Viking Boys — Story, Setting & Ideas

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Saxby, Jessie Margaret Edmondston, 1842-1940 Project Gutenberg 2007 Not confirmed
Orphans -- Juvenile fiction; Conduct of life -- Juvenile fiction; Adventure stories; Friendship -- Juvenile fiction; Siblings -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Vikings -- Juvenile fiction Readers of public-domain and historical texts
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Words 61,462
Reading time 268 min
Text sections 8

The catalog record for Viking Boys — Story, Setting & Ideas provides practical reading context through 61,462 words, 4 hr 28 min estimated reading time, and 8 detected text sections.

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Project Gutenberg metadata also associates the work with “Orphans -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on the structure and imagery in Jessie Margaret Edmondston Saxby's Viking Boys, focusing on the interplay between land and sea, light and dark, and the movement between domestic and perilous spaces.
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Read the Text

There was Waterloo not so very very long ago; and the papers say, you know, that we are going to fight the Russians very soon. There's always plenty of fighting--if that's what makes a Viking."

"Oh, bother! girls don't understand," Yaspard muttered; and then there was a long silence, which was broken at last by the lad clapping his hands together and shouting, "Hurrah! I've got an idea! a splendid idea! The very thing!" He sprang to his feet and tossed back his golden-brown curls, and stood like a young Apollo all aglow with life and ardour.

"You always look so beautiful, Yaspard, when you have an idea!" said the worshipping little sister, gazing her admiration of the handsome lad, who was the hero of all her dreams.

He laughed. He was accustomed to her homage--if the truth be told, he took it as his right.

"Never mind about my beauty at present, but come along, for I must set my idea to work at once. I wonder I never thought of it before."

"Ah, do wait a very little longer, brodhor," the girl begged. When coaxing or caressing him, she always used the old form of the word, which signified the dearest relationship she knew. They were orphans, and "brother" was Signy's nearest as well as dearest friend alive. He never could resist the soft tone and word, so answered--

"Why do you want to stay here?"

"I have been watching Loki fish, and it is so funny; I want to see when he _will_ be satisfied. He has been at it for hours."

Loki was a pet cormorant, and Yaspard had taught him to seek food for himself in the voe. The affectionate bird, though allowed such licence, never failed to return to Boden when hunger was satisfied; and at all times he would come at once to his master's call.

Yaspard stood for a minute looking at the bird as it swam about, every now and then taking a sudden leap and "header" after some unwary sillack. There were shoals of small cod-fish in the voe, and Loki had no difficulty in filling his most capacious maw. His mode of fishing was certainly comical, but Yaspard was not so interested in the matter as Signy, therefore his eyes were soon roving again to the islets and boats.

Presently his attention became riveted on a smart skiff rounding the headlands in a manner which proved that she was managed by skilful hands. As the boat drew nearer, rising lightly on the waves, Yaspard said, "Yes, it's the _Laulie_. What splendid sea-boys those lads of Lunda are! They are always off somewhere; always having some grand fun on the water. They are making for Havnholme now, and I expect they mean to stay there all night. Oh, bother feuds and family fights! I wish I were with them."

"They must be nice boys," said Signy. "It does seem very sad that you can't have them for chums. I can't see why our grandfathers' quarrels and Uncle Brues's grumpiness should hinder you from being friends with the only boys of our rank within reach of Boden."

"It is a horrible nuisance. But never mind! I'll make the family feud work into my idea, sure as can be! There, Signy; there goes Loki with five dozen sillacks in his maw, so let's go too."

The cormorant had had enough. He began to flap along the surface of the sea until it was possible for him to rise in steady flight. Then he floated high overhead and took a straight course for the Ha' of Boden.

Yaspard caught up Signy in his arms; and as he swung along towards home he chanted--

"As with his wings aslant Sails the fierce cormorant Seeking some rocky haunt, With his prey laden; So toward the open main, Beating to sea again, Through the wild hurricane Bore I the maiden."

When he finished the verse he put his sister down. "There," he exclaimed; "there is a small hint at a part of my new idea."

"What is your idea, Yaspard?"

