Chicken Little Jane — Story, Setting & Ideas
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Chicken Little Jane — Story, Setting & Ideas can be approached with a clearer sense of reading commitment from its source measurements: 65,949 words, 4 hr 47 min estimated reading time, and 8 detected text sections.
The text analysis averages about 14.2 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Family -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
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- Source metadata20 pts
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Alice had been cheering the besiegers and now joined their counsels. After some whispering they divided forces, and King Richard climbed up the old apple tree at the corner of the house while King Philip led his forces up the scaling ladder again.
The sultan was at his wit's end, but finally left Captain Jane in command at the head of the ladder while he tried to repulse this flank movement. Captain Jane fought valiantly, and once more France was driven back. The sultan was equally successful. The cause of the Crusaders began to look dark, when suddenly the sultan detecting Captain Katy in the act of munching the cherished provisions, proposed a ten-minute truce, but the invaders with their weather eye on the self-same goodies, haughtily declined.
Again they whispered. Suddenly Alice clapped her hands and hurriedly explained. Immediately King Philip once more planted his scaling ladder, but his ally disappeared around the house.
The sultan sent his aide over to the other side of the roof to scout, but King Richard continued his march around the house and was soon hidden from the observers on the kitchen roof, by the angle of the main house.
Presently queer rasping noises were heard. The besieged craned their necks to see what was going on. The sultan became so curious and apprehensive about his rear that he almost let the King of France get up the ladder. The ominous sounds continued, bumping, scraping, tapping, punctuated by sundry exclamations and advice to "Be careful!" from Alice, who had followed the English forces.
Philip of France, so interested in the efforts of his British allies, forgot to attack and had several narrow escapes from being captured himself.
Finally, after one prolonged scrape accompanied by several grunts, the sturdy figure of Richard towered an instant on the roof of the main house six feet above, then with a whoop of triumph, cautiously dropped down among them amid the shrieks of the defenders.
The vanquished garrison pressed round him, not to demand mercy, but to ask questions.
"How'd you get up there?" Chicken Little demanded.
"Bet Alice put you up to that," this from Carol.
"Should think you'd been scared to death!" whispered Gertie, still breathless with surprise.
"Pshaw, 'twas easy--just shinned up that wistaria vine on the gable, it's awful old and strong. I've climbed heaps of times before, but I wouldn't of thought of it, if Alice hadn't told me."
"My, wisht I could climb it!" said Katy fairly awestruck with admiration at such daring.
"Oh, you couldn't--you're just a girl, but I'll show you where I got up," said Ernest condescendingly. "Say, where's all the apples and cookies?"
The hint was sufficient and both besieged and besiegers, perched in various attitudes along the low roof like a flock of variegated chickens, were soon merrily celebrating the downfall of Acre.
It was thus that Mrs. Morton found them, coming around the house a few moments later in search of her offspring.
"Children! What are you doing?" she gasped in horrified tones. "Jane Morton, I thought I told you to play quietly. The idea of little girls climbing up on a roof. Put on your shoes this instant--all of you--and come down! Ernest, didn't you know better than to let your little sister go into such a dangerous place?"
Neither the valorous sultan, nor the doughty Crusaders were proof against this onslaught, and the visitors speedily retreated homewards while their crestfallen host and hostess went to bed to think over their sins. Chicken Little indeed started to say something about Alice having let them, but stopped suddenly, warned by a dig in the ribs from Ernest's elbow.
While the more favored members of the family were at supper that night, and Ernest was tossing restlessly and wondering if they were having apple dumplings, a small, warm hand reached up beside the bed and touched him.
"Hush, here's your book, Ern, and here's two slices of bread and jam, and some cheese and apple pie."
"Where in the Dickens did you----"
"Somebody poked a plate with it on inside my door a minute ago. We'd better eat it quick."
Ernest needed no urging.
"Do you suppose Frank brought it?"
"No," replied Chicken Little between mouthfuls, "I s'pose Alice."
Chicken Little was seated on the end of the kitchen table swinging her legs and watching Alice make pies.
"Look out--you'll get your stockings black off the stove," warned Alice lifting a pie from the oven.
"I wisht I didn't always have to wear white stockings--they're such a nuisance."
"They are hard to keep clean. But the nice families always make their children wear white, I notice. I don't see why black wouldn't look just as well with black shoes--especially for school."
"Grace Dart has two clean pairs every day. Did you wear white stockings when you were a little girl, Alice?"
"In summer--in winter we had heavy knitted ones, red and white or blue and white striped. Mother used to knit them."
