The Hunter Cats of Connorloa — A Closer Reading
Edition facts
The Hunter Cats of Connorloa — A Closer Reading can be approached with a clearer sense of reading commitment from its source measurements: 21,110 words, 1 hr 32 min estimated reading time, and 3 detected text sections.
The text analysis averages about 17.1 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Christian life -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Giuseppe was ten, and Maria was seven. They were never called by their real names: Giuseppe was called Jusy, and Maria was called Rea; Jusy and Rea, nobody would ever have guessed from that, what their real names were. Maria is pronounced _Mahrea_ in Italy; so that was the way she came to be called Rea for shortness. Jusy gave himself his nickname when he was a baby, and it had always stuck to him ever since.
It was enough to make anybody's heart ache to see these two poor little things, when they first got strong enough to totter about after this fever; so weak they felt, they could hardly stand; and they cried more than half the time, thinking about their papa and mamma, dead and buried without their even being able to kiss them once for good-by. The King himself felt so sorry for the little orphans, he came to speak to them; and the kind Queen came almost every day, and sent them beautiful toys, and good things to eat; but nothing comforted the children.
"What do you suppose will become of us, Jusy?" Rea often said; and Jusy would reply,--
"I don't know, Rea. As soon as I'm a man, I can take care of you and myself too, easy enough; and that won't be a great while. I shall ask the King to let me be one of his officers like papa."
"Oh, no! no! Jusy," Rea would reply. "Don't! Don't let's live in this horrid palace. Ask him to give you a little house in the country, with a donkey; and I will cook the dinner. Caterina will teach me how."
Caterina was their nurse.
"But there wouldn't be any money to pay Caterina," Jusy would say.
"The King might give us enough for that, Jusy. He is so kind. I'm sure he would, don't you think so?" was Rea's answer to this difficulty.
"No," said Jusy, "I don't think he would, unless I earned it. Papa had to work for all the money he had."
It was a glad day for the children when the news came that their uncle in America was going to send for them to come and live with him; and that in three weeks the man who was to take them there would arrive. This news came over by telegraph, on that wonderful telegraph wire, down at the bottom of the ocean. Their kind Uncle George thought he would not leave the children uncheered in their suspense and loneliness one minute longer than he could help; so he sent the message by telegraph; and the very day after this telegraphic message went, Jim set out for Italy.
Jim had travelled so much with Mr. Connor that he was just the best possible person to take charge of the children on their long journey. He knew how to manage everything; and he could speak Italian and French and German well enough to say all that was necessary in places where no English was spoken. Moreover, Jim had been a servant in Mr. Connor's father's house all his life; had taken care of Mr. Connor and his sister when they were a little boy and girl together, just as Jusy and Rea were now. He always called Mr. Connor "Mr. George," and his sister "Miss Julia;" and when he set out to go for the children he felt almost as if he were going to the help and rescue of his own grandchildren.
Jusy and Rea did not feel that they were going to a stranger; for they had heard about their Uncle George ever since they could remember; and all about "Jim" too. Almost every year Mr. Connor used to send his sister a new picture of himself; so the children knew very well how he looked.
When the news came that they were to go to America and live with him, they got out all of these pictures they could find, and ranged them in a line on the mantelpiece in their parlor. There was a picture of Jim too, as black as charcoal. At first, Rea had been afraid of this; but Jusy thought it was splendid. Every morning the lonely little creatures used to stand in front of this line of pictures and say, "Good-morning, Uncle George! Good-morning to you, Mr. Black Man! How soon will you get here? We shall be very glad to see you."
It was over a month before he arrived. The children had been told that he might be there in three weeks from the day the despatch came; and as soon as the three weeks were ended, they began almost to hold their breaths listening for him; they were hardly willing to stir out of the palace for a walk, for fear he might come while they were away. Rea watched at the windows, and Jusy watched at the doorway which led into the corridor.
"He might be afraid of the sentinel at the corner there," he said. "Caterina says there are no palaces in America."
"Goody!" interrupted Rea, "I'm so glad."