But Yaspard laughed and shook his head. "I can't tell you yet. It isn't shaped at all yet, but by-and-by you shall hear all about it, and help with it too, Mootie;[2] only, mind, it's a secret. You must not tell a soul."

"I never tell any of your secrets," Signy answered, with gentle reproach in her tone; and her brother answered promptly, "No, you never tell on me, that is true--though you sometimes let things out by mistake. But you are a trump all the same, Signy; you are; and as good as a boy. I sometimes wish you were a boy. But if you were you'd plague me. Small boys always do plague their big brothers--but _you_ never plague me. Never!"

She squeezed his hand tight and was perfectly happy while they walked on, and Yaspard whistled "the Hardy Norseman."

After executing a few bars he said, "I am going across the voe, and you must not mind if I do not take you with me. I want to have a long talk with the Harrison boys. But if you come down to the noost[3] when I return, I'll take you for a little sail."

"I'll be there, brodhor," said Signy. She was always "there" when Yaspard required or requested.

They walked along the shore until they reached a quay of very modest pretensions, where a small boat was lying ready for use. Their home was not many yards from the beach, and was situated on a green sloping point of land almost surrounded by the waters of Boden voe.

Yaspard jumped into the boat, hauled up the sail, shoved off, and was soon speeding across the mile of water, which was the broadest bit of that winding picturesque fiord.

Signy stood a minute to watch him. She would have stood longer, but out of the house bounced a big dog, barking and evidently greatly excited over something.

"Well, Pirate, what is the matter with you?" the girl asked, as the dog rushed up to her. For answer Pirate caught her skirt gently in his mouth, and indicated as plainly as if he had expressed himself in choicest English that he desired her presence indoors.

So indoors Signy went without more ado.

[1] "Haaf," deep-sea fishing.

[2] "Mootie," little one.

[3] "Noost," boat-shelter.

"AH, MANY A MEMORY OF HOW YE DEALT WITH ME."

When Yaspard reached the other shore he was met by two boys, one his own age, the other about thirteen. These were Laurence and Gilbert Harrison, sons of Mr. Adiesen's factotum, and they were usually styled Lowrie and Gibbie.

Boden was a small island, and there were only three houses on it, namely, the Ha', the factor's house, and Trullyabister, a very ancient dwelling nearly in ruins. Every house in Shetland has a name of its own, so has every knoll and field and crag and islet, therefore the Ha' was called Moolapund, and the Harrisons' house Noostigard. To attend church the inhabitants were obliged to cross to a neighbouring island, and this the majority of them did very regularly. Stores were brought twice a year from the town of Lerwick; and it seldom happened that these ran short, for Miss Adiesen was a shrewd housewife and James Harrison a notable manager; also the Laird was somewhat eccentric, and objecting strongly to all society outside of Boden, did not like that "provisions short" should be made an excuse for frequent expeditions to the larger islands.

The isolated life of Boden had certain charms of its own for a scientist like Mr. Adiesen, and a quiet domestic creature like his sister, whose happiness had been wrecked in early life, and who desired nothing better than to hide herself at Moolapund and devote her life to the wants of her lost twin-brother's children.

Boden was a pleasant home to the Harrisons', for they were a large family, simple crofters, content in each other's society, and cherishing no earthly ambition. It was a satisfactory retreat from the world for Gaun Neeven, who lived alone with a half-witted attendant in the old house of Trullyabister. It was a paradise to little Signy, whose imaginative, romantic nature found infinite delight in the beauty of the Isle, in its myriads of sea-fowl, in its grand-encircling ocean, in the freedom and poetry of life with such environs. But to a strong lad like Yaspard, full of vitality, longing for action and the company of his fellows, there was less to content him, and much to stir in him that spirit of mischief which attends on every energetic boy not blessed with wise guardians, and with plenty of time on his hands.

"Come into the boat, boys," said Yaspard, as he ran his skiff to the noost; and the brothers, nothing loth, scrambled aboard.

"I ran across," said our hero, plunging at once into his subject, "to tell you about a magnificent scheme I have in my head. I am going to be a Viking!"