"Did your mother die when you were a weenty girl?"
"No, I was fifteen when she went. Father died five years before. It was grieving about him, and the hard work and going hungry that killed Mother before her time. She'd be living now if we'd had our rights."
Chicken Little puckered her brow for a moment trying to think this out.
"What was the matter with the rights? Did somebody take them?"
Alice laughed till she showed her dimples.
"You funny dear! Yes, took them away from us. I am afraid I can't make you understand, Jane. It was our property--money and this house and some bank stock that we lost. My father went to the war and left all his business in the hands of his partner, a man named Gassett. Father fought in the war two years till he was badly wounded and had to come home. Some day I'll show you a piece of a Confederate flag he helped capture. He was never himself again and Mr. Gassett ran everything. Father said just before he died that he was thankful he at least had the home and some bank stock to leave us--but he didn't have even that it seems. We couldn't find any bank stock certificates and Mr. Gassett had a big mortgage on the house--so he got it, too. Mother said she was sure Father had paid off that mortgage two years after he went into partnership with Gassett--but, pshaw, you can't understand all this!"
"I can, too, I'm very quick. I heard Mother tell Mrs. Halford so and she said I had the strongest will she ever saw in a child!" Chicken Little was indignant.
Alice smiled but went on fluting the edge of an apple pie with a fork.
"Please tell me some more, Alice. Did your mother get awful hungry? Was that why you brought us some supper?"
"How do you know I brought you any supper?"
"'Cause. It was you--wasn't it, Alice?"
"Yes, Jane, and I expect your mother would be very angry with me if she knew. But I can't bear to have anybody go hungry since Mother--and I know how it feels myself--there's Katy whistling, you'd better run along."
Katy's smooth brown head appeared above the high board fence on her side of the alley that divided the Morton and Halford places. Chicken Little promptly mounted the top of their fence by the aid of a convenient wood pile.
Few days passed in which the children did not visit across the alley. They were not permitted to go outside their own yards without leave, but no embargo had been placed upon the fences. So they sweetened the days when permission to visit was denied by consoling each other across the alley. The result of this conference sent Chicken Little scurrying in to her mother.
Mrs. Morton sat by one of the long French windows with a small writing desk on her lap, busily writing a letter.
"Um--n--yes--what did you say?"
"May I have ten cents, Mother? We're going to start a millinery store and you can get a lot of the loveliest little roses and forget-me-nots down to Mrs. Smith's for ten cents. They fall off the wreaths you know. Grace Dart has promised to buy a hat and Katy's Cousin Mary said maybe she would, and it's Saturday and we can work all day--say, will you, Mother?"
"Dear, dear, what's all this? A millinery store? You and Katy and Gertie, I suppose. Well, I don't know but that would be a nice way to help teach you to sew. You must comb your hair again and put on a clean white apron before you go downtown--and don't go anywhere but Mrs. Smith's. By the way, have you finished your practicing?"
Chicken Little wriggled painfully before she reluctantly shook her head.
"Well, do your hour first, then you may have the money."
"Oh, Mother, couldn't I practice after dinner--the girls are waiting for me?"
"Duty before pleasure, little daughter, go finish your hour and I'll hunt up some bits of tulle and ribbon for you myself."
"Oh, will you, Mother? Goody, goody! May I go tell the girls? I'll come straight back."
"Yes, but don't get so excited. Little ladies should learn to be more composed--and don't stand on one foot. Come here--the top button of your dress is unfastened." Jane submitted to the buttoning process then flew off to tell the others, who were already setting up shop in the fence corner.
"Oh, Jane," they chorused the moment she came in sight, "Mother gave us the loveliest yellow satin and some pink flowers and lace, too!"
"Yes, and I found six chicken feathers that'll be grand for turbans," broke in Gertie.
Chicken Little flung herself breathless upon the grass and explained between gasps.
"If it wasn't for that horrid practicing!" she finished.
"Never mind," said Katy, "Gertie can be fixing the store and I'll start right in on a hat. It'll take a lot of work I tell you--we're going to charge ten cents a hat."
Chicken Little started reluctantly back to the house and still more reluctantly settled down on the old green-velvet piano stool to practice. There was not much music in her soul, and sitting still at anything was torture. She squirmed even when she read, and her brother Frank said she got into sixty-nine different positions by actual count during the sermon one Sunday. He had made her a standing offer of ten cents whenever she could sit perfectly still for five minutes, but so far his money was safe.
