Artists' Wives — Story, Setting & Ideas

Here was a fellow who adored his art, and had a horror of the world, and society. The wife, though amiable and intelligent, instead of shielding him from the social obligations he loathed, condemned him for some ten years to all the exactions they involved. Thus she induced him to undertake a lot of official busts, horrible respectabilities in velvet skull caps, frights of women utterly devoid of grace; she disturbed him ten times a day with importunate visitors, and then every evening laid out for him a dress suit and light gloves, and dragged him from drawing-room to drawing-room. You will tell me he could have rebelled, could have replied point-blank: "No!" But don't you know that the very fact of our sedentary existences leaves us more than other men dependent on domestic influence? The atmosphere of the home envelopes us, and if some touch of the ideal does not lighten it, soon wearies and drags us down. Moreover, the artist as a rule puts what force and energy he has into his work, and after his solitary and patient struggles, finds himself left with no will to oppose to the petty importunities of life. With him, feminine tyrannies have free play. No one is more easily conquered and subdued. Only, beware! He must not be made to feel the yoke too heavily. If one day the invisible bonds with which he is surreptitiously fettered are drawn too tight and arrest the artistic effort, he will all at once tear them asunder, and, mistrusting his own weakness, will fly like our sculptor, over the hills and far away._

_The wife of this sculptor was astounded at his flight. The unhappy creature is still wondering: "What can I have done to him?" Nothing. She simply did not understand him. For it is not enough to be good and intelligent to be the true helpmate of an artist, A woman must also possess infinite tact, smiling abnegation; and all this is found only by a miracle in a young creature, curious though ignorant as regards life. She is pretty, she has married a well-known man, received everywhere; why should she not wish to show herself a little on his arm? Is it not quite natural? The husband, on the contrary, growing intolerant of society as his talent progresses, finding time short, and art engrossing, refuses to be exhibited. Behold them both miserable, and whether the man gives in or resists, his life is henceforward turned from its course, and from its tranquillity. Ah! how many of these ill-matched couples have I known, where the wife was sometimes executioner, sometimes victim, but more often executioner, and nearly always unwittingly so! The other evening I was at Dargenty's, the musician. There were but a few guests, and he was asked to play. Hardly had he begun one off those pretty mazurkas with a Polish rhythm, which make him the successor of Chopin, when his wife began to talk, quite low at first, then a little louder. By degrees the fire of conversation spread. At the end of a minute I was the only listener. Then he shut the piano, and said to me with a heart-rent smile: "It is always like this here--my wife does not care for music." Can you imagine anything more terrible than to marry a woman who does not care for your art? Take my word for it, my friend, and don't marry. You are alone, you are free; keep as precious things, your liberty and your loneliness._

_That is all very well! You talk at your ease of solitude. Presently, when I am gone, if some idea occurs to you, you will gently follow it by the side of your dying embers, without feeling around you that atmosphere of isolation, so vast, so empty, that in it inspiration evaporates and disperses. And one may yet fear to be alone in the hours of work; but there are moments of discouragement and weariness, when one doubts oneself ones art even. That is the moment when it must be happiness to find a faithful and loving heart, ever ready to sympathize with one's depression, to which one may appeal without fearing to disconcert a confidence and enthusiasm that are, in fact, unalterable. And then the child. That sweet unconscious baby smile, is not that the best moral rejuvenescence one can have? Ah! I have often thought over that. For us artists, vain as all must be who live by success, by that superficial esteem, capricious and fleeting, that we call the vogue; for us, above all others, children are indispensable. They alone can console us for growing old. All that we lose, the child gains. The success we have missed, we think: "He will have it" and in proportion as our hair grows thin, we have the joy of seeing it grow again, curly, golden, full of life, on a little fair head at our side._

_Ah, poet! poet! have you thought also of all the mouthfuls by which with the end of pen or brush we must nourish a brood?_

_Well! say what you like, the artist is made for family life, and that is so true, that those among us who do not marry, take refuge in temporary companionships, like travellers who, tired of being always home-less, end by settling in a room in some hotel, and pass their lives under the hackneyed notice of the signboard: "Apartments by the month or night?"_

_Such are all in the wrong. They accept the worries of wedlock and will never know its joys._

_"You acknowledge then that there are some joys?"_

_Here the painter, instead of replying, rose, searched out from among drawings and sketches a much-thumbed manuscript, and returning to his companion:_

_"We might argue like this," said he, "for ever so long without either convincing the other. But since, notwithstanding my observations, you seem determined to try marriage, here is a little work I beg you to read. It is written--I would have you note--by a married man, much in love with his wife, very happy in his home, an observer who, spending his life among artists, amused himself by sketching one or two such households as I spoke of just now. From the first to the last line of this book, all is true, so true that the author would never publish it. Read it, and come to me when you have read it. I think you will have changed your mind."_

_The poet took the manuscript and carried it home with him; but he did not keep the little book with all the needful care, for I have been able to detach a few leaves from it and boldly offer them to the public._

She was certainly not intended for an artist's wife, above all for such an artist as this outrageous fellow, impassioned, uproarious and exuberant, who, with his nose in the air and bristling moustaches, rushed through life defiantly flaunting the eccentric and whirlwind-like name of Heurtebise,* like a challenge thrown down to all the absurd conventionalities and prejudices of the _bourgeois_ class. How, and by what strange charm had the little woman, brought up in a jeweller's shop, behind rows of watch chains and strings of rings, found the means of captivating this poet?

