Miss Mouse and Her Boys — Background and Themes

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Molesworth, Mrs., 1839-1921, Brooke, L. Leslie (Leonard Leslie), 1862-1940 [Illustrator] Project Gutenberg 2010 Not confirmed
Conduct of life -- Juvenile fiction; Children -- Conduct of life -- Juvenile fiction; Friendship -- Juvenile fiction; Brothers -- Juvenile fiction; Cousins -- Juvenile fiction; Aunts -- Juvenile fiction; Pets -- Juvenile fiction; Storytelling -- Juvenile fiction Readers of public-domain and historical texts
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Words 45,706
Reading time 199 min
Text sections 5

This digital edition of Miss Mouse and Her Boys — Background and Themes is described by source-level measurements including 45,706 words, 3 hr 19 min estimated reading time, and 5 detected text sections.

The text analysis averages about 17.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Conduct of life -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

Mrs. Molesworth's 1897 novel introduces five boisterous Hervey boys and a quiet little girl in grey, Miss Mouse. The opening contrasts the boys' noise with her stillness, while later excerpts weave fairy-tale storytelling into domestic life, offering a layered reading experience.
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There were five of them--of the Hervey boys. They began at thirteen and ended at three, or began at three and ended at thirteen, if you like to put it that way. But when they were all together in the nursery, or playroom as they called it more often--to see them, still more to hear them, you would certainly have said there were at least ten--above all if a scrimmage of any kind was going on, for then the number of legs and arms all belonging to everybody apparently, seemed to be multiplied in an astonishing manner.

You would, I think, have sympathised with a small person, almost as small as three-years-old Ger, whose first word's when the door was opened were, in an awe-struck whisper,

'Oh, what a _lot_ of boys.'

She was dressed in pale grey, grey all over, made rather long in the skirt, and she had a little drawn bonnet of the same colour--a quaint little figure; but we are used to quaint little figures of _her_ kind now--fashions repeat themselves, wise people say; and so they do in some cases, though not in all. I cannot believe that boys will ever again be buttoned up and choked as they used to be, above all in summer, when their hot, red faces seemed on the point of bursting out of their 'nankeen' suits, held together by brass buttons.

But the little grey figure standing at the doorway of the Herveys' playroom was pretty as well as quaint, though the small face was pale, and the eyes just a quiet grey like the colour of her clothes, and her dark-brown hair cropped quite short.

She was holding on tightly to the hand of a young lady, and as one of the scrimmagers caught sight of this same young lady, and immediately broke into a shout of welcome--'Aunt Mattie--boys, don't you see Aunt Mattie?' and the noise became really deafening, our little girl squeezed the fingers she held still more firmly, and an _almost_ frightened look crept into her eyes.

'Boys, boys,' exclaimed Aunt Mattie in turn, 'don't _you_ see that--somebody you have never seen before is here? Do disentangle yourselves if you can--Archie, Hector--I can't tell which is which of you--and Ger, dear old Ger, as plump as ever, and--yes, that's right, Justin--you and Pat really should keep the pickles in order.'

Justin got red--redder even than he was already--as he pushed his way out of the scramble.

'If you knew what it was, auntie,' he said, in a tone half of despair, half of apology. 'The pickles get worse every day, and Pat's always asleep or nearly asleep over his books and plans. I really----'

'Well, never mind about that just now,' said his aunt. 'I must introduce you all properly,' and she led the little girl gently forward into the room, looking round for a seat, which was not so easy to find, as every chair was either upside down or else hoisted on to the top of another.

'I'll get you one down,' Archie called out when he saw the state of things. 'Get out of the way, Hec and Ger, can't you?'

But in getting out of the way, Hec tumbled over Ger, and Ger, who was really only a baby, though a very independent one, kicked out at Hec, which he thought more manly than crying, though one or other he must have done, of course, to relieve his feelings. Whereupon Aunt Mattie, not seeming very surprised, though in her heart she was startled at the look in the big grey eyes under the shade of the grey bonnet, picked him up, still kicking, and plumped him down between herself and the little grey person, who by this time was seated beside her, two chairs having somehow been got at.

Ger was too surprised to go on kicking, _or_ to cry. He just opened his mouth wide and stared. Then 'Aunt-ie,' he began slowly, in a tone of reproach, 'thoo----'

But he got no further.

'Ger,' said auntie gravely, 'I'm ashamed of you. You haven't even said "How do you do?" or shaken hands with this young lady. She isn't accustomed to see little boys fighting and kicking each other.'