If he had announced his intention of becoming Czar of all the Russias these boys would have taken it as a matter of course. They merely opened their eyes and said "Weel?" Yaspard had rather expected to surprise them, and was a little disconcerted by the way his startling intention was received.

"I've told you heaps about Vikinger," he said; "you know just what I mean, eh?"

"Weren't they pirates?" Gibbie asked.

"No--at least they would be called that now, but it was different when they lived. There was no way of discovering new lands and getting lots of riches, being great men and doing all sorts of grand things, except by becoming Vikings. It was the only way."

"But they killed people, and robbed, and made slaves. Everybody was frightened when a Viking ship hove in sight," said Lowrie, who was rather reflective for his age and station.

"So they did; but it could not be helped. Besides, every one tried to do the same. And for the matter of that, don't people do the same now? Don't they fight still, and in a worse way? for the Vikinger only laid on man for man, but now any nation who invents the most murderous machine for shooting can mow down armies of men miles off. As for the stealing--what is half the trade of the world but a kind of civil picking of somebody's pocket--a 'doing' of some one. And slavery; bah! slaves enough in Britain while the pressgang can carry off any man it likes. But there--what's the good of such talk? I'm not going to be a Viking in a bad way, so you need not be afraid. It will all be for adventure, and glory and daring, and jolly good fun, I tell you."

"All right; we're game for whatever you please," answered the Harrisons.

After that Yaspard entered into some details of his scheme, and explained portions in which he specially required their co-operation. They were soon as enamoured of the project as he, and eager to begin a career which promised such scope for wild adventure. Some time slipped past while the confabulation lasted, and the dusk of a Shetland summer evening--the poetic "dim"--had fallen upon Boden before the lads separated.

"I'll be over again to-morrow early," said Yaspard, as he pulled out from the shore; "mind you have some armour ready by the time I come."

The light breeze which had wafted him to Noostigard had fallen to a calm, therefore the sail was of no use; but a pair of oars in his muscular hands soon carried the little _Osprey_ to her quay, and there Signy was waiting.

"I've been longer than I meant to be, Mootie," he called out; "I am afraid it is too late to take you off."

"Never mind," she answered; "I don't want to go now. There has been such a disturbance in the house--such a terrific upset. It has made me laugh and cry--I hardly know which I ought to do now about it."

"An upset!" Yaspard exclaimed. "Praise the powers, as Mam Kirsty says. I'm glad the humdrum has had a break. What was it, Signy?"

"A letter! Was that all?"

"All!" exclaimed the girl; "you won't say a letter is a little 'all' when you hear what it did. The mailbag came across this afternoon when we were sitting at the Teng, never thinking!--and uncle got a letter from the young Laird of Lunda which made him furious. You know what happens when Uncle Brues is angry."

"I know. I'm glad it does not happen often, poor old man! Well, what next?"

"He rampaged, and set Aunt Osla off crying. Then he began experiments with that new chemical machine, and nearly blew up the house. The windows of his Den are smashed, and you never saw anything like the mess there is in it--broken glass, books, methylated spirits, specimens, everything."

"Hurrah!" shouted Yaspard, cutting short Signy's story; "don't tell me more. Let's go and see."

He fastened up his boat, took his sister's hand, and ran quickly up the brae to his home.

There indeed was a scene of devastation, as far as the scientist's study was concerned. It looked as though a volcano had irrupted there: bookshelves were overturned, chairs and tables were sprawling legs in air, liquids were oozing in rainbow hues over manuscripts, odours of the most objectionable kind filled the air. A tame raven was hopping among the debris, with an eye to choice "remains" dropping from broken jars; a strange-looking fish was gasping its last breath on the sofa, among broken fragments of its crystal tank. A huge grey cat was standing, with her back arched, on the mantelpiece--the only place she deemed secure--surveying the scene, and ready for instant flight, or fight, if another explosion seemed imminent.

Pirate was lying at the open door, watching the movements of Thor (the raven), whose depredatory proclivities were well known to the dog. Thor, perfectly aware that a detective's eye was upon him, did not venture to abstract any of the wreckage, but assumed an air of careless curiosity as he hopped about among Mr. Adiesen's demoralised treasures.

