The Girls and I: A Veracious History — Story, Setting & Ideas
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There was going to be a Drawing-room just about the end of the fortnight he was to be with us, and mums was going to it. She had fixed it a good while ago, because she was going to take some friends--a girl who'd got married to a cousin of father's, and another girl--to be presented. They were both rather pretty. We saw them in the morning, when they came for mums to take them. _I_ thought the married one prettiest; she had nice laughing eyes. If ever I marry, I'd like a girl with laughing eyes; they look so jolly. The other one was rather cross, I thought, and so did Maud. But Anne said she was interesting-looking, as if she had a hidden sorrow, like in poetry. And after that, none of us quite dared to say she was only cross-looking. And she wasn't really cross; we found that out afterwards. It was only the way her face was made.
Her name was Judith, and the married one was Dorothea. We always call her that, as she's our cousin.
They were prettily dressed, both of them. All white. But Dorothea's dress went rather in creases. It looked too loose. I went all round her, ever so many times, peeping at it, though she didn't know, of course. I can tell when a dress fits, as well as anybody, because of helping to dress mums so often. Sometimes, for a change from the town-crier, mums calls me a man-milliner. I don't mind.
Judith's dress was all right. It was of silk, a soft kind, not near so liney as satin. I like it better. They were both very neat. No pins or hair-pins sticking out.
But mums looked prettiest. I can tell you how she was dressed, because she's not been at a Drawing-room since, for last spring and summer she got a cold or something both times she meant to go. By rights she should go every year, because of what father is. I hope she'll go next spring, for after that I shall be at school, and never able to see her, and I do love to look at her all grand like that. She says she doesn't know how she'll do without me for seeing she's all right.
Well, her dress was blue and pale pink, the train blue--a flowery pattern--and she had blue and pink bunches of feathers all sticking about it; no flowers except her nosegay, which was blushing roses tied with blue streamers.
Her hair looked grander than usual, because of something she had never had in it before, and that was a beautiful diamond twisty-twirly thing. I have never seen a diamond brooch or pin quite like it, though I often look in the jewellers' windows.
She was very proud of it, though she'd only got the loan of it. I must go back a bit to tell you how she had got it.
A day or two before grandfather left, mums told him about the Drawing-room. If she had known he was going to be with us then, she wouldn't have fixed to go to it; for, as I have said, he takes up nearly all her time, especially when he's only there for a short visit. I suppose I shouldn't call it a visit, as it's his own house, but it seems the best word. And for her to be a whole day out, not in at luncheon, and a train-show at afternoon tea-time, would have been just what he doesn't like. But it couldn't be helped now, as others were counting on her, especially Mrs. Chasserton, our cousin's wife--that's Dorothea.
We were there--Anne, Hebe, and I--when mother told gran about it. We really felt rather frightened, but she said it so sweetly, I felt sure he _couldn't_ be vexed. And he wasn't. He did frudge up his eyebrows--'frudge' is a word we've made ourselves, it does do so well; we've made several--and they are very thick. Anne opened her mouth in a silly way she has, just enough to make him say, 'What are you gaping at, Miss Anne, may I ask?' but luckily he didn't notice. And Hebe squeezed my hand under the table-cloth. It was breakfast time. But in a minute he unfrudged his eyebrows, and then we knew it was over.
'Quite right, my dear Valeria,' he said. Valeria is mums' name; isn't it pretty? 'I am very glad for you to show attention to Dick's wife--quite right, as you are at the head of the family. As for Judith Merthyr--h-m--h-m--she's a strong-minded young woman, I'm told--don't care about strong-minded young women--wonder she condescends to such frivolity. And thank you, my dear, for your consideration for me. But it won't be needed. I must leave for Holyhead on Tuesday. They are expecting me at Tilly' something or other (I don't mean that gran said that, but I can't remember these long Irish names).
Tuesday was the day before the Drawing-room. I'm sure mums clapped her inside hands--that's another of our makings up--I know _we_ did. For if gran had been there I don't believe we'd have got in to the train-show at all. And of course it's much jollier to be in the drawing-room in the afternoon, waiting for them to come back, and speaking to the people that are there, and getting a good many extra teas and sandwiches and cakes and ices, than just to see mums start in the morning, however pretty she looks.
Grandfather was really rather wonderful that day.
