Baseball Joe in the Big League; or, A Young Pitcher's Hardest Struggles — Story, Setting & Ideas

(2 User reviews)   468
Chadwick, Lester, 1873-1962 Project Gutenberg 2008 Not confirmed
Conduct of life -- Juvenile fiction; Young men -- Conduct of life -- Juvenile fiction; Kidnapping -- Juvenile fiction; Rescues -- Juvenile fiction; Diligence -- Juvenile fiction; Success -- Juvenile fiction; Baseball stories; Baseball players -- Juvenile fiction; St. Louis Cardinals (Baseball team) -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 55,578
Reading time 242 min
Text sections 6

This digital edition of Baseball Joe in the Big League; or, A Young Pitcher's Hardest Struggles — Story, Setting & Ideas is described by source-level measurements including 55,578 words, 4 hr 2 min estimated reading time, and 6 detected text sections.

The text analysis averages about 12.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Conduct of life -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

An editorial note examining the language, narrative voice, and shifts in pacing in Lester Chadwick's 1915 baseball novel, focusing on how dialogue, internal reflection, and action sequences convey Joe Matson's transition from minor-league confidence to big-league pressure.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Joe was soon trudging through the storm on the way to the depot.

"The St. Louis 'Cardinals'!" he mused, as he bent his head to the blast, thinking of the letters in his pocket. "I didn't think I'd be in line for a major league team so soon. I wonder if I can make good?"

Thinking alternately of the pleasure he would have in seeing Miss Mabel Varley, a girl in whom he was more than ordinarily interested, and of the new chance that had come to him, Joe soon reached the depot. His inquiries about the trains were not, however, very satisfactorily answered.

"We can't tell much about them in this storm," the station master said. "All our trains are more or less late. Stop in this afternoon, and I may have some definite information for you."

And later that day, when it was nearly arrival time for the train on which Mabel and Reggie were to come, Joe received some news that startled him.

"There's no use in your waiting, Joe," said the station master, as the young ball player approached him again. "Your train won't be in to-day, and maybe not for several days."

"Why? What's the matter--a wreck?" cried Joe, a vision of injured friends looming before him.

"Not exactly a wreck, but almost as bad," went on the official. "The train is stalled--snowed in at Deep Rock Cut, five miles above here, and there's no chance of getting her out."

"Great Scott!" cried Joe. "The express snowed in! Why, I've got friends on that train! I wonder what I can do to help them?"

Joe Matson looked so worried at the information imparted by the station master that the latter asked him:

"Any particular friends of yours on that train?"

"Very particular," declared the young ball player. "And I hope no harm comes to them."

"Well, I don't know as any great harm will come," went on the station master. "The train's snowed in, and will have to stay there until we can get together a gang of men and shovel her out. It won't be easy, for it's snowing harder every minute, and Deep Rock Cut is one of the worst places on the line for drifts. But no other train can run into the stalled one, that's sure. The only thing is the steam may get low, and the passengers will be cold, and hungry."

"Isn't there any way to prevent that?" asked Joe, anxiously.

"I s'pose the passengers could get out and try to reach some house or hotel," resumed the railroad man, "but Deep Rock Cut is a pretty lonely place, and there aren't many houses near it. The only thing I see to do would be for someone to go there with a horse and sled, and rescue the passengers, and that would be _some_ job, as there's quite a trainload of them."

"Well, I'm going to try and get _my_ friends that way, anyhow!" cried Joe. "I'll go to the rescue," and he set off for home through the storm again, intending to hire a rig at a livery stable, and do what he could to take Mabel and her brother from the train.

And, while Joe is thus making his preparations, I will tell my new readers something about the previous books of this series, in which Joe Matson, or "Baseball Joe," as he is called, has a prominent part.

The initial volume was called "Baseball Joe of the Silver Stars; Or, The Rivals of Riverside," and began with my hero's career in the town of Riverside. Joe joined the ball team there, and, after some hard work, became one of the best amateur pitchers in that section of the country. He did not have it all easy, though, and the fight was an uphill one. But Joe made good, and his team came out ahead.