"And so perhaps he has never seen a man in armor like that; and I'd better be at the door to run and meet him."
All their clothes were packed ready for the journey; and all the things which had belonged to their mamma were packed up too, to go with them. The huge rooms looked drearier than ever. The new chamberlain's wife was impatient to get settled in the apartment herself, and kept coming to look at it, and discussing, in the children's presence, where she would put this or that piece of furniture, and how she would have her pictures hung.
"I think she is a very rude lady," said Jusy. "The Queen said these were our rooms so long as we stayed, just the same as if mamma were here with us; and I think I see her coming in here that way if mamma was here!"
After all their precautions, Jusy and Rea were out when Jim arrived. They had been to take a walk with Caterina; and when they came back, as they passed the big sentinel at the outside gate, he nodded to them pleasantly, and said,--
"He has come!--the black signor from America." ("Signor" is Italian for "Mr.")
You see everybody in the palace, from the King down to the scullions in the kitchen, was interested in the two fatherless and motherless children, and glad to hear that Jim had arrived.
The very next day they set off. Jim was impatient to be back in California again; there was nothing to wait for. Caterina was greatly relieved to find that he did not wish her to go with him. The Queen had said she must go, if the black signor wished it; and Caterina was wretched with fright at the thought of the journey, and of the country full of wild beasts and savages. "Worse than Africa, a hundred times," she said, "from all I can hear. But her Majesty says I must go, if I am needed. I'd rather die, but I see no way out of it."
When it came to bidding Rea good-by, however, she was almost ready to beg to be allowed to go. The child cried and clung to her neck; and Caterina cried and sobbed too.
But the wise Jim had provided himself with a powerful helper. He had bought a little white spaniel, the tiniest creature that ever ran on four legs; she was no more than a doll, in Rea's arms; her hair was like white silk floss. She had a blue satin collar with a gilt clasp and padlock; and on the padlock, in raised letters, was the name "Fairy." Jim had thought of this in New York, and bought the collar and padlock there; and the dog he had bought only one hour before they were to set out on their journey. She was in a beautiful little flannel-lined basket; and when Rea clung to Caterina's neck crying and sobbing, Jim stepped up to her and said,--
"Don't cry, missy; here's your little dog to take care of; she'll be scared if she sees you cry."
"Mine! Mine! That sweet doggie!" cried Rea. She could not believe her eyes. She stopped crying; and she hardly noticed when the Queen herself kissed her in farewell, so absorbed was she in "Fairy" and the blue satin collar. "Oh, you are a very good black man, Signor Jim," she cried. "I never saw such a sweet doggie; I shall carry her in my own arms all the way there."
It was a hard journey; but the children enjoyed every minute of it. The account of all they did and saw, and the good times they had with the kind Jim, would make a long story by itself; but if I told it, we should never get to the Hunter Cats; so I will not tell you anything about the journey at all except that it took about six weeks, and that they reached San Gabriel in the month of March, when everything was green and beautiful, and the country as full of wild flowers as the children had ever seen the country about Florence in Italy.
Mr. Connor had not been idle while Jim was away. After walking up and down his house, with his thinking-cap on, for a few days, looking into the rooms, and trying to contrive how it should be rearranged to accommodate his new and unexpected family, he suddenly decided to build on a small wing to the house. He might as well arrange it in the outset as it would be pleasantest to have it when Jusy and Rea were a young gentleman and a young lady, he thought. What might do for them very well now, while they were little children, would not do at all when they were grown up.
So, as I told you, Mr. Connor being a gentleman who never lost any time in doing a thing he had once made up his mind to, set carpenters at work immediately tearing out half of one side of his new house; and in little over a month, there was almost another little house joined on to it. There was a good big room for Rea's bedroom, and a small room opening out of it, for her sitting-room; beyond this another room in which her nurse could sleep, while she needed one, and after she grew older, the governess who must come to teach her; and after she did not need any governess, the room would be a pleasant thing to have for her young friends who came to visit her. This kind uncle was planning for a good many years ahead, in this wing to his house.