'What are you going to wear, my dear Valeria?' he asked mother.
'H-m, h-m,' he said. He has different ways of h-ming. This time it was all right, not like when he spoke of Judy Merthyr. And actually a smile broke over his face.
The night before he was leaving he came into the drawing-room just before dinner-time, looking very smiley. He was holding something in his hand--a dark leather case.
'My dear child,' he said, and though we were all five there we knew he was speaking to mother. I like to hear mother called 'my dear child'--father does it sometimes--it makes her seem so nice and young. 'My dear child,' he said, 'I have got something here that I want you to wear in your hair at the Drawing-room. I cannot _give_ it you out and out, though I mean you to have it some day, but I want to lend it you for as long as you like.'
And then he opened the case, mother standing close by, and all of us trying to peep too. It was the twisty-twirly diamond ornament. A sort of knot--big diamonds in the middle and littler ones in and out. It is awfully pretty. I never saw diamonds sparkle so--you can see every colour in them when you look close, like thousands of prisms, you know. It had a case on purpose for it, and there were pins of different shapes and sizes, so that it could be a brooch, or a hair-pin, or a hanging thing without a pin at all.
'Oh, thank you, dear gran,' she said. 'It _is_ good of you. Yes, indeed, I shall be proud to have such a lovely, splendid ornament in my hair.'
Then grandfather took it out of the case, and showed her all the different ways of fastening in the pins. They had little screws at their ends, and they all fitted in so neatly, it was quite interesting to see.
'You will wear it in your hair on Wednesday, no doubt,' he said. 'So I will fasten in the hair-pin--there, you see it screws quite firmly.'
And then he gave it to mother, and she took it upstairs and put it away.
The next night--grandfather had left that morning--father and mother were going out to dinner. Mother dresses rather early generally, so that she can be with us a little, but that night she had been busy, and she was rather late. She called us into her room when she was nearly ready, not to disappoint us, and because we always like to see her dressed. She had on a red dress that night, I remember.
Her maid, Rowley, had put out all the things on the toilet-table. When mums isn't in a hurry I often choose for her what she's going to wear--we spread all the cases out and then we settle. But to-night there wasn't time for that. Rowley had got out a lot of things, because she didn't know which mother would choose, and among them the new, grand, diamond thing of grandfather's.
'Oh,' said Anne--she and I were first at the toilet-table,--'are you going to wear gran's ornament, mother?'
'No, of course not,' said mums. 'It's only for very grand occasions, and to-night is quite a small dinner. I've got on all the jewellery I need. But, Jack, do help me to fasten this bracelet, there's a good boy.' Rowley was fussing away at something that wasn't quite right in mother's skirt. Mother was rather impatient, and the bracelet was fidgety.
But at last I got it done, and Rowley stood up with rather a red face from tacking the sweepy, lacey thing that had come undone. Mums flew off.
'Good-night, dears,' she said. 'I haven't even time to kiss you. Father has gone down, and the carriage has been there ever so long.'
The girls called out 'good-night,' and Hebe and I ran to the top of the staircase to watch her go down. Then we went straight back to the nursery, and in a minute or two the three others came in. Maud was saying something to Anne, and Anne was laughing at her.
'Did you ever hear such a little prig as Maud?' she said. 'She's actually scolding me because I was looking at mums's jewels.'
'Anne made them all untidy,' said Maud.
'Well, Rowley'll tidy them again. She came back on purpose; she'd only gone down to put mother's cloak on,' said Anne carelessly.
'Anne,' said I rather sharply. You see I knew her ways, and mums often leaves me in charge. 'Were you playing with mother's jewels?'
'I was doing no harm,' said Anne; 'I was only looking at the way the pins fasten in to that big diamond thing. It's quite right, Jack, you needn't fuss. Rowley's putting them all away.'
So I didn't say any more.
And to-morrow was the Drawing-room day.
Mother looked beautiful, as I said. We watched her start with the two others, cousin Dorothea and Miss Merthyr. It was rather a cold day; they took lots of warm cloaks in the carriage. I remember hearing Judy--we call her Judy now--say,
'You must take plenty of wraps, Mrs. Warwick,'--that's mother. 'My aunt made me bring a fur cape that I thought I should not wear again this year; it would never do for you to catch cold.'
