Mary Louise and the Liberty Girls — Edition Insights

(10 User reviews)   1732
Baum, L. Frank (Lyman Frank), 1856-1919, Carsey, Alice [Illustrator] Project Gutenberg 2007 Not confirmed
Teenage girls -- Juvenile fiction; Mystery and detective stories; World War, 1914-1918 -- War work -- Juvenile fiction; Burrows, Mary Louise (Fictitious character) -- Juvenile fiction; Liberty bonds -- Juvenile fiction; Traitors -- Juvenile fiction; Middle West -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 48,714
Reading time 212 min
Text sections 6

This digital edition of Mary Louise and the Liberty Girls — Edition Insights is described by source-level measurements including 48,714 words, 3 hr 32 min estimated reading time, and 6 detected text sections.

The text analysis averages about 16.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Teenage girls -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

An editorial note examining how L. Frank Baum's Mary Louise and the Liberty Girls uses public gatherings, secret compartments, and shifting group dynamics to structure a wartime mystery centered on a teenage detective and her patriotic club.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

CHAPTER VI. TO HELP WIN THE WAR

The activities of the Liberty Girls of Dorfield did not cease with their successful Liberty Bond "drive." Indeed, this success and the approbation of their fellow townspeople spurred the young girls on to further patriotic endeavor, in which they felt sure of enthusiastic encouragement.

"As long as Uncle Sam needs his soldiers," said Peter Conant, the lawyer, "he'll need his Liberty Girls, for they can help win the war."

When Mary Louise first conceived the idea of banding her closest companions to support the government in all possible ways, she was a bit doubtful if their efforts would prove of substantial value, although she realized that all her friends were earnestly determined to "do their bit," whatever the bit might chance to be. The local Red Cross chapter had already usurped many fields of feminine usefulness and with a thorough organization, which included many of the older women, was accomplishing a 'vast deal of good. Of course the Liberty Girls could not hope to rival the Red Cross.

Mary Louise was only seventeen and the ages of the other Liberty Girls ranged from fourteen to eighteen, so they had been somewhat ignored by those who were older and more competent, through experience, to undertake important measures of war relief. The sensational bond sale, however, had made the youngsters heroines--for the moment, at least-- and greatly stimulated their confidence in themselves and their ambition to accomplish more.

Mary Louise Burrows was an orphan; her only relative, indeed, was Colonel James Hathaway, her mother's father, whose love for his granddaughter was thoroughly returned by the young girl. They were good comrades, these two, and held many interests in common despite the discrepancy in their ages. The old colonel was "well-to-do," and although he could scarcely be called wealthy in these days of huge fortunes, his resources were ample beyond their needs. The Hathaway home was one of the most attractive in Dorfield, and Mary Louise and her grandfather were popular and highly respected. Their servants consisted of an aged pair of negroes named "Aunt Sally" and "Uncle Eben," who considered themselves family possessions and were devoted to "de ole mar'se an' young missy."

Alora Jones, who lived in the handsomest and most imposing house in the little city, was an heiress and considered the richest girl in Dorfield, having been left several millions by her mother. Her father, Jason Jones, although he handled Alora's fortune and surrounded his motherless daughter with every luxury, was by profession an artist--a kindly man who encouraged the girl to be generous and charitable to a degree. They did not advertise their good deeds and only the poor knew how much they owed to the practical sympathy of Alora Jones and her father. Alora, however, was rather reserved and inclined to make few friends, her worst fault being a suspicion of all strangers, due to some unfortunate experiences she had formerly encountered. The little band of Liberty Girls included all of Alora's accepted chums, for they were the chums of Mary Louise, whom Alora adored. Their companionship had done much to soften the girl's distrustful nature.

The other Liberty Girls were Laura Hilton, petite and pretty and bubbling with energy, whose father was a prominent real estate broker; Lucile Neal, whose father and three brothers owned and operated the Neal Automobile Factory, and whose intelligent zeal and knowledge of war conditions had been of great service to Mary Louise; Edna Barlow, a widowed dressmaker's only child, whose sweet disposition had made her a favorite with her girl friends, and Jane Donovan, the daughter of the Mayor of Dorfield and the youngest of the group here described.