These rooms for Rea were in the second story. Beneath them were two large rooms, one for Jusy, and one for Jim. A pretty stairway, with a lattice-work wall, went up outside to Rea's room, and at the door of her room spread out into a sort of loggia, or upstairs piazza, such as Mr. Connor knew she had been used to in Italy. In another year this stairway and loggia would be a bower of all sorts of vines, things grow so fast in California.
And now we are really coming to the Cats. They had arrived before the children did.
When the children got out of the cars at San Gabriel, there stood their Uncle George on the platform waiting for them. Jusy spied him first. "There's Uncle George," he shouted, and ran towards him shouting, "Uncle George! Uncle George! Here we are."
Rea followed close behind, holding up Fairy. "Look at my doggie that Signor black Jim gave me," she cried, holding Fairy up as high as she could reach; and in the next minute she herself, doggie and all, was caught up in Uncle George's arms.
"What makes you cry, Uncle George?" she exclaimed; "we thought you would be very glad to see us!"
"So I am, you dear child," he said. "I am only crying because I am so glad."
But Jusy knew better, and as soon as he could get a chance, he whispered to Rea, "I should have thought you would have known better than to say anything to Uncle George about his having tears in his eyes. It was because we reminded him so much of mamma, that he cried. I saw the tears come in his eyes, the first minute he saw us, but I wasn't going to say a word about it."
Poor little Rea felt badly enough to think she had not understood as quickly as Jusy did; but the only thing she could think of to do was to spring up in the seat of the wagon, and put her arms around her uncle's neck, and kiss him over and over, saying, "We are going to love you, like,--oh,--like everything, Jusy and me! I love you better than my doggie!"
But when she said this, the tears came into Mr. Connor's eyes again; and Rea looked at Jusy in despair.
"Keep quiet, Rea," whispered Jusy. "He doesn't want us to talk just yet, I guess;" and Rea sat down again, and tried to comfort herself with Fairy. But she could not keep her eyes from watching her uncle's face. Her affectionate heart was grieved to see him look so sad, instead of full of joy and gladness as she had thought it would be. Finally she stole her hand into his and sat very still without speaking, and that really did comfort Mr. Connor more than anything she could have done. The truth was, Rea looked so much like her mother, that it was almost more than Mr. Connor could bear when he first saw her; and her voice also was like her mother's.
Jusy did not in the least resemble his mother; he was like his father in every way,--hair as black as black could be, and eyes almost as black as the hair; a fiery, flashing sort of face Jusy had; and a fiery, flashing sort of temper too, I am sorry to say. A good deal like thunder-storms, Jusy's fits of anger were; but, if they were swift and loud, like the thunder, they also were short-lived,--cleared off quickly,--like thunder-storms, and showed blue sky afterward, and a beautiful rainbow of sorrow for the hasty words or deeds.
Rea was fair, with blue eyes and yellow hair, and a temper sunny as her face. In Italy there are so few people with blue eyes and fair hair, that whenever Rea was seen in the street, everybody turned to look at her, and asked who she was, and remembered her; and when she came again, they said, "Ecco! Ecco! (That is Italian for Look! Look!) There is the little blue-eyed, golden-haired angel." Rea did not know that the people said this, which was well, for it might have made her vain.
It was six miles from the railway station to Mr. Connor's house. But the house was in sight all the way; it was so high up on the mountain-side that it showed plainly, and as it was painted white, you could see it in all directions like a lighthouse. Mr. Connor liked to be able to see it from all places when he was riding about the valley. He said it looked friendly to him; as if it said, all the time, "Here I am, you can come home any minute you want to."
After they had driven about half way, Mr. Connor said,--
"Children, do you see that big square house up there on the mountain? That is Connorloa."
"Whose house is it, Uncle George?" said Jusy.
"Why, did you not hear?" replied Mr. Connor. "It is Connorloa."
The children looked still more puzzled.
