Brownsmith's Boy: A Romance in a Garden — Story, Setting & Ideas

That was a wonderful place, that garden, and I used to gaze over the high wall with its bristle of young shoots of plum-trees growing over the coping, and see the chaffinches building in the spring-time among the green leaves and milky-white blossoms of the pear-trees; or, perhaps, it would be in a handy fork of an apple-tree, with the crimson and pink blossoms all around.

Those trees were planted in straight rows, so that, look which way I would, I could see straight down an avenue; and under them there were rows of gooseberry trees or red currants that the men used to cut so closely in the winter that they seemed to be complete skeletons.

Where there were no gooseberries or currants, the rows of rhubarb plants used to send up their red stems and great green leaves; and in other places there would be great patches of wallflowers, from which wafts of delicious scent would come in at the open window. In the spring there would be great rows of red and yellow tulips, and later on sweet-william and rockets, and purple and yellow pansies in great beds.

I used to wonder that such a boy was allowed to go loose in such a garden as that, among those flowers and strawberry beds, and, above all, apples, and pears, and plums, for in the autumn time the trees trained up against the high red-brick wall were covered with purple and yellow plums, and the rosy apples peeped from among the green leaves, and the pears would hang down till it seemed as if the branches must break.

But that boy went about just as he liked, and it often seemed very hard that such a shaggy-looking wild fellow in rags should have the run of such a beautiful garden, while I had none.

There was a little single opera-glass on the chimney-piece which I used to take down and focus, so that I could see the fruit that was ripe, and the fruit that was green, and the beauty of the flowers. I used to watch the birds building through that glass, and could almost see the eggs in one little mossy cup of a chaffinch's nest; but I could not quite. I did see the tips of the young birds' beaks, though, when they were hatched and the old ones came to feed them.

It was by means of that glass that I could see how the boy fastened up his trousers with one strap and a piece of string, for he had no braces, and there were no brace buttons. Those corduroy trousers had been made for somebody else, I should say for a man, and pieces of the legs had been cut off, and the upper part came well over his back and chest. He had no waistcoat, but he wore a jacket that must have belonged to a man. It was a jacket that was fustian behind, and had fustian sleeves, but the front was of purple plush with red and yellow flowers, softened down with dirt; and the sleeves of this jacket were tucked up very high, while the bottom came down to his knees.

He did not wear a hat, but the crown of an old straw bonnet, the top of which had come unsewed, and rose and fell like the lid of a round box with one hinge, and when the lid blew open you could see his shaggy hair, which seemed as if it had never been brushed since it first came up out of his skin.

The opera-glass was very useful to me, especially as the boy fascinated me so, for I used to watch him with it till I knew that he had two brass shank-buttons and three four-holes of bone on his jacket, that there were no buttons at all on his shirt, and that he had blue eyes, a snub-nose, and had lost one of his top front teeth.

I must have been quite as great an attraction to him as he was to me, but he showed it in a very different way. There would be threatening movements made with his fists. After an hour's hard work at weeding, without paying the slightest heed to my presence, he would suddenly jump up as if resenting my watching, catch up the basket, and make believe to hurl it at me. Perhaps he would pick up a great clod and pretend to throw that, but let it fall beside him; while one day, when I went to the window and looked out, I found him with a good-sized switch which had been the young shoot of a pear tree, and a lump of something of a yellowish brown tucked in the fork of a tree close by where he worked.

He had a basket by his side and was busily engaged as usual weeding, for there was a great battle for ever going on in that garden, where the weeds were always trying to master the flowers and vegetables, and that boy's duty seemed to be to tear up weeds by the roots, and nothing else.

But there by his side stuck in the ground was the switch, and as soon as he saw me at the window he gave a look round to see if he was watched, and then picked up the stick.

"I wonder what he is going to do!" I thought, as I twisted the glass a little and had a good look.

He was so near that the glass was not necessary, but I saw through it that he pinched off a bit of the yellowish-brown stuff, which was evidently clay, and, after rolling it between his hands, he stuck what seemed to be a bit as big as a large taw marble on the end of the switch, gave it a flourish, and the bit of clay flew off.

I could not see where it went, but I saw him watching it, as he quickly took another piece, kneaded it, and with another flourish away that flew.

That bit evidently went over our house; and the next time he tried--_flap_! the piece struck the wall somewhere under the window.

Five times more did he throw, the clay flying swiftly, till all at once _thud_! came a pellet and stuck on the window pane just above my head.

I looked up at the flattened clay, which was sticking fast, and then at that boy, who was down on his knees again weeding away as hard as he could weed, but taking no more notice of me, and I saw the reason: his master was coming down the garden.

I used to take a good deal of notice of that boy's master as I sat at the window, and it always seemed to me that he went up and down his garden because he was so fond of it.

Later on I knew that it was because he was a market-gardener, and was making his plans as to what was to be cut or picked, or what wanted doing in the place.