"Baseball Joe on the School Nine; Or, Pitching for the Blue Banner," the second book in the series, saw our hero as the pitcher on a better organized team than were the Silver Stars. Joe had taken a step forward. He did not make the school nine without a struggle, for he had rivals, and a strong effort was made to keep him out of the game.

But Joe proved his worth, and when a critical time came he pitched to victory, thus defeating the plans of his enemies.

It was quite a step forward for Joe to go to Yale from Excelsior Hall, where he had gotten his early education.

Naturally Joe wanted to play on the Yale team, but he had to wait some time before his ambition was gratified. In "Baseball Joe at Yale; Or, Pitching for the College Championship," I related how, after playing during his freshman year on the class team, Joe was picked as one of the pitchers for the varsity.

Then, indeed, he was proud and happy, but he knew it would not be as easy as it had been at Excelsior Hall. Every step upward meant harder work, but Joe welcomed the chance.

And when finally the deciding game came--the one with Princeton at the Polo Grounds, New York--Joe had the proud distinction of pitching for Yale--and he pitched to victory.

Joe's ambition, ever since he had taken an interest in baseball, had been to become a professional player. His mother had hoped that he would become a minister, or enter one of the more learned professions, but, though Joe disappointed her hopes, there was some compensation.

"Better let the boy have his own way," Mr. Matson had said. "I would rather see him a good ball player than a half-rate lawyer, or doctor; and, after all, there is good money to be made on the diamond."

So, when Joe received an offer from the manager of one of the minor league professional teams, he took it. In "Baseball Joe in the Central League; Or, Making Good as a Professional Pitcher," the fourth volume of the series, I related Joe's experiences when he got his start in organized baseball. How he was instrumental in bringing back on the right path a player who had gone wrong, and how he fought to the last, until his team won the pennant--all that you will find set down in the book.

I might add that Joe lived with his father, mother, and sister in the town of Riverside, where Mr. Matson was employed in the Royal Harvester Works, being an able inventor.

Joe had many friends in town, one in particular being Tom Davis, who had gone to Excelsior Hall with him. Of late, however, Joe had not seen so much of Tom, their occupations pursuing divergent paths.

It was while Joe was on his way to join the Pittston team, of the Central League, that he made the acquaintance of Reggie Varley, a rich, and somewhat dudish, young man; and the acquaintance was made in an odd manner. For Reggie practically accused Joe of knowing something of some jewelry that was missing from a valise.

Of course Joe did not take it, but for some time the theft remained quite a mystery, until Joe solved the secret. From then on he and Reggie were good friends, and Reggie's sister Mabel and Joe were----

Oh, well, what's the use of telling on a fellow? You wouldn't like it yourself; would you?

The baseball season came to an end, and the Pittston team covered itself with glory, partly due to Joe's good pitching. Cold weather set in, and the players took themselves to their various Winter occupations, or pleasures. Joe went home, to wait until the training season should open, in preparation for league games on the velvety, green diamonds.

Several weeks of inaction had passed, the holidays were over, Winter had set in with all earnestness, and now we find Joe hurrying along, intent on the rescue of Reggie and his sister from the snow-stalled train.

"I hope they will not freeze before I get to them," thought Joe, as he staggered through the blinding snow. "They can't, though, for there'll be sure to be steam for some hours yet. I guess I'll stop home, and get something to eat for them, and a bottle of coffee. I'll put it in one of those vacuum flasks, and it will keep hot."

So intent was Joe on his rescue that, for the time, he gave no more thought to the matter of joining the St. Louis nine, important as that matter was to him.

"I'd better get a team of horses, and a light sled," he mused, as he turned in the direction of the livery stable. "There will be some heavy going between here and Deep Rock Cut, and I'll need a good team to pull through."

A little later he was leaving his order with the proprietor.

"I'll fix you up, Joe," said the stable boss, who was a baseball "fan," and a great admirer of our hero. "I'll give you the best team in the place, and they'll get you through, if any horses can. I expect I'll have other calls, if, as you say, the train is stalled, for there'll likely be other folks in town who have friends aboard her. But you've got the first call, and I'm glad of it."

"I'll be back in a little while," called Joe, as he hurried off. "I'm going around to my house to put up some lunch and coffee."

