thought_ of it. That was rather clever of him. But he knows now that it is better not to take other people's foxes and things without asking, even if you live in the same house with them.
It was Oswald who undid the back of the glass case in the hall and got out the fox with the green and gray duck in its mouth, and when the others saw how awfully like life they looked on the lawn, they all rushed off to fetch the other stuffed things. Uncle has a tremendous lot of stuffed things. He shot most of them himself--but not the fox, of course. There was another fox's mask, too, and we hung that in a bush to look as if the fox was peeping out. And the stuffed birds we fastened on to the trees with string. The duck-bill--what's its name?--looked very well sitting on his tail with the otter snarling at him. Then Dicky had an idea; and though not nearly so much was said about it afterwards as there was about the stuffed things, I think myself it was just as bad, though it was a good idea too. He just got the hose and put the end over a branch of the cedar-tree. Then we got the steps they clean windows with, and let the hose rest on the top of the steps and run. It was to be a water-fall, but it ran between the steps and was only wet and messy; so we got father's mackintosh and uncle's and covered the steps with them, so that the water ran down all right and was glorious, and it ran away in a stream across the grass where we had dug a little channel for it--and the otter and the duck-bill thing were as if in their native haunts. I hope all this is not very dull to read about. I know it was jolly good fun to do. Taking one thing with another, I don't know that we ever had a better time while it lasted.
We got all the rabbits out of the hutches and put pink paper tails on to them, and hunted them with horns, made out of the _Times_. They got away somehow, and before they were caught next day they had eaten a good many lettuces and other things. Oswald is very sorry for this. He rather likes the gardener.
The narrator of The Wouldbegoods is Oswald Bastable, and his voice is the book's engine. From the opening line—'Children are like jam: all very well in the proper place, but you can't stand them all over the shop'—Nesbit establishes a tone of wry, affectionate mockery that never falters. Oswald reports adult criticism with injured dignity, yet his own narration undercuts that dignity at every turn. When his father says 'I am ashamed of them, sir!' Oswald describes the feeling as 'like having swallowed a hard-boiled egg whole'—a simile that is both precise and childishly physical. This double perspective, where the reader sees more than Oswald admits, is the book's central comic device.
Oswald's Narrative Voice
Oswald speaks in a self-important, slightly archaic style that mimics the adventure stories he admires. He refers to himself in the third person, announces that 'as the eldest, he was the representative of the family,' and uses phrases like 'your lot is indeed a dark and terrible one.' Yet his grandiosity is constantly punctured by the mundane details he includes. When the miller's wife offers 'Eiffel Tower lemonade and Marie biscuits' instead of the storybook 'cowslip wine and home-made cake,' Oswald notes the discrepancy without irony—but the reader feels it. His descriptions of fishing gear ('a handsome handful of meal-worms, which Oswald put loose in his pocket') combine formality with practical absurdity. The voice is consistent: a boy trying to sound like a hero, but too honest to leave out the embarrassing bits.
The Countryside as Stage
The setting is not just background but an active element in the children's schemes. Nesbit renders the English countryside with precise, sensory detail: the mill with its 'rustling, soft noise' of sliding corn, the 'great, round dripping giant' of the water-wheel, the 'cloverfield, and then a cornfield, and then another lane.' These descriptions are filtered through Oswald's practical enthusiasm—he notes that the miller 'did the thing thoroughly' by cutting ash saplings for fishing rods. The country is presented as a place of possibility, where adults are friendlier ('like a pound of butter on one loaf is thicker than on a dozen') and adventures await. Yet the children's interactions with this landscape are consistently clumsy: they fish with borrowed rods, get damp, and cause chaos. The idyllic setting contrasts with their disastrous good intentions.
Comic Understatement and Anticlimax
Nesbit's humor relies heavily on understatement and the gap between expectation and reality. When the children are scolded, Oswald says 'we felt in our chests just as if we had swallowed a hard-boiled egg whole'—a deflating image for a moment of high drama. The miller's wife, instead of offering rustic hospitality, gives 'Eiffel Tower lemonade' (a brand-name soda) and 'Marie biscuits' (plain cookies). The children's fishing triumph—'eight roach, six dace, three eels, seven perch, and a young pike'—is undercut by the miller's request to release the pike because 'he'll live to bite another day.' Even the book's title, The Wouldbegoods, announces the theme of failed aspiration. Oswald's narration never acknowledges the comedy directly; he reports events with straight-faced earnestness, leaving the reader to supply the ironic interpretation.
The Children's Code of Honor
The Bastable children operate by a strict, if unspoken, code. Oswald insists on truthfulness in his narration, even when it makes him look foolish. He admits that 'we could not think it ungentlemanly of him to say we were like jam' because 'jam is very nice indeed—only not on furniture.' When the miller asks them to return the young pike, 'of course we did'—the phrase implies an automatic adherence to sportsmanlike conduct. Yet this code coexists with petty squabbles: 'Even Dicky and H. O. forgot the affair of honor that had taken place in the morning.' The children are simultaneously principled and childish. Oswald's role as 'representative of the family' is a burden he takes seriously, but his judgments are those of a boy, not an adult. This tension between aspiration and reality drives the narrative.
Dialogue and Characterization
Nesbit distinguishes the children through their speech patterns. Oswald's narration is formal and self-important; Alice is more practical and empathetic; Noël is poetic ('the great water-wheel working on slow and sure, like some great, round dripping giant'). The adults speak in a different register: the Indian uncle's blunt 'Children are like jam' contrasts with the miller's friendly, colloquial 'He'll live to bite another day.' The miller's wife speaks of 'her lodgers and about her relations in London'—a detail that suggests her social aspirations. Nesbit uses dialogue to reveal character without explicit commentary. When the miller asks 'if they fished' and the children reply 'Yes' immediately, the brevity conveys their eagerness. The book's humor often arises from the gap between what characters say and what they mean, or between their words and their actions.
Readers approaching The Wouldbegoods should attend closely to Oswald's voice, which carries the entire narrative. The book rewards attention to its small, precise details—the brand of lemonade, the weight of a fish, the texture of a simile. Nesbit never explains her jokes; she trusts the reader to catch the irony. The result is a comedy of manners disguised as a children's adventure, where the real drama lies not in the events but in the gap between how the children see themselves and how they actually behave.
I remember how the Bastable children’s noble intentions kept unraveling so gently, each disaster wrapped in young Oswald’s matter-of-fact pride. That same quiet tension—wanting to be good, yet tripping over your own earnestness—stayed with me later, oddly, when I came across Aunt Hannah and Seth — Edition Insights. It felt less like a story and more like a familiar sigh from someone who’d watched that struggle before.
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