These were the six girls who had entered the bond campaign and assisted to complete Dorfield's quota of subscriptions, but there was one other Liberty Girl who had been unable to join them in this active work. This was Irene Macfarlane, the niece of Peter Conant. She had been a cripple since childhood and was confined to the limits of a wheeled chair. Far from being gloomy or depressed, however, Irene had the sunniest nature imaginable, and was always more bright and cheerful than the average girl of her age. "From my knees down," she would say confidentially, "I'm no good; but from my knees up I'm as good as anybody." She was an excellent musician and sang very sweetly; she was especially deft with her needle; she managed her chair so admirably that little assistance was ever required. Mrs. Conant called her "the light of the house," and to hear her merry laughter and sparkling conversation, you would speedily be tempted to forget that fate had been unkind to her and decreed that for life she must be wedded to a wheeled chair.

If Irene resented this decree, she never allowed anyone to suspect it, and her glad disposition warded off the words of sympathy that might have pained her.

While unable to sally forth in the Liberty Bond drive, Irene was none the less an important member of the band of Liberty Girls. "She's our inspiration," said Mary Louise with simple conviction. Teeming with patriotism and never doubting her ability to do something helpful in defeating her country's foes, Irene had many valuable suggestions to make to her companions and one of these she broached a few days after the bond sale ended so triumphantly. On this occasion the Liberty Girls had met with Irene at Peter Conant's cosy home, next door to the residence of Colonel Hathaway, for consultation as to their future endeavors.

"Everyone is knitting for the soldiers and sailors," said Irene, "and while that is a noble work, I believe that we ought to do something different from the others. Such an important organization ought to render unusual and individual service on behalf of our beloved country. Is it not so?"

"It's all very well, Irene, to back our beloved country," remarked Laura, "but the whole nation is doing that and I really hanker to help our soldier boys."

"So do I," spoke up Lucile. "The government is equal to the country's needs, I'm sure, but the government has never taken any too good care of its soldiers and they'll lack a lot of things besides knitted goods when they get to the front."

"Exactly," agreed Mary Louise. "Seems to me it's the girls' chief duty to look after the boys, and a lot of the drafted ones are marching away from Dorfield each day, looking pretty glum, even if loyally submitting to the inevitable. I tell you, girls, these young and green soldiers need encouraging, so they'll become enthusiastic and make the best sort of fighters, and we ought to bend our efforts to cheering them up."

Irene laughed merrily.

"Good!" she cried; "you're like a flock of sheep: all you need is a hint to trail away in the very direction I wanted to lead you. There are a lot of things we can do to add to our soldiers' comfort. They need chocolate--sweets are good for them--and 'comfort-kits' of the real sort, not those useless, dowdy ones so many well-intentioned women are wasting time and money to send them; and they'll be grateful for lots and lots of cigarettes, and--"

"Oh, Irene! Do you think that would be right?" from Edna Barlow.

"Of course it would. The government approves cigarettes and the French girls are supplying our boys across the pond with them even now. Surely we can do as much for our own brave laddies who are still learning the art of war. Not all smoke, of course, and some prefer pipes and tobacco, which we can also send them. Another thing, nearly every soldier needs a good pocket knife, and a razor, and they need games of all sorts, such as dominoes and checkers and cribbage-boards; and good honest trench mirrors, and--"

"Goodness me, Irene," interrupted Jane Donovan, "how do you think we could supply all those things? To equip a regiment with the articles you mention would cost a mint of money, and where's the money coming from, and how are we to get it?"

"There you go again, helping me out!" smiled Irene. "In your question, my dear, lies the crux of my suggestion. We Liberty Girls must raise the money."

"I object to begging."

"The people are tired of subscribing to all sorts of schemes."

"We certainly are not female Croesuses!"

"Perhaps you expect us to turn bandits and sandbag the good citizens on dark nights."

Irene's smile did not fade; she simply glowed with glee at these characteristic protestations.

"I can't blame you, girls, for you haven't thought the thing out, and I have," she stated. "My scheme isn't entirely original, for I read the other day of a similar plan being tried in another city, with good success. A plan similar, in some ways, but quite different in others. Yet it gave me the idea."

"Shoot us the idea, then," said Jane, who was inclined to favor slang.