* Hit the blast (literally).

Picture to yourself the affected graces of a shopwoman with insignificant features, cold and ever-smiling eyes, complacent and placid physiognomy, devoid of real elegance, but having a certain love for glitter and tinsel, no doubt caught at her father's shopwindow, making her take pleasure in many-coloured satin bows, sashes and buckles; and her hair glossy with cosmetic, stiffly arranged by the hairdresser over a small, obstinate, narrow forehead, where the total absence of wrinkles told less of youth than of complete lack of thought. Such as she was, however, Heurtebise loved and wooed her, and as he happened to possess a small income, found no difficulty in winning her.

What pleased her in this marriage was the idea of wedding an author, a well-known man, who would take her to the theatre as often as she wished. As for him, I verily believe that her sham elegance born of the shop, her pretentious manners, pursed up mouth, and affectedly uplifted little finger, fascinated him and appeared to him the height, of Parisian refinement; for he was born a peasant and in spite of his intelligence remained one to the end of his days.

Tempted by a quiet happiness and the family life of which he had been so long deprived, Heurtebise spent two years far from his friends, buried in the country, or in out-of-way suburban nooks, within easy distance of that great city Paris, which overexcited him even while he yet sought its attenuated atmosphere, just like those invalids who are recommended sea air, but who, too delicate to bear it in all its strength, are compelled to inhale it from a distance of some miles. From time to time, his name appeared in a newspaper or magazine at the end of an article; but already the freshness of style, the bursts of eloquence, were lacking by which he had been formerly known. We thought: "He is too happy! his happiness has spoilt him."

However, one day he returned amongst us, and we immediately saw that he was not happy. His pallid countenance, drawn features contracted by a perpetual irritability, the violent manners degenerated into a nervous rage, the hollow sound of his once fine ringing laugh, all showed that he was an altered man. Too proud to admit that he had made a mistake, he would, not complain, but the old friends who gathered round him were soon convinced that he had made a most foolish marriage, and that henceforth his life must prove a failure. On the other hand, Madame Heurtebise appeared to us, after two years of married life, exactly the same as we had beheld her in the vestry on her wedding day. She wore the same calm and simpering smile, she had as much as ever the air of a shopwoman in her Sunday clothes, only she had gained self-possession. She talked now. In the midst of artistic discussions into which Heurtebise passionately threw himself, with arbitrary assertions, brutal contempt, or blind enthusiasm, the false and honeyed voice of his wife would suddenly make irruption, forcing him to listen to some idle reasoning or foolish observation invariably outside of the subject of discussion. Embarrassed and worried, he would cast us an imploring glance, and strive to resume the interrupted conversation. Then at last, wearied out by her familiar and constant contradiction, by the silliness of her birdlike brain, inflated and empty as any cracknel, he held his tongue, and silently resigned himself to let her go on to the bitter end. But this determined silence exasperated Madame, seemed to her more insulting, more disdainful than anything. Her sharp voice became discordant, and growing higher and shriller, stung and buzzed, like the ceaseless teasing of a fly, till at last her enraged husband in his turn, burst out brutal and terrific.

She emerged from these incessant quarrels, which always ended in tears, rested and refreshed, as a lawn after a watering, but he remained broken, fevered, incapable of work, Little by little his very violence was worn out One evening when I was present at one of these odious scenes, as Madame Heurtebise triumphantly left the table, I saw on her husband's face bent downwards during the quarrel and now upraised, an expression of scorn and anger that no words could any longer express. The little woman went off shutting the door with a sharp snap, and he, flushed, with his eyes full of tears, and his mouth distorted by an ironical and despairing smile, made like any school-boy behind his master's back, an atrocious gesture of mingled rage and pain. After a few moments, I heard him murmur, in a voice strangled by emotion: "Ah, if it were not for the child, how I would be off at once!"

For they had a child, a poor little fellow, handsome and dirty, who crawled all over the place, played with dogs bigger than himself, with the spiders in the garden, and made mud-pies. His mother only noticed him to declare him "disgusting" and that she had not put him out to nurse.

She clung in fact to all the little shopkeeper traditions of her youth, and the untidy home in which she went about from early morn in elaborate costumes and astonishingly dressed hair, recalled the back-shops so dear to her heart, rooms black with filth and want of air, where in the short intervals of rest from commercial life, badly cooked meals were hurriedly eaten, at a bare wooden table, listening all the while for the tinkle of the shop-bell. With this class, nothing has importance but the street, the street with its passing purchasers and idlers, and its overflowing holiday crowd, that on Sundays throng the side walks and pavements. And how bored she was, wretched creature, in the country, how she regretted the Paris life! Heurtebise, on the contrary, required the country for his mental health. Paris still bewildered him like some countrified boor on his first visit. His wife could not understand it, and bitterly complained of her exile. By way of diversion she invited her old acquaintances, and when her husband was absent they amused themselves by turning over his papers, his memoranda, and the work he was engaged upon.