Mums does look rather delicate, but she isn't delicate really. She's never ill. But Judith looked at her so nicely when she said that about not catching cold, that the cross look went quite out of her face, and I saw it was only something about her eyebrows. And I began to think she must be rather nice.
But we didn't see her again. She did not get out of the carriage when they came back in the afternoon, but went straight home to her own house. Somebody of hers was ill there. Cousin Dorothea came back with mother, and three other ladies in trains came too, so there was rather a good show.
And everybody was laughing and talking, and we'd all had two or three little teas and several ices, and it was all very jolly when a dreadful thing happened.
I was standing by mother. I had brought her a cup of tea from the end drawing-room where Rowley and the others were pouring it out, and she was just drinking it, when I happened to look up at her head.
'Mums,' I said, 'why have you taken out gran's diamond thing? It looked so nice.'
Mums put her hand to her head--to the place where she knew she had put in the pin: of course it wasn't there, I wouldn't have made such a mistake.
Mums grew white--really white. I never saw her like that except once when father was thrown from his horse.
'Oh, Jack,' she said, 'are you sure?' and she kept feeling all over her hair among the feathers and hanging lacey things, as if she thought it must be sticking about somewhere.
'Stoop down, mums,' I said, 'and I'll have a good look.'
There weren't many people there just then--several had gone, and several were having tea. So mums sat down on a low chair, and I poked all over her hair. But of course the pin was gone--no, I shouldn't say the _pin_, for _it_ was there; its top, with the screwy end, was sticking up, but the beautiful diamond thing was gone!
I drew out the pin, and mother gave a little cry of joy as she felt me.
'Oh, it's there,' she said, 'there after all----'
'No, dear,' I said quickly, 'it isn't. Look--it's only the pin.'
Mother seized it, and looked at it with great puzzle as well as trouble in her eyes.
'It's come undone,' she said, 'yet how could it have done? Gran fixed it on himself, and he's so very particular. There's a little catch that fastens it to the pin as well as the screw--see here, Jack,' and she showed me the catch, 'that _couldn't_ have come undone if it was fastened when I put it on. And I _know_ gran clicked it, as well as screwing the head in.'
She stared at me, as if she thought it _couldn't_ be true, and as if explaining about it would make it come back somehow.
Several ladies came up, and she began telling them about it. Cousin Dorothea had gone, but these other ladies were all very sorry for her, and indeed any one would have been, poor little mother looked so dreadfully troubled.
One of them took up the pin and examined it closely.
'There's one comfort,' she said, 'it hasn't been _stolen_. You see it's not been cut off, and that's what very clever thieves do sometimes. They nip off a jewel in a crowd, quite noiselessly and in half a second, I've been told. No, Mrs. Warwick, it's dropped off, and by advertising and offering a good reward you may very likely get it back. But--excuse me--it was very careless of your maid not to see that it was properly fastened. A very valuable thing, I suppose it is?'
'It's more than valuable,' said poor mother. 'It's an heirloom, _quite_ irreplaceable. I do not know how I shall ever have courage to tell my father-in-law. No, I can't blame my maid. I told her not to touch it, as the General had fastened it himself all ready. But how _can_ it have come undone?'
At that moment Anne and Hebe, who had been having a little refreshment no doubt, came into the front drawing-room where we were. They saw there was something the matter, and when they got close to mother and saw what she was holding in her hand, for the lady had given it back to her, they seemed to know in a moment what had happened. And Anne's mouth opened, the way it does when she's startled or frightened, and she stood staring.
Then I knew what it meant.
WORK FOR THE TOWN-CRIER
'Oh, those girls,' I thought to myself; 'why did I leave them alone in mother's room with all her things about?'
But Anne's face made me feel as if I couldn't say anything--not before all those people; though of course I knew that as soon as she could see mother alone she would tell, herself. I was turning away, thinking it would be better to wait--for, you see, mother was not blaming any one else--when all of a sudden Maud ran up. She was all dressed up very nicely, of course; and she's a pretty little thing, everybody says, and then she's the youngest. So a lot of people had been petting her and making a fuss about her. Maud doesn't like that at all. She's not the least bit conceited or spoilt, and she really is so sensible that I think it teazes her to be spoken to as if she was only a baby. Her face was rather red, I remember; she had been trying to get away from those ladies without being at all rude, for she's far too 'ladylike' to be rude _ever_. And now she ran up, in a hurry to get to her dear Anne as usual. But the moment she saw Anne's face she knew that something was wrong. For one thing, Anne's mouth was wide open, and I have told you about Anne's mouth. Then there was the pin in mother's hand, the hair-pin, and no top to it! And mums looking so troubled, and all the ladies round her.