The moon-faced clock on the opposite wall ticked monotonously and Chicken Little's small fingers thumped stiffly at the five-finger exercises while she painfully counted aloud, partly to get the time and partly for company.
At the end of ten minutes she looked up at the clock in despair--surely it must have stopped! But no, the big pendulum was swinging faithfully to and fro. She tried scales, then she went back to exercises. She squirmed and wriggled and counted the big white medallions in the crimson body-brussels carpet. These medallions were her especial admiration, for each was bordered with elaborate curlicues, and contained a gorgeous basket of woolen flowers, the like of which never bloomed in any garden, temperate or tropical. There were fifteen of these across the room and twenty-five lengthwise.
The lace curtains were floral, too. She occupied five minutes trying for the hundredth time to decide, whether a delicate lace bloom with the circumference of a holly-hock was intended for a lily or a rose. The old steel engraving of General Washington's household hanging over the piano helped on a few moments more. The colored servant back of the general's chair had a fascination for her even greater than Martha Washington's mob cap and lace mitts. But, alas, even with the aid of these diversions she had only worried through twenty-five minutes.
Then she had an inspiration. "Grimm's Fairy Tales" lay on the sofa open face downward where she had left it half an hour before. She propped the book on the music rack and started in once more on the exercises. The exercises, however, refused to combine with reading--the discords were painful even to Jane's ears so she tried scales which worked like a charm. Mechanically her hands rippled up and down the keys while her fancy fluttered off after "Snow White" and "Rose Red." And the big clock was so neglected that it was five minutes past the hour before she thought to look at it again.
"Finished your hour, Daughter? Did you practice faithfully?"
Chicken Little considered a moment before replying.
"I didn't play the exercises much," she said doubtfully.
"Well, you did the scales very nicely."
Again Chicken Little paused.
Her conscience was pricking. On the chair beside her mother was a glowing pile of odd ribbons and old artificial flowers and her mother's kindness suddenly made the child realize that the Grimm hadn't been quite fair--she did not like the feeling of not playing fair. She twisted the handle of the door trying to muster up courage to confess, but Mrs. Morton was in a hurry to finish her letters.
"Run along now. Here are some things for you and here's the dime. I am busy, dear."
And Chicken Little feeling that the Fates had excused her, flew off joyfully to join the girls.
The fence corner was swept and garnished. An old lumber pile and several soap boxes had been pressed into service for shelves and counters and were artistically covered with an old lace curtain. Gertie was just putting a vase of real flowers on a table as a finishing touch, when Jane came up.
"Um-m, isn't that too sweet for anything, and see what I've got!"
"Look at this! It's most done," Katy held up an adorable creation of white tulle and pink rosebuds which her nimble fingers had almost completed.
She dispatched Gertie and Chicken Little to Mrs. Smith's for more flowers while she trimmed away industriously. It was a very happy Saturday. The fame of it spread throughout the neighborhood and the three little girls were kept busy snipping and fussing with the tiny headgear. Katy had natural style and taste and some of the little hats were really charming.
The boys dropped over once or twice to see what was going on. Finally, they were so fired by this business enterprise that they started a lemonade stand just outside the front gate, having painfully secured a capital of five lemons by dint of much coaxing of mothers and maids.
Their venture could hardly be called a success. They sold one glass for five cents, then Carol, who was always awkward, upset the whole pitcherful. The ice melted out of the second, and no customers appearing, the boys were drinking it up themselves, when Sherman gallantly proposed to treat the little girls. The supply was getting low by this time, but they carried over one rather skimpy and distressingly seedy glass to be divided among the three.
The young ladies were too grateful for this unexpected attention to be critical. Besides their exchequer was filling up beautifully.
"How much did you make? We've got thirty cents already," said Katy.
"Gee, how'd you make such a lot?" Sherm looked impressed.
"Say, lend us a quarter, won't you?" urged Carol.
"Not much we won't, but I'll tell you. If you'll take this hat down to Cousin May's we'll give you five cents, 'cause Mother won't let us go so far by ourselves. And I'm afraid she'll change her mind about taking it if we wait till Monday at school."
The boys dickered a while and reckoned up the number of blocks their weary feet would have to travel. Carol insisted that seven cents was none too much for the effort, but Katy was a good business woman and was firm in sticking to her first offer.
The lads finally agreed to take it on their way to the ball game, but this small errand raised a veritable tempest in the little company before it was finally settled.