'I diddun fight,' said Ger, 'I on'y kicked. Hec begunned.'

'I!' exclaimed Hec, ready to swell up with indignation like an angry turkey-cock, '_I_-- I were fetchin' a chair and----'

'Stop, boys,' said Aunt Mattie again. 'Now let's go on nicely. This is Ger, and he wants to be very polite now and shake hands--eh, Ger?'

Ger's round blue eyes were fixed on the small stranger.

'Her's not a young lady,' he said at last. 'Ger 'ud rather kith her.'

The little girl leaned forward at once, and kissed his firm, plump cheek.

'Thoo ith tho thoft,' he said, and he stroked her cape and the chinchilla muff she was holding. 'I know--thoo's a _mouse_.'

He said the 's' quite plainly, for his lisp was a very changeable one, and already he was on the way to lose it altogether.

Everybody laughed. Ger liked the sound of the laugh--it was not making fun of him.

'Yeth,' he went on, 'uth'll call thoo'--with some effort--'Mith Mouse.'

Miss Mouse leant forward a second time and kissed him again.

'You funny little boy,' she said. 'You may call me "Miss Mouse" if you please, but wouldn't you like to know my proper name?'

'No thank thoo. I like Mith Mouse best.'

'But _we'd_ like to know your real name,' said Archie. 'Wouldn't we--Justin and Hec, and--oh Pat's asleep over a book again, I suppose.'

'I'm not,' growled a voice from an opposite corner.

'Well then, behave properly. Come out of there, can't you? Aunt Mattie, make him.'

'Patrick,' said Aunt Mattie, and Pat got up and came slowly forward. He was not like Justin, and Hec, and Ger, who were all fair and ruddy; he was dark-haired and dark-eyed and pale, while Archie, the best-looking of the five, came between the two, for he had bright brown hair and merry hazel eyes.

'Now,' said Aunt Mattie, 'now, dear, you see them all-- Ger, you have shaken hands with, or rather, kissed. Ger is three and three quarters, and his real name is Gervais. Hector is--let me see--six and a half--no, seven, just struck. Shake hands, Hec, if you're too big to be kissed.'

'I'm not,' said Hec, and he stretched up his rosy mouth to Miss Mouse, and then, like Ger, he stroked her chinchilla muff softly.

'And Archie,' Aunt Mattie proceeded. Archibald is nearly ten,' and Archie held out a rather grimy paw and shook hands heartily. 'Next comes Patrick, eleven past.' Pat's mouth was shut tight, and he only just touched the little girl's fingers. '_And_, last and eldest, Justin, who is thirteen and----' she hesitated.

'Thirteen and a quarter,' said Justin cheerily.

'Then,' said Miss Mouse, speaking almost for the first time, '_I_ come between Pat and Archie. I'm nine--nine past, my birthday was last Christmas.'

'Are you staying with Aunt Mattie?' asked Justin. 'When did you come? You weren't there on Sunday.'

The little girl turned to the young lady with a puzzled look.

'Don't they know?' she said in a half whisper.

Aunt Mattie smiled and shook her head slightly.

'Didn't your mother tell you that I was expecting a visitor, Justin?' she asked, turning to the eldest boy, who was now employing the time of waiting for his question to be answered by tilting another unfortunate chair as far back as he could get it to go without tumbling over.

'Expecting a visitor,' he repeated. 'Oh yes, she said something about--about--a girl, but I thought she meant somebody like you used to be, auntie, before you were married--a grown-up girl. And I forgot about it with her being away. Papa and mamma went away yesterday, you know, and----' Over went the chair, its patience at an end, with a good clatter. The chairs in the playroom were pretty stout, as they needed to be.

'O Justin,' said Aunt Mattie, 'do be quiet for a minute and leave the chairs alone. How is it that you and Pat and Archie aren't at school this afternoon?'

'Half-holiday,' said Justin.

'Of course-- I forgot,' Aunt Mattie replied, thinking to herself that if she had remembered what day it was, she would have chosen some quieter time for introducing her little guest to the Herveys. She had expected only to find the two younger ones with their nursery governess. 'Where is Miss Ward?' she went on.

'Got a headache,' said Hector. 'Leave off, Ger,' he went on. 'It's my turn,' for the two had been stroking the chinchilla muff with great satisfaction while Aunt Mattie had been speaking to the elder boys.

Ger gave a yell. Hec had nipped his fingers to make him give up his share of the muff. Miss Mouse's face grew red, and she very quietly took her hands out of the muff, and put it behind her, between her shoulders at the back of her chair, though without speaking. Aunt Mattie saw what she did and smiled to herself. Hector and Gervais only stared.