Mr. Adiesen himself had disappeared. He had been stunned for a few moments by the explosion; but on recovering he only waited to realise the ruin he had wrought, and then, seizing a favourite geological hammer, he raced away to the rocks to practise what stood him in place of strong language.

No one had dared to attempt restoring order in the Den; the maids would not have set foot within its door for their lives. Miss Adiesen was soothing her nerves with tea, which Mam Kirsty was administering with loud and voluble speech.

"My! what a sight!" Yaspard exclaimed, as he looked into the study. "And what a smell! It's enough to frighten the French," and he turned into the parlour, where his aunt was comforting her nerves after her favourite manner, as I said.

"You've been having a high old time, auntie," he cried, laughing. "I never saw such a rare turn-out in Moolapund before."

"You may say so," sobbed Aunt Osla. "It is a 'turn-out' and a 'high old' business. We were near going high enough, let alone your uncle, whose escape is nothing short of a miracle. I always said there would be mischief done with those mixtures and glass tubes, and machines for heating dangerous coloured stuff. A rare turn-out! Yes; there is not much left in his room to turn out--it's all turned. But it isn't the specimens and all that I mind so very much, after all, though that is bad enough, considering all the time and money he has spent on them. It is the--the cause of all this that--that breaks my heart. Oh dear!" and she broke out a-weeping again.

"WIDE TOLD OF IS THIS."

"What had young Garson said to make Uncle Brues so angry?" asked Yaspard.

"He did not say much that was unpleasant--even from our point of view. It is the letter of a gentleman anyway; and I know very well that his mother's son could not say or do or think anything that was not like a gentleman. I knew her, poor dear, when we were both young. See, here is the letter. You may read it. It was flung to me. Your uncle did not care who saw it, or who knows about his 'feud'--oh, I'm sick of the word."

Yaspard smoothed out the letter, which his uncle had crushed up in his rage, and read--

"DEAR MR. ADIESEN,--I very much regret being obliged to remind you once more that Havnholme is part of the Lunda property, and that it was my dear father's wish that the sea-birds on the island should not be molested.

"I shall always be very pleased to give you, or any other naturalist, every facility for studying the birds in their haunts, but I cannot (knowing as I do so well the mind of my late father in this matter) permit innocent creatures to be disturbed and distressed as they have been of late. You know the circumstances to which I allude.

"I do wish (as my father so long wished) that you would meet me and have a friendly talk, when I have no doubt we could smooth this matter--I mean your grievance regarding Havnholme. It seems so unneighbourly, not to say unchristian, to keep up a quarrel from generation to generation.

"Pardon me if it seems presumptuous of a young fellow like me to write thus to you; but I feel as it I were only the medium through which my good noble father were making his wishes known. If you will allow me, I will call upon you at some early time.--Yours sincerely, FRED GARSON."

"It's a very decent letter," said Yaspard, "and everybody who knows the young Laird says he is a brick; but I know how Uncle Brues would flare up over this. One has only to utter 'holme' or 'Lunda' in uncle's hearing if one wants to bring the whole feud about one's ears."

Here Signy put in her soft little voice. "But it really was a shame about the birds, Yaspard. You said so, you know; and oh, I have dreamt about them ever so often, poor things!"

"That's true. Still, uncle persists that the holme is his property; and the Lairds of Lunda have always got the name of land-grabbers."

Miss Osla looked up at the boy with a kind of terror in her eyes. "O Yaspard," she cried, "don't you begin that way too. Don't you believe all that's told you. Don't you take up that miserable, wicked--yes, wicked--quarrel."

"Easy, easy, Aunt Osla! I haven't dug up the hatchet yet. But can you tell me what was the true origin of that affair?"

"I don't believe anybody ever knew what it began about, or why. The Garsons and Adiesens were born quarrelling with one another, I think."

"But surely you know about the particular part of the family feud which had to do with Havnholme?"