"Oh," laughed their uncle. "Is it possible nobody has told you the name of my house? I have called it Connorloa, from my own name, and 'loa,' which is the word in the Sandwich Islands for 'hill.' I suppose I might have called it Connor Hill, but I thought 'loa' was prettier."
"Oh, so do I," said Jusy. "It is lovely. Connorloa, Connorloa," he repeated. "Doesn't it sound like some of the names in Italy, Rea?" he said.
"Prettier!" said little Rea. "No word in Italy, so pretty as Connorloa; nor so nice as Uncle George."
"You dear, loving little thing!" cried Uncle George, throwing his arms around her. "You are for all the world your mother over again."
"That's just what I've been saying to myself all the way home, Mr. George," said Jim. "It's seemed to me half the time as if it were Miss Julia herself; but the boy is not much like you."
"No," said Jusy proudly, throwing back his handsome head, and his eyes flashing. "I am always said to be exactly the portrait of my father; and when I am a man, I am going back to Italy to live in the King's palace, and wear my father's sword."
"I sha'n't go," said Rea, nestling close to her uncle. "I shall stay in Connorloa with Uncle George. I hate palaces. Your house isn't a palace, is it, Uncle George? It looks pretty big."
"No, my dear; not by any means," replied Mr. Connor, laughing heartily. "But why do you hate palaces, my little Rea? Most people think it would be the finest thing possible to live in a palace."
"I don't," said Rea. "I just hate them; the rooms are so big and so cold; and the marble floors are so slip-py, I've had my knees all black and blue tumbling down on them; and the stairs are worse yet; I used to have to creep on them; and there is a soldier at every corner with a gun and a sword to kill you, if you break any of the rules. I think a palace is just like a prison!"
"Well done, my little Republican!" cried Uncle George.
"What is that?" said Rea.
"I know," said Jusy. "It is a person that does not wish to have any king. There were Republicans in Italy; very bad men. Papa said they ought to be killed. Why do you call Rea by that name, Uncle George?" and Jusy straightened himself up like a soldier, and looked fierce.
Mr. Connor could hardly keep his face straight as he replied to Jusy: "My dear boy the word does not mean anything bad in America; we are all Republicans here. You know we do not have any king. We do not think that is the best way to take care of a country."
"My papa thought it was the best way," haughtily answered Jusy. "I shall think always as papa did."
"All right, my man," laughed Uncle George. "Perhaps you will. You can think and say what you like while you live in America, and nobody will put you in prison for your thoughts or your words, as they might if you lived in Italy."
It was near night when they reached the house. As they drove slowly up the long hill, the Chinamen were just going, on the same road, to their supper. When they heard the sound of the wheels, they stepped off the road, and formed themselves into a line to let the carriage pass, and to get a peep at the children. They all knew about their coming, and were curious to see them.
When Rea caught sight of them, she screamed aloud, and shook with terror, and hid her face on her uncle's shoulder.
"Are those the savages?" she cried. "Oh, don't let them kill Fairy;" and she nearly smothered the little dog, crowding her down out of sight on the seat between herself and her uncle.
Jusy did not say a word, but he turned pale; he also thought these must be the savages of which they had heard.
Mr. Connor could hardly speak for laughing. "Who ever put such an idea as that into your head?" he cried. "Those are men from China; those are my workmen; they live at Connorloa all the time. They are very good men; they would not hurt anybody. There are not any savages here."
"Caterina said America was all full of savages," sobbed Rea,--"savages and wild beasts, such as lions and wolves."
"That girl was a fool," exclaimed Jim. "It was a good thing, Mr. George, you told me not to bring her over."
"I should say so," replied Mr. Connor. "The idea of her trying to frighten these children in that way. It was abominable."
The first excerpt introduces Mr. George Connor, an orphan and invalid who has traveled the world seeking health and finally settles in southern California. The narrator's voice is direct and slightly wry—'he, poor gentleman, was much too ill to cross the ocean'—and establishes a tone of sympathetic observation. The passage quickly moves from human loneliness to the arrival of a stray cat, Mexican, who becomes the founder of a feline colony. This shift from a solitary man to a burgeoning animal community sets the story's central dynamic: human care and animal independence.