The tiny package was carefully wrapped and the boys carried it with due respect and delivered it into May Allen's hands. They duly pocketed not only the ten cents in payment but another as well, for May was so delighted with the hat and the elegant manner in which it had been delivered, that she sent an order, with payment in advance, for another bonnet.
All would have been well but for the seductions of a certain ice-cream parlor where candy, apples and cigars were temptingly displayed in a window, draped genteely with a fly-specked lace lambrequin.
Sherman suggested they get a dime changed and expend their nickel for the sweets. Once inside, the sight of sundry acquaintances eating alluring pyramids of creamy coolness confronted them. The boys had been standing around at Brown's field watching the ball game. It was hot and dusty and their mouths watered. Carol had ten cents of his own. By using their nickel and the remaining fifteen cents they could each have a dish. Ernest hesitated about this borrowing, but the boys said they could pay it back. Ernest was sure he had that much in his toy bank at home, and the other boys were positive they could shake it through the slit if they tried hard enough.
So the tempter won and the trust money was speedily converted into ice-cream. The ice-cream once down the transaction began to take on a different phase. The boys plodded home rather silently.
Sherman voiced the first doubt.
"Say, Ern, are you sure you've got enough?"
Ern was wondering himself if he had.
"I guess we'd better go in the side gate and get it out before the girls see us," he replied.
The boys slipped in the side gate in a manner so noiseless that it might almost be called sneaking. On up to Ernest's room they filed and hastily secured the bank.
Alas, no rattle of coin repaid them. Absent-minded Ernest had entirely forgotten that his father had taken the contents to the savings bank for him the preceding month, and that he had not been able to save up anything since.
The boys looked at each other.
"Maybe Mother'll lend me fifteen cents," said Ernest after a pause.
A speedy search of the house revealed the sad fact that Mother was not at home.
The boys' faces fell. They someway did not care to meet the little girls. Ernest twisted his scalp lock in deep thought.
"Say, I'll cut home and ask Sister Sue for it," volunteered Sherm, who didn't have red hair and freckles for nothing. "She'll almost always help a fellow out."
The boys watched impatiently. Fifteen minutes passed. They could see from the window that the little girls were all on the front fence watching for their return.
"How'll Sherm ever get in?" asked Carol gloomily.
"He won't! They've seen him now, I bet. Watch them all running. Sherm must be trying to make it in the back way. Gee, they've got him!"
Sherm shook off his pursuer's clinging fingers. His longer legs soon distanced them enough for him to dash up the stairs and shoot into the room ahead of them. Ernest promptly shut the door and bolted it.
Sherm dropped panting into a chair, shaking his head.
"Sue wasn't there, and Mother didn't have any small change and said I'd had more spending money than was good for me anyhow."
The little girls began to pound vigorously on the door.
"We might tell them we lost it," suggested Carol desperately.
"No, we won't!" retorted Ernest. "I'm not that kind, thank you, to spend the kids' money and then lie about it! Nope, we're up against it and we'll have to take our medicine," Ernest marched straight to the door and flung it open.
"What you boys up to?"
"Did you get the hat to her all right?"
The little girls stood in an accusing half-circle and fired their questions in a broadside.
Ernest put the facts as diplomatically as possible. Sherman and Carol backed him up manfully, promising to pay back with the very first money they could get their hands on.
For an instant the children were stunned. Ernest remembered the look of sorrowful amazement on his little sister's face long after the whipping his father gave him for the offense had been forgotten. Chicken Little adored Ernest and he knew it.
She didn't say a word. She just looked. Gertie started to cry, but Katy flared up and turned red as a little turkey cock.
"I think that's the meanest thing I ever knew anybody to do--it's just plain stealing, so it is! I'm going right straight to tell your mother, Ernest Morton--I hear her coming!"
The opening excerpt introduces Jane Morton through a game of hide-and-seek with her friends Katy and Gertie Halford. Jane’s reluctance to answer her mother’s call—'’Cause I’ll have to go in. She’ll think I don’t hear if I keep still'—immediately establishes a child’s logic and a tension between independence and obedience. The narrator contrasts the Halford sisters’ immaculate appearance and distinct temperaments with Jane’s envy of their neat hair bows, hinting at a household where order is valued. This scene, set in a fence corner, grounds the story in domestic, small-town life and suggests that Jane’s adventures will be shaped by her relationships with family and friends.