"Even _that_ began before I was born, and it was about some land that was exchanged. Your great-grandfather wanted all this island to himself, and he offered the Laird of Lunda some small outlying islands instead of the piece of Boden which belonged to _him_. Mr. Garson agreed, so they 'turned turf'[1] and settled the bargain; and a body would have thought that was enough. But no! By-and-by they got debating that the bargain had not been a fair one, then that Havnholme was not included with the other skerries, and so it went as long as they lived. After that their sons took it up, and disputed, and fought, and never got nearer the truth, for there were no papers to be found to prove who was right; and the tenants who had witnessed the 'turning of turf' would only speak as pleased their master. They wrangled all their lives about it. One would put his sheep on the holme, and the other would promptly go and shove the poor beasts into the sea. One would build a skeoe,[2] and the other would pull it down. These were lawless days, and men might do as they pleased."

"Just like Vikinger," said Yaspard, who quite enjoyed the story. "Well?"

The opening of Viking Boys places its young protagonist Yaspard Adiesen on a crag by the shore, dangling his feet over clear water while gazing at a stretch of ocean dotted with islands. This posture—poised between land and sea—recurs throughout the novel as characters move between the safety of home and the hazards of the water. Saxby repeatedly uses the shoreline as a threshold where ordinary life meets adventure, and where the past (the Viking age Yaspard longs for) presses against the present.

Thresholds and Transitions

The narrative is built around moments of crossing: from crag to boat, from daylight to darkness, from known waters to treacherous skerries. In Chapter I, Yaspard and his sister Signy sit at the water's edge, their conversation already looking outward. Later, when Yaspard watches a false light on the shore—a fire lit by the hapless fule-Tammy—he is caught between exposing the wreckers and protecting his island's reputation. The shore becomes a moral boundary as well as a physical one. Saxby uses these thresholds to generate tension: every departure from land carries the risk of shipwreck, and every return may bring news of disaster or disgrace.

The False Light and Its Echoes

One of the most striking images in the excerpts is the false beacon. Yaspard sees a flicker on the shore that grows into a steady blaze, then fades at dawn. He immediately understands it as a wrecker's signal, yet hesitates to accuse. This scene is mirrored later when shipwrecked sailors report a large fire on a hill, leading to suspicion and conflict. Saxby does not resolve the ambiguity quickly: the fire could be the work of a madman, a prank, or deliberate malice. The recurring motif of deceptive light—something that promises safety but leads to danger—runs through the novel, linking Yaspard's private guilt to the community's larger tensions.

Movement Between Islands

The story's geography is defined by short, perilous sea crossings. Characters travel from Collaster to Lunda, from Boden to the skerries, each voyage fraught with weather, currents, and the possibility of wreck. Saxby charts these movements with care: the fishing boats returning from the far haaf, the haaf-boat that rescues shipwrecked men, the boat Yaspard leaves Signy in. The islands are not just settings but active agents—their shapes, sounds, and skerries dictate what can happen. The young Laird of Lunda, Fred, must cross water to investigate the false light, and his journey underscores how the sea both connects and isolates the communities.

Silence and Speech in Moments of Crisis

Yaspard's internal monologue reveals a boy who weighs his words carefully. When he sees the false light, he mutters to himself rather than waking the sailor: "What's the use?" He decides not to tell on fule-Tammy, partly from a desire to shield Shetland from the accusation of harboring wreckers. This pattern of hesitation and private judgment recurs. Later, when Fred questions the shipwrecked men, he finds no flaw in their story but must consult others before acting. Saxby builds suspense not through dramatic confrontation but through the spaces between what characters know and what they say. The novel's structure often delays revelation, letting readers watch characters wrestle with incomplete information.

Readers attentive to the novel's geography will notice how Saxby uses the sea as both a barrier and a conduit. The false light, the rescue of shipwrecked men, and Yaspard's regret over leaving Signy all hinge on the characters' relationship to the water. Pay attention to who crosses a threshold and who hesitates—those moments often carry the story's weight.

Reading Viking Boys, I kept noticing how Saxby lets the hearth’s glow feel safer because the sea waits just beyond the door. That quiet tension reminded me of something similar in Aunt Hannah and Seth — Edition Insights, where the ordinary rooms seem to breathe differently when risk lingers outside. One book simply brought the other back, like an old photograph surfacing between pages.

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