"In order to raise money," said Irene, slowly and more seriously than she had before spoken, "it is necessary for us to go into business. The other day, when I was riding with Alora, I noticed that the store between the post-office and the Citizens' Bank is vacant, and a sign in the window said 'Apply to Peter Conant, Agent.' Peter Conant being my uncle, I applied to him that evening after dinner, on behalf of the Liberty Girls. It's one of the best locations in town and right in the heart of the business district. The store has commanded a big rental, but in these times it is not in demand and it has been vacant for the last six months, with no prospect of its being rented. Girls, Peter Conant will allow us to use this store room without charge until someone is willing to pay the proper rent for it, and so the first big problem is solved. Three cheers for Uncle Peter!"

They stared at her rather suspiciously, not yet understanding her idea.

"So far, so good, my dear," said Mary Louise. "We can trust dear old Peter Conant to be generous and patriotic. But what good is a store without stock, and how are we going to get a stock to sell--and sell it at a profit that will allow us to do all the things we long to do for the soldiers?"

"Explain that, and I'm with you," announced Alora.

"Explain that, and we're all with you!" declared Lucile Neal.

"All I need is the opportunity," protested Irene. "You're such chatterboxes that you won't let me talk! Now--listen. I'm not much of an executioner, girls, but I can plan and you can execute, and in that way I get my finger in the pie. Now, I believe I've a practical idea that will work out beautifully. Dorfield is an ancient city and has been inhabited for generations. Almost every house contains a lot of articles that are not in use--are put aside and forgotten--or are not in any way necessary to the comfort and happiness of the owners, yet would be highly prized by some other family which does not possess such articles. For instance, a baby-carriage or crib, stored away in some attic, could be sold at a bargain to some young woman needing such an article; or some old brass candlesticks, considered valueless by their owner, would be eagerly bought by someone who did not possess such things and had a love for antiques.

"My proposition is simply this: that you visit all the substantial homes in Dorfield and ask to be given whatever the folks care to dispense with, such items to be sold at 'The Liberty Girls' Shop' and the money applied to our War Fund to help the soldier boys. Lucile's brother, Joe Neal, will furnish us a truck to cart all the things from the houses to our store, and I'm sure we can get a whole lot of goods that will sell readily. The people will be glad to give all that they don't want to so good a cause, and what one doesn't want, another is sure to want. Whatever money we take in will be all to the good, and with it we can supply the boys with many genuine comforts. Now, then, how does my idea strike you?"

Approval--even the dawn of enthusiasm--was written on every countenance. They canvassed all the pros and cons of the proposition at length, and the more they considered it the more practical it seemed.

"The only doubtful thing," said Mary Louise, finally, "is whether the people will donate the goods they don't need or care for, but that can be easily determined by asking them. We ought to pair off, and each couple take a residence street and make a careful canvass, taking time to explain our plan. One day will show us whether we're to be successful or not, and the whole idea hinges on the success of our appeal."

"Not entirely," objected Alora. "We may secure the goods, but be unable to sell them."

"Nonsense," said little Laura Hilton; "nothing in the world sells so readily as second-hand truck. Just think how the people flock to auctions and the like. And we girls should prove good 'salesladies,' too, for we can do a lot of coaxing and get better prices than an auctioneer. All we need do is appeal to the patriotism of the prospective buyers."

"Anyhow," asserted Edna, "it seems worth a trial, and we must admit the idea is attractive and unique--at least a novelty in Dorfield."

So they planned their method of canvassing and agreed to put in the next day soliciting articles to sell at the Liberty Girls' Shop.

CHAPTER VII THE LIBERTY SHOP

Mary Louise said to her grandfather that night, after explaining Irene's novel scheme to raise money: "We haven't been housekeeping many years in Dorfield and I'm not sure I can find among our household possessions anything to give the Liberty Shop. But I've some jewelry and knickknacks that I never wear and, if you don't mind, Gran'pa Jim, I'll donate that to our shop."

The Colonel was really enthusiastic over the plan and not only approved his granddaughter's proposition to give her surplus jewelry but went over the house with her and selected quite an imposing lot of odds and ends which were not in use and could readily be spared. Eager to assist the girls, the old colonel next morning went to town and ordered a big sign painted, to be placed over the store entrance, and he also induced the editors of the two newspapers to give the Liberty Girls' latest venture publicity in their columns, inviting the cooperation of the public.