He was a pleasant-looking man, with white hair and whiskers, and a red face that always used to make me think of apples, and he was always dressed the same--in black, with a clean white shirt front, and a white cravat without any starch. Perhaps it was so that they might not get in the mud, but at any rate his black trousers were very tight, and his tail-coat was cut very broad and loose, with cross pockets like a shooting-jacket, and these pockets used to bulge.

Sometimes they bulged because he had bast matting for tying up plants, and a knife in one, and a lot of shreds and nails and a hammer in the other; sometimes it was because he had been picking up fruit, or vegetable marrows, or new potatoes, whatever was in season. They always made me think of the clown's breeches, because he used to put everything in, and very often a good deal would be sticking out.

I remember once seeing him go down the garden with a good-sized kitten in each pocket, for there were their heads looking over the sides, and they seemed to be quite contented, blinking away at the other cats which were running and skipping about.

For that boy's master, who was called Brownsmith, was a great man for cats; and whenever he went down his garden there were always six or eight blacks, and black and whites, and tabbies, and tortoise-shells running on before or behind him. When he stopped, first one and then another would have a rub against his leg, beginning with the point of its nose, and running itself along right to the end of its tail, crossing over and having a rub on the other side against the other leg.

So sure as one cat had a rub all the others that could get a chance had a rub as well. Then perhaps their master would stoop down with his knife in his teeth, and take a piece of bast from his pocket, to tie up a flower or a lettuce, when one of the cats was sure to jump on his back, and stop there till he rose, when sometimes it would go on and sit upon his shoulder, more often jump off.

It used to interest me a good deal to watch old Brownsmith and his cats, for I had never known that a cat would run after any one out of doors like a dog. Then, too, they were so full of fun, chasing each other through the bushes, crouching down with their tails writhing from side to side, ready to spring out at their master, or dash off again up the side of a big tree, and look down at him from high upon some branch.

I say all this used to interest me, for I had no companions, and went to no school, but spent my time with my poor mother, who was very ill; and I know now how greatly she must have suffered often and often, when, broken down in health and spirit, suffering from a great sorrow, she used to devote all her time to teaching me.

Our apartments, as you see, overlooked old Brownsmith's market-garden, and very often, as I sat there watching it, I used to wish that I could be as other boys were, running about free in the fields, playing cricket and football, and learning to swim, instead of being shut up there with my mother.

Perhaps I was a selfish boy, perhaps I was no worse than others of my age. I know I was very fond of my mother, for she was always so sweet, and gentle, and tender with me, making the most tedious lessons pleasant by the way she explained them, and helping me when I was worried over some arithmetical question about how many men would do so much work in such and such a number of days if so many men would do the same work in another number of days.

These sums always puzzled me, and do now; perhaps it is because I have an awkwardly shaped brain.

Sometimes, as we sat over the lessons, I used to see a curious pained look spread over my mother's face, and the tears would come in her eyes, but when I kissed her she would smile directly and call my attention to the beauty of the rime frost on the fruit-trees in Brownsmith's garden; or, if it was summer, to the sweet scent of the flowers; or to the ripening fruit in autumn.

Ah, if I had known then, I say to myself, how different I might have been; how much more patient and helpful to her! But I did not know, for I was a very thoughtless boy.

Now it came to pass one day that an idea entered my head as I saw my mother seated with her pale cheek resting upon her hand, looking out over old Brownsmith's garden, which was just then at its best. It was summer time, and wherever you looked there were flowers--not neat flower-beds, but great clumps and patches of roses, and sweet-williams and pinks, and carnations, that made the air thick with their sweet odours. Her eyes were half closed, and every now and then I saw her draw in a long breath, as if she were enjoying the sweet scent.

As I said, I had an idea, and the idea was that I would slip out quietly and go and spend that sixpence.

Why, that sixpence--that red-hot one that tried so hard to burn a hole through my pocket.

I had had it for two days, and it was still at the bottom along with my knife, a ball of string, and that piece of india-rubber I had chewed for hours to make a pop patch. I had nearly spent it twice--the first time on one of these large white neatly-sewn balls, with "Best Tennis" printed upon them in blue; the second time in a pewter squirt.

I had wanted a squirt for a long time, for those things had a great fascination for me, and I had actually entered the shop door to make my purchase when something seemed to stop me, and I ran home.

And now I thought I would go and spend that coin.

I slipped quietly to the other window, and had a good look round, but I could not see that boy, for if I had seen him I don't think I should have had the heart to go, feeling sure, as I did, that he had a spite against me. As I said, though, he was nowhere visible, so I slipped downstairs, ran along the lane to the big gate, and walked boldly in.

There were several people about, but they took no notice of me--stout hard-looking women, with coarse aprons tied tightly about their waists and legs; there were men too, but all were busy in the great sheds, where they seemed to be packing baskets, quite a mountain of which stood close at hand.

There were high oblong baskets big enough to hold me, but besides these there were piles upon piles of round flat baskets of two sizes, and hanging to the side of one of the sheds great bunches of white wood strawberry pottles, looking at a distance like some kind of giant flower, all in elongated buds.