'If you will be quiet, Justin--you and Pat and Archie, I will explain about Rosamond,' and she put her arm round the little girl affectionately.

'Her's Mith Mouse, not Lotha--wubbish,' said Ger.

'Hold your----' began Justin.

Ger shut his mouth up tight.

'Miss Mouse then,' said Aunt Mattie, 'is my niece, just as you are my nephews, only she's not your cousin.'

'Why not?' said Pat, suddenly waking up. This sounded rather like a riddle, or a puzzle of some kind, and Pat loved puzzles.

'Because she is Uncle Ted's niece--she is my niece now because I am married to Uncle Ted, but that doesn't make her your cousin.'

'Then she _isn't_ your niece the same as we're your nephews,' said Pat, preparing for a good argument.

'Well, no, not exactly. But still she _is_ my niece, just as much as Uncle Ted is your uncle, and you wouldn't like any one to say he is not your proper uncle, would you, for I know you are very fond of him?'

There was no reply to this for a moment or two. The boys _were_ very fond of Uncle Ted, but yet the relationship was a little perplexing. They had never thought of it before, and even Pat felt that it might seem rude if he did not agree that Uncle Ted was as much an uncle as Aunt Mattie was an aunt.

It was Miss Mouse who came to the rescue.

'I know what,' she said, and her voice was very clear indeed, 'I know what, boys--we'll settle that I _am_ to be your cousin, and that'll make it all right. Uncle Ted and Aunt Mattie will be our uncle and aunt to all of us just the same, once we're cousins.'

'All right,' said Justin and Archie, who were longing to begin another scrimmage of some kind. 'All right,' said Pat, not quite so heartily, for he was disappointed of his argument with Aunt Mattie. 'All zight,' said Hec and Ger--Ger adding, 'but thoo'll be Mith Mouse _always_. Are thoo goin' to live here in thit houth?'

All the boys stopped short at this. It had never struck them till this moment that such a thing was possible. They had only thought of the little girl as just coming in to see them for a short time, as other children did now and then, and Rosamond herself looked up at her aunt in surprise at their not understanding. For she herself was an only child accustomed to hear a good deal more of the family plans than were the Hervey boys.

'Oh no,' she began to say, 'oh no, Ger, dear. I'm not going to live in your house. I've come to stay with Uncle Ted and Aunt Mattie for a--for a long time,' and there was a slight tremble in her voice at the last words.

Aunt Mattie felt a little vexed at having to speak of what she knew must be sad for her young guest.

'I thought your mother had told you something,' she said, turning to Justin. 'Most likely she did, and that it was you who did not listen. You are so very scatter-brained. Rosamond's father and mother have gone to India, a few weeks ago, and she is going to stay with Uncle Ted and me till they come back again.'

The little girl's face had grown red while Aunt Mattie was speaking, and at the last few words she squeezed tightly the kind hand she had managed to get hold of.

'Oh,' said the boys, two or three of them at once, in a tone of some awe, and looking at Miss Mouse with increased respect. For India, and goings-to and comings-from there, were not nearly such every-day matters forty or fifty years ago as they are now.

'Will they come back thoon?' asked Ger, looking up in Rosamond's face with his innocent baby-blue eyes. 'I don't want them to, 'cos----' and here he suddenly stopped. 'Her's c'ying,' he announced to his brothers in a half whisper.

'No, I'm not,' said Miss Mouse in her clear voice. 'At least I'm not going to cry. I've promised I wouldn't.'

'Dear,' said Aunt Mattie, 'you can't help it a little, sometimes. No,' she went on, 'her papa and mamma can't come home for a good while. India is a long way off, you know. Why don't you want them to come back, Ger? It isn't very kind to say that.'

'Yeth, it is', said Ger, 'it's 'cos I want her to stay here. I like Mith Mouse.'

This made Rosamond smile through the tears which had nearly dried up already.

'I am glad of that,' said Aunt Mattie. 'For I want you all to be very kind to Rosamond, and make up to her for her papa and mamma being away.'

'Does she mind so much?' said Hec, poking his curly head very close under the grey bonnet. 'I don't think I would--not so very much.'

''Cos you've got no feelings,' said Archie, pulling him back, 'and you're as rude as rude too. I say, Miss Mouse,' he went on, 'would you like to come out and see some of the animals?'

'What?' said Rosamond; 'do you mean Noah's Ark animals?'