Voice and Perspective
The excerpts reveal a third-person narrator who stays close to Jane’s thoughts and feelings. When Jane worries about her mother’s irritation, the narrative reflects her internal calculation: 'She’ll think I don’t hear if I keep still.' The prose is direct and unadorned, matching a child’s perspective. Descriptions of the Halford sisters—'always immaculately starched and neat'—are filtered through Jane’s envious eyes. This focalization allows readers to experience events as Jane does, without adult commentary. The narrator occasionally uses colloquial phrases like 'dear me' or 'my—just see Katy,' which blend into the dialogue and reinforce the informal tone. This consistent voice suggests that the book prioritizes Jane’s subjective experience over objective narration.
Family Dynamics and Authority
Jane’s interactions with her mother and older sister Marian illustrate a household where authority is negotiated. In the opening, Jane tries to delay obeying by bringing friends along: 'Maybe she won’t make me stay if I have company.' Later, when Jane wants to skate, she asks Marian to intercede with their mother. Marian’s response—'Come along if your mother will let you'—shows she respects parental boundaries while supporting Jane. The mother’s consent is obtained quickly, suggesting a permissive but watchful parenting style. Marian and Frank, the older brother, act as caretakers during outings, reflecting a family structure where older siblings share responsibility. These dynamics create a backdrop of security that allows Jane’s adventures to unfold without serious peril.
Episodic Structure and Thematic Threads
The table of contents lists twenty chapters with titles like 'The Millinery Store,' 'The Duck Creek Treasure,' and 'The Wedding,' indicating an episodic structure. Each chapter likely presents a self-contained incident, though recurring elements—such as Jane’s nickname 'Chicken Little' and her friendships with Katy and Gertie—provide continuity. The skating excerpt shows a typical pattern: Jane desires a new experience, encounters obstacles (no skates, difficulty learning), and receives help from family. Her envy of Katy’s skill and her own determination ('Great was her joy when she finally succeeded') are recurring emotional beats. The catalog subjects—family, silver, caves, weddings, holidays, birthdays—suggest that these episodes are tied to domestic and seasonal events, grounding the story in everyday life.
Setting and Sensory Details
The excerpts are rich in sensory specifics that anchor the story in a particular time and place. The opening scene includes 'blue gingham dress and white frilled pinafore,' 'thick brown hair parted in front and braided into smooth tight braids,' and 'bows the exact shade of their dresses.' The skating scene describes 'red coat, red leggings and red hood,' 'frosty and clear' afternoon, and the pond 'covered with skaters of all ages.' These details evoke early 20th-century rural or small-town America. The author uses concrete objects—skates, sleds, a 'back-yard furnace' from the chapter list—to create a tangible world. The setting is not merely backdrop but integral to the action: the ice becomes a stage for Jane’s learning and social comparison.
Readers approaching Chicken Little Jane for the first time will find a story that moves through a series of domestic and seasonal episodes, each offering a glimpse into Jane’s character and her world. The excerpts suggest that the book’s pleasures lie in its precise observation of childhood—the envy, the determination, the small triumphs. Pay attention to how Jane’s nickname and her relationship with her mother evolve across chapters, as these may provide a subtle arc beneath the episodic surface.
There’s something about reading Chicken Little Jane that feels like sitting on a porch swing, letting the hours drift by. The homey, episodic rhythm made me think of old sea yarns, where every calm day carries a hint of storm. That same quiet pull lives in The Flag of Distress: A Story of the South Sea — Background and Themes, though with salt air instead of farmyard dust. I found myself missing that unhurried pace long after closing the book.
Lucas Lee
1 month agoSofia Davis
2 weeks agoAlexander Walker
2 weeks agoElijah Walker
1 month ago-
Lauren Dunn - 1 month ago
This book offers a sweet portrayal of a bygone era. The stories are easy to follow and have a wholesome charm. However, the language feels somewhat old-fashioned, and modern children might not relate as easily. Still, it's a pleasant read for those who appreciate classic children's literature. -
Tiffany Miles - 3 weeks ago
I found this book rather dull and dated. The adventures of Chicken Little Jane are trivial and lack any real excitement or depth. The characters are simplistic, and the moral lessons are heavy-handed. While it might appeal to very young readers, it doesn't hold up well for older audiences. There are far more engaging children's books from that era. -
Connor Hopkins - 1 week ago
A delightful collection of stories about a mischievous and lovable little girl. Chicken Little Jane's adventures are charmingly written, capturing the innocence and curiosity of childhood. The stories are simple yet engaging, with gentle humor and valuable lessons. It's a wonderful book to read aloud to children, and the illustrations (if any) would add to the appeal. A true gem for family reading.
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Sofia Perez
3 weeks ago