Peter Conant turned over the keys of the big store to the girls and the first load of goods to be delivered was that from the Hathaway residence.

The Liberty Girls were astonished at the success of their solicitations. From almost every house they visited they secured donations of more or less value. It may have seemed "rubbish" to some of the donors, but the variety of goods that soon accumulated in the store room presented an interesting collection and the girls arranged their wares enticingly and polished up the brass and copper ornaments and utensils until they seemed of considerable value.

They did not open their doors to the public for ten days, and Joe Neal began to grumble because one of his trucks was kept constantly running from house to house, gathering up the articles contributed to the Liberty Girls' Shop. But the girls induced other trucks to help Joe and the enthusiasm kept growing. Curiosity was spurred by the big sign over the closed doors, and every woman who donated was anxious to know what others had given to the shop. It was evident there would be a crowd at the formal "opening," for much was expected from the unique enterprise.

Meantime, the girls were busily occupied. Each day one group solicited donations while another stayed at the store to arrange the goods. Many articles of furniture, more or less decrepit, were received, and a man was hired to varnish and patch and put the chairs, stands, tables, desks and whatnots into the best condition possible. Alora Jones thought the stock needed "brightening," so she induced her father to make purchases of several new articles, which she presented the girls as her share of the donations. And Peter Conant, finding many small pieces of jewelry, silverware and bric-a-brac among the accumulation, rented a big showcase for the girls, in which such wares were properly displayed.

During these ten days of unflagging zeal the Liberty Girls were annoyed to discover that another traitorous circular had been issued. A large contingent of the selective draft boys had just been ordered away to the cantonment and the day before they left all their parents received a circular saying that the draft was unconstitutional and that their sons were being sacrificed by autocratic methods to further the political schemes of the administration. "Mr. Wilson," it ended, "is trying to make for himself a place in history, at the expense of the flesh and blood of his countrymen."

This vile and despicable screed was printed from the same queer type as the former circulars denouncing the Liberty Bond sale and evidently emanated from the same source. Mary Louise was the first to secure one of the papers and its envelope, mailed through the local post-office, and her indignation was only equalled by her desire to punish the offender. She realized, however, her limitations, and that she had neither the time nor the talent to unmask the traitor. She could only hope that the proper authorities would investigate the matter.

That afternoon, with the circular still in her handbag, she visited the clothing store of Jacob Kasker and asked the proprietor if he had any goods he would contribute to the Liberty Girls' Shop.

Kasker was a stolid, florid-faced man, born in America of naturalized German parents, and therefore his citizenship could not be assailed. He had been quite successful as a merchant and was reputed to be the wealthiest clothing dealer in Dorfield.

"No," said Kasker, shortly, in answer to the request. Mary Louise was annoyed by the tone.

"You mean that you _won't_ help us, I suppose?" she said impatiently.

He turned from his desk and regarded her with a slight frown. Usually his expression was stupidly genial.

"Why should I give something for nothing?" he asked. "It isn't my war; I didn't make it, and I don't like it. Say, I got a boy--one son. Do you know they've drafted him--took him from his work without his consent, or mine, and marched him off to a war that there's no good excuse for?"

"Well," returned Mary Louise, "your boy is one of those we're trying to help."

"You won't help make him a free American again; you'll just help give him knickknacks so he won't rebel against his slavery."

The girl's eyes flashed.

"Mr. Kasker," she said sternly, "I consider that speech disloyal and traitorous. Men are being jailed every day for less!"

He shrugged his shoulders.

"I believe that is true, and it proves what a free country this is--does it not? Mr. Wilson's democracy is the kind that won't allow people to express their opinions, unless they agree with him. If I say I will stand by the American constitution, they will put me in jail."

Mary Louise fairly gasped. She devoutly wished she had never approached this dreadful man. She felt ashamed to breathe the same air with him. But she hated to retreat without a definite display of her disgust at his perfidious utterances. Drawing the circular from her bag she spread it before him on his desk and said:

He just glanced at it, proving he knew well its wording. Mary Louise was watching him closely.

"Well, what about it?" he asked brusquely.

"It expresses your sentiments, I believe."

He turned upon her suspiciously.

"You think I wrote it?" he demanded.