Justin and Pat, though Pat was again in his corner with a book, both began to laugh, and Archie's indignation was now turned on them.

'You're ruder than Hec,' he said, ''cos he's little and you're big.'

'None of your impertinence,' began Justin, seconded by a growl from Pat. 'I'll teach you to meddle with----'

Aunt Mattie rose to her full height, and she was tall. Somehow her nephews struck her to-day in a new light. She had known they were wild and unruly, but the waves of expression that followed each other over Rosamond's face almost startled her--the child had never seen this rough side of boy-life, if indeed boy-life at all. Aunt Mattie felt as if she had made a mistake in bringing her into it, and almost ashamed of Justin and his brothers.

'Boys,' she said, speaking to the two elder ones, 'you may not like Archie's interfering, but what he says is perfectly true; you are both very rude, though perhaps you don't mean it. But you know very well how angry you'd be if any one laughed at _you_. I tell you plainly that unless you can be gentle and more polite I will take Rosamond away, and find other playfellows for her while she is living with your uncle and me.'

Pat said nothing, but Justin got red.

'Oh come now, auntie,' he said. 'You know very well we didn't mean it, and I don't believe Miss Mouse minds. Do you?' he went on, turning to Rosamond.

The little girl hesitated.

'I-- I don't know,' she began, 'but,' as a bright idea struck her, 'I'd like to see your animals and then I'd understand.'

Justin turned to his aunt in triumph.

'There now,' he exclaimed, 'I told you so! Can't she come out with us now? You needn't _all_ come,' he added to the others; 'I don't want the kids, but they'd get into mischief if we leave them here alone,' and he glanced at Hec and Ger doubtfully.

Aunt Mattie smiled again to herself at Justin's last words. She felt very much inclined to say that in _her_ opinion the two youngest boys were much less likely to get into mischief if left by themselves than under the elders' care. But just now, for Rosamond's sake, she thought it better to say nothing which would lead to any more discussions. So after a moment's thought she turned again to Justin.

'I will stay here with the little ones,' she said, 'if you take Rosamond out to see your pets----'

'Oh!' interrupted Miss Mouse. 'It's _pets_ you mean! I didn't think of pets when you said "animals."'

"Pets" is a girl's word, you see,' said Justin loftily, for he was already quite getting over his aunt's snub.

'Now, Justin,' said Aunt Mattie quietly, 'I haven't finished. If you take Rosamond out, she is under your charge, you understand? You mustn't let the dogs jump on her, or let her be teased or frightened in any way.'

'All right,' said Justin. 'Come along, Miss Mouse.'

Rosamond got up and half timidly took the hand which the boy held out to her.

'I'm coming too,' said Archie, at which the little girl's face brightened up.

'Don't till----' began Justin, stopping short, however, when he caught his aunt's eye, for Aunt Mattie's control over the boys was no new thing.

'Yes,' she said. 'Archie may go too, certainly, and remember, both of you, that you are on your honour to have no squabbling or fighting of any kind while Rosamond is with you.'

The trio set off. Rosamond between the boys, holding a hand of each. Aunt Mattie smiling and nodding encouragingly, for there was still a half-frightened look on the little face.

'It is best,' thought she, 'to test them, for they are not bad boys at heart, and she is far from childish for her age. But if they are really too rough, our plan must be given up. I am very much afraid that Miss Ward is not a success. Patrick,' she said aloud, 'I didn't want to keep on finding fault this first time of Rosamond's seeing you all, but I must say to you, now that we are alone, that I am surprised at your not knowing that it is not polite to go on reading in a corner when any one comes to see you. It is not polite even to _me_.'

'I didn't know you'd come to see _me_,' said Pat gruffly, 'and I don't like girls.'

'I really don't care whether you like them or not,' said his aunt, getting rather angry in spite of herself, 'and that is not the question. The point is that you should and must behave like a gentleman to any visitors in your father's house, and I shall certainly insist on your doing so to any _I_ bring here.'

Pat did not reply. He had left off reading, but he sat still, with the book open on his knees and a far from amiable look on his face.

Aunt Mattie felt troubled. Of all the boys, Pat, she well knew, was the most difficult to understand, but during the years that her home had been with her sister, Mrs. Hervey, she had come to be like a second mother to the children, and Pat, every one said, was more manageable by 'Miss Mattie' than by any one else. And now he was as sulky and disagreeable to her as ever he had been to old nurse, whom he was always fighting with, or to any one.