"Do look, my dear, how funny it is. He shuts himself up to write this. He paces up and down, talking to himself. As for me, I understand nothing of what he does."

And then came endless regrets, and recollections of her past life.

"Ah! if I had known. When I think that I might have married Aubertot and Fajon, the linen-drapers." She always spoke of the two partners at the same time, as though she would have married the firm. Neither did she restrain her feelings in her husband's presence.

She disturbed him, prevented all work, settling down with her friends in the very room he was writing in, and filling it with the silly chatter of idle women, who talked loud, full of disdain for a literary profession which brought in so little, and whose most laborious hours always resemble a capricious idleness. From time to time Heurtebise strove to escape from the life which he felt was daily becoming more dismal. He rushed off to Paris, hired a small room at an hotel, tried to fancy he was a bachelor; but suddenly he thought of his son, and with a desperate longing to embrace him hurried back the same evening into the country.

On these occasions, in order to avoid the inevitable scene on his return, he took a friend back with him and kept him there as long as he could. As soon as he was no longer alone face to face with his wife, his fine intellect awoke and his interrupted schemes of work little by little and one after the other came back to him. But what anguish it was when his friends left! He would have kept his guests for ever, clinging to them by all the strength of his _ennui_. With what sadness would he accompany us to the stand of the little suburban omnibus which bore us back to Paris! and when we left, how slowly he turned homewards over the dusty road, with rounded shoulders and listless arms, listening to the vanishing wheels.

In truth their _tête-à-tête_ life had become unbearable, and to avoid it, he tried always to keep his house full. With his easy goodnature, his weariness and indifference, he was soon surrounded by a lot of literary starvelings. A set of scribblers, lazy, cracked day-dreamers, settled down upon him and became more at home than himself; and as his wife was but a fool, incapable of judging, because they talked more loudly, she found them charming and very superior to her husband. The days were spent in idle discussions. There was a clash of empty words, a firing of smallest shot, and poor Heurtebise, motionless and silent in the midst of the tumult, merely smiled and shrugged his shoulders. Sometimes, however, towards the end of an interminable repast, when all his guests, elbows on table, began around the brandy flasks one of those lengthy maundering conversations, benumbing like clouds of tobacco smoke, an immense feeling of disgust would seize hold of him, and not having the courage to turn out all these poor wretches, he would himself disappear and remain absent for a week.

"My house is full of imbeciles," he said one day to me. "I dare not return." With this kind of existence, he no longer wrote. His name was never seen, and his fortune, squandered in a perpetual craving to have people in his house, disappeared in the outstretched hands around him.

It was a long time since we had met when I received one morning a line of his dear little handwriting, formerly so firm, now trembling and uncertain. "We are in Paris. Come and see me. I am so dull." I found him with his wife, his child and his dogs, in a lugubrious little apartment in the Batignolles. The disorder which in this narrow space could not be spread about, seemed more hideous even than in the country. While the child and dogs rolled about in rooms the size of a chessboard compartment, Heurtebise; who was ill, lay with his face to the wall, in a state of utter prostration. His wife, dressed out as usual, and ever placid, hardly looked at him. "I don't know what is the matter with him," she said to me with a gesture of indifference. On seeing me he had for a moment a return of gaiety, and a minute of his old hearty laugh, but it was soon stifled. As they had kept up in Paris all their suburban habits, there appeared at the breakfast hour, in the midst of this household disorganized by poverty and illness, a parasite, a seedy looking little bald man, cranky and peevish, of whom they always spoke as "the man who has read Proudhon." It was thus that Heurtebise, who probably had never known his name, introduced him to everybody. When he was asked "Who is that?" he unhesitatingly replied, "Oh! a very clever fellow, who has thoroughly studied Proudhon." His knowledge was certainly not very apparent, for this deep thinker rarely made himself heard except to complain at table of an ill-cooked roast or a spoilt sauce. On this occasion, the man who had read Proudhon declared that the breakfast was detestable, which however did not prevent his devouring the larger half of it himself.

How long and lugubrious this meal by the bedside of my sick friend appeared to me! The wife gossiped as usual, with a tap now and then to the child, a bone to the dogs, and a smile to the philosopher. Not once did Heurtebise turn towards us, and yet he was not asleep. I hardly know whether he thought. Dear, valiant fellow! In those paltry and ceaseless struggles, the mainspring of his strong nature had broken, and he was already beginning to die. The silent death agony, which however was rather an abandonment of life, lasted several months; and then Madame Heurtebise found herself a widow. Then, as no tears had dimmed her clear eyes, as she always bestowed the same care on her glossy locks, and as Aubertot and Fajon were still available, she married Aubertot and Fajon. Perhaps it was Aubertot, perhaps it was Fajon, perhaps even both of them. In any case, she was able to resume the life she was fitted for, and the voluble gossip and eternal smile of the shopwoman.