"Good idea! I'll have everything ready for you when you come back."

On Joe hurried once more, through the swirl of white flakes that cut into his face, blown on the wings of a bitter wind. He bent his head to the blast, and buttoned his overcoat more closely about him, as he fought his way through the drifts.

It had been snowing since early morning, and there were no signs to indicate that the storm was going to stop. It was growing colder, too, and the wind seemed to increase in violence each hour. Though it was only a little after one o'clock in the afternoon, it was unusually dark, and Joe realized that night would soon be at hand, hastened by the clouds overhead.

"But the snow will make it light enough to see, I guess," reasoned Joe. "I hope I can keep to the road. It wouldn't be much of a joke to get Reggie and Mabel out of the train, into the comfortable sled, and then lose them on the way home."

Quickly explaining to his mother and sister his plan of going for the two friends in the stalled train, Joe hastily put up some sandwiches, while Clara made coffee and poured it into the vacuum bottle.

"Perhaps you'd better bring them here, Joe, instead of taking them to the hotel," suggested his mother. "Mabel will be wet and cold, perhaps, and I could make her more comfortable here than she would be at the hotel. We have room enough."

"She can share my room," proposed Clara.

"That's good of you," and Joe flashed a grateful look at his sister. "I hope you will like Mabel," he added, softly.

"I guess I will; if you do," laughed Clara.

"Well, I sure do," and Joe smiled.

Then, with a big scarf to wrap about his neck, and carrying the basket of food and coffee, Joe set out for the livery stable, to start to the rescue.

"Here you are, Joe. Best team in the stable. I could have hired 'em out twice over since you went; but I wouldn't do it. Other folks have got the scare, too, about friends on the stalled train," and the livery boss handed Joe the reins of a pair of prancing horses, hitched to a light, but strong cutter.

"Thanks, Mr. Blasser," said Joe. "I'll take good care of 'em."

"And hold 'em in a bit at the start," advised the man. "They haven't been out for a couple of days, and they're a bit frisky. But they'll calm down after a while."

With a jingle of bells, and a scattering of the snow from their hoofs, the horses leaped forward when Joe gave them their heads, and down the whitened street they trotted, on the way to Deep Rock Cut.

This was a place where the railroad went through a rocky defile, about a mile long. It had been the scene of more than one wreck, for there was a dangerous curve in it, and in the Winter it was a source of worry to the railroad men, for the snow piled high in it when there was a storm of more than usual severity. In the Summer a nearby river sometimes rose above its banks, and filled the cut with water, washing out the track.

Altogether Deep Rock Cut was a cause of much anxiety to the railroad management, but it was not practical to run the line on either side of it, so its use had been continued.

"And very likely it's living up to its reputation right now," mused Joe, as he drove down the main street, and then turned to another that would take him out of the town, and to a highway that led near Deep Rock Cut. "It sure must be living up to its reputation right now, though, of course, the storm is to blame.

"Whew! It certainly does blow!" he commented, as he held the reins in one hand, and drew more closely about his throat the muffler he had brought with him. "Stand to it, ponies!" Joe called to the sturdy steeds. They had started off at a lively pace, but the snow soon slowed them down. They started up again, however, at the sound of Joe's voice, and settled down into a steady pull that took them over the ground at a good pace.

Now that he was actually on the way to the rescue Joe allowed his thoughts to go back to the baseball letter that was in his pocket, next to the one from Mabel.

"I wonder how they came to pick me out?" he mused, as he recalled the possibility that he would go to St. Louis. "They must have had a scout at some of the Central League games, though generally the news of that is tipped off beforehand.

"That must have been the way of it, though," he went on, still communing with himself. "I don't know that I played so extra well, except maybe at the last, and then--then I just _had_ to--to make good. Well, I'm glad they picked me out. Wonder if any other members of the Pittston team are slated to go? Can't be, though, or Gregory would have told me of it.

"And I wonder how much more salary I'll get? Of course I oughtn't to think too much about money, for, after all, it's the game I like. But, then, I have to live, and, since I'm in organized baseball, I want to be at the top of the heap, the same as I would if I were a lawyer, or a doctor. That's it--the top of the heap--the New York Giants for mine--if I can reach 'em," and he smiled quizzically.