Close by was a cart with its shafts sticking up in the air. Farther on a wagon with "Brownsmith" in yellow letters on a great red band; and this I passed to go up to the house. But the door was closed, and it was evident that every one was busy in the garden preparing the night's load for market.

I stood still for a minute, thinking that I could not be very wrong if I went down the garden, to see if I could find Mr Brownsmith, and my heart began to beat fast at the idea of penetrating what was to me a land of mystery, of which, just then, I held the silver pass-key in the shape of that sixpence.

"I'll go," I said. "He can't be very cross;" and, plucking up courage, but with the feeling upon me that I was trespassing, I went past the cart, and had gone half-way by the wagon, when there was a creaking, rattling noise of baskets, and something made a bound.

I started back, feeling sure that some huge dog was coming at me; but there in the wagon, and kneeling on the edge to gaze down at me with a fierce grin, was that boy.

I was dreadfully alarmed, and felt as if the next minute he and I would be having a big fight; but I wouldn't show my fear, and I stared up at him defiantly with my fists clenching, ready for his first attack.

He did not speak--I did not speak; but we stared at each other for some moments, before he took a small round turnip out of his pocket and began to munch it.

"Shock!" cried somebody just then; and the boy turned himself over the edge of the wagon, dropped on to the ground, and ran towards one of the sheds, while, greatly relieved, I looked about me, and could see Mr Brownsmith some distance off, down between two rows of trees that formed quite an avenue.

It seemed so beautiful after being shut up so much in our sitting-room, to walk down between clusters of white roses and moss roses, with Anne Boleyne pinks scenting the air, and far back in the shade bright orange double wallflowers blowing a little after their time.

I had not gone far when a blackbird flew out of a pear-tree, and I knew that there must be a nest somewhere close by. Sure enough I could see it in a fork, with a curious chirping noise coming from it, as another blackbird flew out, saw me, and darted back.

I would have given that sixpence for the right to climb that pear-tree, and I gave vent to a sigh as I saw the figure of old Brownsmith coming towards me, looking much more stern and sharp than he did at a distance, and with his side pockets bulging enormously.

"Hallo, young shaver! what's your business?" he said, in a quick authoritative way, as we drew near to each other.

I turned a little red, for it sounded insulting for a market gardener to speak to me like that, for I never forgot that my father had been a captain in an Indian regiment, and was killed fighting in the Sikh war.

I did not answer, but drew myself up a little, before saying rather consequentially:

"Sixpenn'orth of flowers and strawberries--good ones."

"Oh, get out!" he said gruffly, and he half turned away. "We've no time for picking sixpenn'orths, boy. Run up into the road to the greengrocer's shop."

My face grew scarlet, and the beautiful garden seemed as if it was under a cloud instead of the full blaze of sunshine, while I turned upon my heel and was walking straight back.

"Hi, boy!" shouted old Brownsmith.

I turned round, and he was signalling to me with the whole of his crooked arm.

"Come on," he shouted, and he thrust a hand and the greater part of his arm into one of his big pockets, and pulled out one of those curved buckhorn-handled knives, which he opened with his white teeth.

He did not look quite so grim now, as he said:

"Come o' purpose, eh?"

"Ah! well, I won't send you back without 'em, only I don't keep a shop."

I looked rather haughty and consequential, I believe, but the looks of such a boy as I made no impression, and he began to cut here and there moss, and maiden's blush, and cabbage roses--simple old-fashioned flowers, for the great French growers had not filled England with their beautiful children, and a gardener in these days would not have believed in the possibility of a creamy _Gloire de Dijon_ or that great hook-thorned golden beauty _Marechal Niel_.

He cut and cut, long-stalked flowers with leaf and bud, and thrust them into his left hand, his knife cutting and his hand grasping the flower in one movement, while his eye selected the best blossom at a glance.

At last there were so many that I grew fidgety.

"I said sixpenn'orth, sir, flowers and strawberries," I ventured to remark.

"Not deaf, my lad," he replied with a grim smile. "Here, let's get some of these."

These were pinks and carnations, of which he cut a number, pushing one of the cats aside with his foot so that it should not be in his way.

"Here you are!" he cried. "Mind the thorns. My roses have got plenty to keep off pickers and stealers. Now, what next?"

"I did want some strawberries," I said, "but--"

"Where's your basket, my hearty?"

I replied that I had not brought one.

"You're a pretty fellow," he said. "I can't tie strawberries up in a bunch. Why didn't you bring a basket? Oh, I see; you want to carry 'em inside?"

"No," I said shortly, for he seemed now unpleasantly familiar, and the garden was not half so agreeable as I had expected.

However he seemed to be quite good-tempered now, and giving me a nod and a jerk of his head, which meant--"This way," he went down a path, cut a great rhubarb leaf, and turned to me.

"Here, catch hold," he cried; "here's one of nature's own baskets. Now let's see if there's any strawberries ripe."