"My thoughts are my own," retorted Mary Louise.

Kasker's frown deepened.

The novel opens with a mass-meeting in Dorfield's public square, where torches light the faces of a crowd gathered to hear Colonel Hathaway urge bond subscriptions. This scene establishes a pattern: the narrative repeatedly moves between large, emblematic gatherings—the Liberty Girls' drills, the Liberty Shop—and private, concealed spaces. Josie O'Gorman's discovery of a hidden panel in a pedestal-desk, filled with fresh papers, mirrors the structure of the story itself, which alternates between public performance and secret investigation.

Public Gatherings as Framing Devices

The first chapter's mass-meeting is not merely a backdrop; it sets a rhythm. The Liberty Girls are formed at a subsequent meeting, and later chapters describe their six companies drilling in uniform. These scenes are described with broad strokes—the crowd's faces, the colonel's ringing voice—rather than individual reactions. The effect is to frame the girls' activities as a visible, communal spectacle. Yet the narrative never lingers in these public moments; it cuts away to private conversations or Josie's solitary investigations. The mass-meeting thus functions as a structural hinge, opening the story onto both collective action and individual intrigue.

Secret Compartments and Hidden Papers

Josie's late-night examination of the pedestal-desk is the novel's most detailed scene of detection. She kneels, pushes up a panel, and finds secret compartments filled with papers that are “quite fresh”—not old family documents. The desk is then hidden in a closet behind hanging dresses. This sequence is notable for its precise, almost procedural description: the panel, the compartments, the copying of papers, the replacement. The desk becomes a physical emblem of the story's method: surfaces conceal layers, and the truth is accessed through careful, solitary work. The narrator notes Josie's whispered triumph about the Kaiser, but the focus remains on the mechanical act of discovery.

Shifting Group Dynamics and Leadership

The Liberty Girls' organization evolves through a series of refusals. Mary Louise declines to be general; Josie resigns from membership for other duties. The girls decide on six companies with no general, each captain equal. This anti-hierarchical structure is unusual for a wartime story and reflects a recurring theme: authority is distributed and provisional. Later, the arrival of Joe Langley, a soldier returned with one arm, introduces a different kind of leadership—one earned through sacrifice. The narrative tracks these shifts in group composition without resolving them into a single command. The result is a portrait of collective action that remains deliberately decentralized.

Movement Between Interior and Exterior Spaces

The story's scenes alternate between the public square, the Liberty Shop, and private rooms—Josie's locked bedroom, the Dudley-Markham house. This movement is not merely scenic; it structures the investigation. Clues are found in hidden compartments, not in open debate. The narrator describes Josie dragging the desk into a closet and masking it with dresses, emphasizing concealment. Meanwhile, the Liberty Girls' work—selling bonds, knitting—takes place in full view. The tension between these spaces drives the plot: what is hidden must be brought to light, but the novel never fully merges the two realms. The final chapters keep the girls busy, suggesting that the work of patriotism and the work of detection remain parallel tracks.

Readers attentive to the novel's structure will notice how Baum uses physical objects—the desk, the uniforms, the torches—to anchor shifts in scale. The story moves from the mass to the individual, from the public square to the secret compartment, without resolving the tension between them. This makes the book less a straightforward mystery than a study in how communities and individuals navigate wartime obligations. The Liberty Girls' drills and Josie's solitary copying are two sides of the same effort, and the novel leaves both in motion.

There’s something in how Baum handles those hidden compartments and shifting club loyalties that reminds me of the quiet ache in Sara Crewe’s story—both girls building small worlds of order when the larger one wavers. I keep thinking of that. Sara Crewe; Or, What Happened at Miss Minchin's — Themes and Context holds the same gentleness toward that ache, as if neither author ever forgot what it felt like to be brave and very young.

Alexander Harris
1 week ago

Ava Thomas
1 week ago

Alexander Nelson
3 weeks ago

Ella Robinson
2 weeks ago

Charlotte Rodriguez
3 weeks ago

4.5
4.5 out of 5 (10 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

How did this book work for you?

Your answers remain private and are stored only in this browser.

Your progress 0 / 10
1

What is your current status with this title?

2

Was reading this book enjoyable?

3

Is this a title you would suggest to others?

4

How demanding did the text feel?

Related eBooks