"Yes, I guess lots of the fellows would give their eye teeth to have my chance. Of course, it isn't settled yet," Joe told himself, "but there must have been a good foundation for it, or Gregory wouldn't have taken the trouble to write to me about it."

Joe found the road to Deep Rock Cut fully as bad, in the matter of snowdrifts, as he had expected. It was rather slow going when he got to the open country, where the wind had full sweep, and progress, even on the part of the willing horses, was slower.

Joe picked out the best, and easiest, route possible, but that was not saying much, and it was not until nearly three o'clock, and growing quite dark, that he came within sight of the cut. Then the storm was so thick that he could not see the stalled train.

"I'll have to leave the team as near to it as I can get, and walk in to tell Reggie and Mabel that I've come for them," Joe decided.

The highway crossed the railroad track a short distance from the end of the cut nearest Riverside, and Joe, halting a moment to listen, and to make sure no trains were approaching, drove over the rails.

"Though there isn't much danger, now, of a train getting through that," he said to himself, as he saw the big drift of snow that blocked the cut. Behind that drift was the stalled train, he reflected, and then, as he looked at the white mound, he realized that he had made a mistake.

"I can never get through that drift myself," he said. "I'll have to drive up to the other end of the cut, by which the engine and cars entered. Stupid of me not to have thought of that at first."

He turned his horses, and again sought the highway that led along the cut, parallel to it, and about a quarter of a mile distant. Joe listened, again hoping he could hear the whistle of the approaching rescue-train, for at the station he had been told one was being fitted out, and would carry a gang of snow shovelers. But the howl of the wind was all that came to his ears.

"This means another mile of travel," Joe thought, as he urged on the horses. "It will be pitch dark by the time I get back to town with them. I hope Mabel doesn't take cold. It sure is bitter."

Joe found the going even harder as he kept on, but he would not give up now.

"There's one consolation," he reasoned, "the wind will be at our backs going home. That will make it easier."

The road that crossed the track at the other end of Deep Rock Cut was farther from the beginning of the defile, and Joe, leaving the horses in a sheltering clump of trees, struggled down the track, the rails of which were out of sight under the snow.

"I wonder if Mabel can walk back?" he said aloud. "If not I guess Reggie and I can carry her. It's pretty deep. I didn't get here any too soon."

Something dark loomed up before him, amid the wall of white, swirling flakes.

"There's the train!" exclaimed Joe, in relief.

It was indeed the rear coach of the stalled passenger train, and, a moment later, Joe was climbing the snow-encumbered steps. It proved to be the baggage car, and, as Joe entered, he surprised a number of men who were smoking, and playing cards on an upturned trunk.

"Hello!" exclaimed one of them, in surprise at the sight of the ball player. "Where'd you come from? Is the rescue-train here?"

"Not yet," Joe answered. "I came to take a couple of friends into town."

"Say, I wish I had a friend like you!" cried the man, with a laugh. "I sure would like to get into town; but I don't dare start out and tramp it--not with my rheumatism. How much room have you got in your airship?"

"I came in a cutter," responded Joe, with a smile.

"Say, you got some grit!" declared the man. "I like your nerve!"

"Oh, Joe's got plenty of nerve--of the right sort!" called a brakeman, and Joe, nodding at him, recognized a railroad acquaintance who had been present at some of the town ball games.

"A couple of my friends are in one of the coaches, Mr. Wheatson," explained Joe. "I'm going to drive back with them."

"Go ahead and look for 'em," invited the brakeman. "The train is yours, as far as I'm concerned. I guess we're tied up here all night."

"They're going to start out a rescue-train," Joe informed the men in the baggage car, for the telegraph wires had gone down after the first message, telling of the stalled train, had been sent.

"That's good news," replied one of the men. "Well, all we can do is to stay here, and play cards. It's nice and warm in here, anyhow."

"Yes, it will be until the coal for the engine gives out," spoke a player, who seemed to take a rather gloomy view of matters. "And what are we going to do about supper? I'd like to know that!"