'What is it?' said Maud in her quick way. 'Oh--is mums' brooch broken? Oh, Anne, you shouldn't have touched it!'
Everybody--mother and everybody--turned to Anne; I _was_ sorry for her. It wasn't like Maud to have called it out, she is generally so careful; but you see she was startled, and she only thought the diamond thing was broken or loosened.
Anne's face grew scarlet.
'What do you mean, Maudie?' said mother. 'Anne, what does she mean?'
It was hard upon Anne, for it looked as if she hadn't been going to tell, and that wasn't at all her way. In another moment I daresay she would have blurted it out; but then, you see, she had hardly had time to take in that most likely she had caused the mischief, for she knew she hadn't _meant_ to, and she quite thought she had left the pin just as firmly fastened as she had found it.
'Oh, mother,' she cried, 'I didn't think-- I never meant-- I'm sure I screwed it in again quite the same.'
'When did you touch it? I don't understand anything about it. Jack, what do Anne and Maud mean?' said poor mums, turning to me.
'It was my fault,' I said. 'I shouldn't have left any one in your room, with all your things about, and Rowley even not there.'
'And I did tell Anne not to touch the diamond brooch,' said Maud. For once she really seemed quite angry with Anne.
Then we told mother all there was to tell--at least Anne did, for she knew the most of course. She had been fiddling at the diamond thing all the time she was standing by the table, but no one had noticed her except Maud. For you remember mums was in a great hurry, and I was helping her to fasten her bracelet, and Rowley was fussing at her skirt, and then Hebe and I went half-way downstairs to see mother start. Oh dear, I did feel vexed with myself! Anne said she wanted to see how the ornament could be turned into different things; she had unscrewed the pin and unclicked the little catch, and then she had fixed in the other kind of pin to make it into a brooch, and she wanted to try the screw with a ring to it, to make it a hanging ornament, but Maud wouldn't let her stay. So she screwed in the hairpin again--the one that gran had fastened in himself. She meant to do it quite tight, but she couldn't remember if she clicked the little catch. And she was in a hurry, so no doubt she did it carelessly.
That was really about all Anne had to tell.
But it was plain that it had been her fault that the beautiful ornament was lost. It had dropped off. Mums didn't say very much to her: it wouldn't have done before all the visitors. They were very good-natured, and very sorry for mother. And several people said again what a good thing it was it was only _lost_, not stolen, for that gave ever so much more chance of finding it.
When all the people had gone, father came in. Mother had still her dress on, but she was looking very white and tired, and in a moment, like Maud, he saw there was something the matter.
The narrator, eleven-year-old Jack, introduces himself as 'Jack-in-the-middle'—the only brother to four sisters: Anne, Hebe, Serena, and Maud. His real name is Joachim, a German inheritance, but he has been 'Jack' since the girls arrived. The story is framed as his own written account, a 'veracious history' composed during the holidays, and he warns that he will keep adding to it until he has told everything. This self-conscious, first-person voice immediately establishes a confessional, slightly exasperated tone: Jack feels put-upon by the girls but is also genuinely fond of them. The opening chapter, 'Ourselves,' sets up a household where the children's play, governesses, and a mysterious diamond ornament will soon collide.
A Diamond Lost and Found
The central object of the plot is a 'curious old-fashioned treasure'—a diamond ornament belonging to the grandmother. It goes missing after a Drawing-room event, causing 'trouble and distress' for the mother and Anne. The search spans multiple chapters, from 'The Diamond Ornament' to 'Miss Cross-at-First's Fur Cape.' The resolution comes unexpectedly when the governess Judith, near-sighted and frowning, shakes out a fur tippet she has not worn since the day of the loss. A hard object drops to the floor: the diamond, caught in the 'very fuzzy fur' all along. Jack's narration captures the moment of discovery with breathless dialogue—'Jack, it's——'—and a sense of wonder at the coincidence. The ornament's journey from carriage to cape to kitchen floor is traced step by step, emphasizing the materiality of the fur and the randomness of the recovery.