A Colony Takes Shape
The middle excerpt details the cat colony's growth and Jim's naming system. Jim, the faithful black servant, names ten cats and dismisses the rest as 'the rabble.' Names like Snowball (a black cat) and Humbug (a sly eater) reveal character through irony. The narrator describes a woodpile where cats sleep alongside squirrels, a detail that hints at coexistence and conflict. The death of five kittens from a poisoned gopher introduces mortality without sentimentality: 'Poor cat-mother! I suppose she thought to herself...' The surviving kitten, Fresco, is named for his mottled coat, showing Jim's observational humor.
Hunting and Hierarchy
The excerpts emphasize hunting as both survival and sport. Cats hunt gophers, birds, and squirrels; Skipper 'used to race about in trees like a squirrel' and catches birds. The hierarchy among cats is clear: Skipper is fierce, Humbug sly, and the rest unnamed. Mr. Connor's illness and inactivity contrast with the cats' vigorous lives. The narrative voice remains detached yet fond, noting that Jim 'grew to be very proud' of the named cats. This section suggests that the story balances natural history—how cats behave—with character study of both humans and animals.
Narrative Voice and Detail
Jackson's narrator often addresses the reader directly ('I suppose she thought to herself') and includes small, telling details: the miner's wife who named Snowball 'to make herself laugh,' or the way Humbug 'whisked in' for food. These moments build a world where animals have personalities and humans have quirks. The setting—southern California with its sunshine, sycamore canyons, and Chinamen—is lightly sketched but specific. The excerpts do not reveal major plot events, but the careful naming and daily routines suggest a story more concerned with observation than dramatic conflict.
Reading with the Excerpts
For a first reading, these excerpts indicate that the book's pleasure lies in its accumulation of small incidents and character notes rather than a tight plot. The opening establishes Mr. Connor's invalid state and his decision to build a home; the middle shows the cat colony's growth and Jim's role as caretaker and namer. Readers should attend to the narrator's tone—sympathetic but unsentimental—and the way animals are individualized through behavior and naming. The later excerpt (not shown) likely continues this pattern, with further episodes of hunting, feeding, and interaction.
These excerpts suggest that The Hunter Cats of Connorloa rewards a patient, observant reading. The narrative moves at a leisurely pace, focusing on daily life and the small dramas of a cat colony. Mr. Connor's illness and the cats' vitality create a quiet tension, but the story's charm lies in its details: a cat named Snowball who is black, a woodpile that houses both cats and squirrels, and a servant who names a cat Humbug for its slyness. Readers who enjoy natural history and gentle humor will find much to appreciate.
That old California cat colony had a way of settling into me, the quiet order of its hunters feeling almost like a remembered home. It reminded me of another lingering warmth, the tender, unrushed portrait of a boy’s days in A Christmas Child: A Sketch of a Boy-Life — Inside the Classic. Both simply hold a life up gently, and you find yourself missing that place when it’s done.
-
Elizabeth Boyer - 4 weeks ago
What a charming and delightful read! 'The Hunter Cats of Connorloa' is a heartwarming tale that beautifully blends animal adventure with family values. The cats are wonderfully characterized, and their escapades are both amusing and touching. It's a timeless story that will capture the hearts of animal lovers of all ages. A true gem! -
Shawn Moore - 2 weeks ago
This book is overly sentimental and lacks the dynamism promised by the title. The Hunter Cats' adventures are mundane and the writing is verbose, with excessive moralizing. The story fails to sustain interest, and the climax is underwhelming. It may appeal to children, but adult readers will likely find it tedious. -
Sherry Martin - 1 week ago
An enjoyable story about the clever and brave Hunter Cats. The plot is engaging and the author's love for animals shines through. However, the pacing can be a bit slow in places, and some of the human characters are less interesting than the feline protagonists. Still, a pleasant read for a cozy afternoon.
How will you remember this book?
Save your reaction, strongest insight, and memorable passage.
Victoria Perez
1 month ago