Joe wished he could have brought along enough food for all the stranded passengers, but this was impossible. He went on through the train, and presently came to where Mabel and her brother were seated in the parlor car, looking gloomily out at the storm.

From its opening line—'Whew!' whistled Joe Matson—Lester Chadwick's Baseball Joe in the Big League establishes a conversational, energetic voice that carries through the narrative. The prose moves briskly between dialogue and action, with short paragraphs and frequent exclamations that mirror the quick decisions of a baseball game. The story's language is colloquial and direct, using slang like 'corkingly glad' and 'horsehide' to create an informal, period-authentic tone. This voice is consistent whether Joe is discussing strategy with his sister Clara or receiving advice from veteran catcher Boswell, grounding the reader in the world of early twentieth-century baseball.

Dialogue as a Driver of Pace and Character

Chadwick relies heavily on dialogue to advance the plot and reveal character. The opening chapter, 'Two Letters,' unfolds almost entirely through back-and-forth between Joe and Clara, with the narrator stepping in only for brief physical descriptions—'Joe looked out of the window, across a snowy expanse of yard.' This technique keeps the pace brisk and gives the reader direct access to Joe's emotions: surprise, concern, and cautious optimism. Later, the extended conversation between Joe and Boswell about pitching signals uses dialogue to convey technical information without slowing the narrative. The exchange feels natural, with Boswell's seasoned advice—'If your signals are found out, where are you? Up in the air'—delivered in a colloquial rhythm that matches his character. By letting characters speak for themselves, Chadwick maintains momentum while layering in baseball strategy.

Shifts Between Action and Reflection

The narrative alternates between fast-paced action sequences and quieter moments of internal reflection, creating a varied rhythm. In practice scenes, sentences are short and punchy: 'Practice went on as usual, only it grew harder and more exacting.' The focus is on physical effort and immediate results. But Chadwick also slows down for Joe's private thoughts, as when he 'often wondered' about a suspicious figure named Wessel or felt 'a little apprehensive' about facing the Giants. These reflective passages are brief but effective, giving depth to Joe's character without halting the story. The balance prevents the novel from becoming a mere play-by-play; the reader experiences both the adrenaline of the game and the weight of Joe's ambitions.

Voice and Authenticity in Baseball Detail

Chadwick's language reflects a genuine familiarity with baseball terminology and the culture of the sport in 1915. Terms like 'twirler,' 'battery signs,' and 'stick work' are used without explanation, assuming a knowledgeable reader. The dialogue of players and managers is peppered with period slang—'cinch,' 'double-crossed,' 'fiends at getting next to the signs'—which lends authenticity. The narrative voice itself adopts a slightly formal but friendly tone, addressing the reader directly at times ('Most folks think...'). This blend of technical jargon and colloquial speech creates a distinctive voice that is both instructive and entertaining. The pacing of these informational passages is carefully managed: they are woven into conversations or practice scenes, so the reader learns alongside Joe without feeling lectured.

Readers attentive to shifts in pace will notice how Chadwick uses sentence length and paragraph structure to mirror the tension of baseball. Short, staccato lines during game action contrast with longer, more contemplative passages off the field. The novel rewards those who pay attention to these rhythmic changes, as they often signal key emotional beats—Joe's anxiety before a big game, his relief after a successful play, or his determination to improve. This editorial note encourages you to observe how the language itself becomes a tool for storytelling, shaping your experience of Joe's hardest struggles.

The rain slanted past my window that afternoon, and I kept returning to how Chadwick’s dialogue snaps tight when Joe faces the big-league hitters. After a while, the tension made me restless, so I drifted to my shelf and pulled down the old Leslie Ross volume, its Leslie Ross; or, Fond of a Lark — Reading Companion tucked inside the cover. Curious: both boys just want to be taken seriously, yet take such different paths.

Jack Baker
4 weeks ago

Oliver Sanchez
3 weeks ago

5
5 out of 5 (2 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What did you think of this book?

Answer a few questions and save a private reflection on this device.

Your progress 0 / 10
1

What is your current status with this title?

2

Did this book hold your interest?

3

Would you recommend this book to another reader?

4

How demanding did the text feel?

Related eBooks