The first chapter of Miss Mouse and Her Boys immediately establishes a contrast between the five Hervey boys—described as “queer, merry, thoughtless fellows” whose limbs multiply in a scrimmage—and the small, grey-clad girl who whispers, “Oh, what a lot of boys!” The narrator’s affectionate tone toward boyish chaos sets the stage for a story that balances domestic realism with flights of fancy. The opening situates the tale “before the days of sailor suits and knickerbockers,” grounding it in a specific historical moment while noting that boys’ essential nature remains unchanged.

Later excerpts reveal that the narrative incorporates embedded fairy tales, such as a story about a foundling baby who may be a moor-fairy. This blend of everyday mischief and supernatural possibility shapes the reading experience, inviting attention to how the frame story and inset tales reflect on each other.

The Boys and Their World

The Hervey boys range from thirteen to three, and the narrator delights in their collective energy: “to see them, still more to hear them, you would certainly have said there were at least ten.” The opening chapter dwells on their physicality—legs and arms “multiplied in an astonishing manner”—and their cheerful indifference to trouble. The narrator explicitly contrasts them with their “girl-companions,” who care more for past and future. This gendered framing is worth noting as the story progresses, because the quiet girl in grey, Miss Mouse, enters this boisterous realm as an observer. The catalog subjects list “Conduct of life” and “Friendship” prominently, suggesting the boys’ rough-and-tumble will be tempered by her presence. Readers may watch for how the narrative uses the boys’ collective personality to create both comedy and conflict.

Miss Mouse’s Entrance

The girl who exclaims at the sight of the boys is described as “a quaint little figure” in pale grey, with a drawn bonnet. She is almost as small as three-year-old Ger, yet her first words are an awestruck whisper rather than a shriek. The narrator notes that “we are used to quaint little figures” in stories, signaling that Miss Mouse belongs to a recognizable type—the quiet, observant child. Her grey clothing sets her apart visually from the boys, and her stillness contrasts with their motion. The chapter title, “What a lot of Boys!,” is her line, and it positions her as an outsider whose perspective will structure the reader’s entry into the household. The excerpts do not reveal her backstory or how she comes to be with the Herveys, so readers must infer her role from her initial reaction and the story’s title.

Embedded Tales and Fairy Glimmers

Later in the text, the narrative shifts into a story-within-a-story: a poor family on a moor finds a mysterious baby who brings good luck and then vanishes, laughing “like a will-o’-the-wisp.” The mother concludes it was a moor-fairy, appearing “once in seven years.” This inset tale is told by a character named Nance, and its fairy-tale logic—a foundling who transforms fortune—echoes the frame story’s hints of magic. The catalog subject “Storytelling” confirms that tales are a key element. The excerpt shows the baby’s laughter moving from place to place, tricking the boy Robin, and the mother’s half-pleased, half-vexed expression. Readers should note how these embedded stories relate to Miss Mouse’s own situation: is she also a kind of fairy visitor? The text does not say, but the parallel invites speculation.

Structure and Reading Pace

With twelve chapters and a word count of 45,706, Miss Mouse and Her Boys is a relatively short novel. The table of contents shows that two chapters are devoted to “Nance’s Story,” indicating that the embedded tale is substantial. The chapter titles also include “Ferrets and Fairies,” “The Story of the Lucky Penny,” and “A Great Sacrifice,” suggesting a mix of domestic adventure and moral lessons. The illustrator, L. Leslie Brooke, contributed several plates, including one captioned “I’ve plenty of stories in my head,” which reinforces the importance of storytelling. Readers may find it helpful to treat the book as a series of episodes rather than a tightly plotted narrative, paying attention to how the frame story and the inset tales comment on each other. The pacing allows for leisurely immersion in the Hervey household’s daily life.

Approach Miss Mouse and Her Boys as a layered work where the noise of the nursery and the quiet of fairy tales coexist. The narrator’s warm, slightly old-fashioned voice rewards attention to small details—the grey dress, the multiplied limbs, the laughing fairy child. Because the excerpts are incomplete, readers should remain alert to how Miss Mouse’s role develops and whether the embedded stories foreshadow events in the main plot. The book invites a slow, observant reading that savors both the realistic and the fantastical.

There’s something about the Hervey boys’ noise that makes Miss Mouse’s quiet all the more tender, and that same hush lingers in Just Gerry, a book that feels less like a story than a held breath. I sometimes think of both as old friends who never quite left the room. Just Gerry — A Reader’s Guide waits patiently on my shelf for such afternoons.

Carter Lopez
1 week ago

5
5 out of 5 (1 User reviews )

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