The Boy Among Sisters
Jack's position as the sole brother shapes every scene. He introduces his sisters by age and temperament: Serena is only a year and a half younger, Maud 'so very grown up for her age.' The family nickname 'Jack-in-the-middle' reflects his literal and social placement. He complains that he must be 'good-tempered and nice just because they are girls,' yet admits he is 'really very fond of them.' This tension between irritation and affection drives the narrative voice. In the excerpt, the girls are active participants—Maud keeps hold of Judith's hand, Anne dives under a table to retrieve the diamond—while Jack often observes or reacts. His writing is a 'comfort' to him, a way to process the daily trials of being one boy among many girls. The structure of the book, with its chapter titles like 'Ourselves' and 'Mischief in the Air,' reinforces this domestic, sibling-centered world.
Movement Between Scenes
The narrative moves rapidly between locations: the family home, a dancing class, Rodney Square, Mossmoor Farm, and the kitchen of a 'Home' (likely a charitable institution). The excerpt shows a typical transition: the children run over fields by a short cut to a stile, shout messages, and later find themselves in a kitchen with a 'jolly fire' and hot milk. The weather is often cold or rainy, adding urgency to their errands. The governess Judith, who appears near-sighted and kind, orchestrates these movements—she fetches shawls, wraps up the children, and leads them through the night. The lost diamond is discovered during one such transit, when a cape is shaken out in a stone-floored kitchen. The book's illustrations, listed after the chapters, depict key moments of motion: running over fields, standing still to look at a view, and listening. This emphasis on physical movement—running, diving, flying upstairs—gives the story a kinetic, almost cinematic quality.
Voice and Self-Conscious Narration
Jack's narration is marked by asides, explanations, and a conversational tone. He interrupts himself to clarify his name ('It's a much queerer name'), to justify his writing ('It's a sort of comfort to me'), and to address the reader directly. He uses dashes and ellipses to mimic spoken hesitation: 'all because of— girls .' The phrase 'veracious history' in the title signals a claim to truthfulness, but Jack's perspective is clearly subjective. He admits he may not finish the story before the holidays end, and will 'keep adding on to it.' This metafictional layer—a child writing his own story—is unusual for the period and gives the book a modern, self-aware feel. The excerpts show Jack struggling to describe emotions: Anne's face looked 'all—I don't know how,' and he 'gasped' and 'couldn't speak.' The narrative is less about plot than about the experience of telling, with Jack as both participant and chronicler.
Readers should attend to the way Jack's voice shifts between complaint and affection, and how the diamond functions less as a mystery than as a device to bring the family and their governess into closer relation. The book rewards attention to small details—the fur of the cape, the near-sightedness of Judith, the nicknames that define each character. Because the excerpts are incomplete, the full arc of the 'veracious history' remains unknown, but the domestic texture and the boy's-eye view are consistently engaging.
I keep thinking about Jack, how his sisters’ secrets made him feel both crowded and utterly alone. That same quiet ache lingers in The Prairie Chief — Story, Setting & Ideas, where solitude sits so heavily you can almost feel the wind. It made me revisit the makeshift family in the other book, and wonder if we ever truly know the ones we live beside.
Harper Gonzalez
2 weeks agoGrace Carter
4 weeks ago-
Steven Lucas - 1 month ago
The Girls and I is an enjoyable memoir-style novel that offers a glimpse into Victorian family life. The narrator's voice is engaging, but the episodic structure can feel disjointed at times. Some chapters are more interesting than others, and the pace is uneven. Still, if you enjoy historical fiction with a personal touch, this book has its charms. -
Sharon Martin - 4 weeks ago
A charming, nostalgic look at a young boy's coming-of-age in a large family. The narrator's voice is authentic and witty, bringing to life the antics of his sisters and himself. The author captures the essence of childhood curiosity and sibling dynamics beautifully. It's a heartwarming read that transports you to a simpler time, full of humor and tender moments. -
David Snyder - 2 weeks ago
Despite its title, this book is more about the narrator's constant need to assert his own importance than about the girls themselves. The writing is verbose, and the characters are one-dimensional. The so-called 'veracious history' is filled with trivial details that add little to the story. The format is also dated, making it hard to follow. Not recommended unless you're a historian.
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Emma White
1 month ago