The Copper Princess: A Story of Lake Superior Mines — Edition Insights

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Munroe, Kirk, 1850-1930, Rogers, W. A. (William Allen), 1854-1931 [Illustrator] Project Gutenberg 2008 Not confirmed
Adventure and adventurers -- Juvenile fiction; Miners -- Juvenile fiction; Copper mines and mining -- Juvenile fiction; Fathers and daughters -- Juvenile fiction; Upper Peninsula (Mich.) -- Juvenile fiction Readers of public-domain and historical texts
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Edition facts

Words 62,861
Reading time 274 min
Text sections 7

Before opening The Copper Princess: A Story of Lake Superior Mines — Edition Insights, the edition data offers a quick orientation: 62,861 words, 4 hr 34 min estimated reading time, and 7 detected text sections.

The text analysis averages about 21.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure and adventurers -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

This editorial note examines how Kirk Munroe's 1898 adventure novel uses vertical movement between surface and underground scenes, recurring copper imagery, and a prehistoric mine setting to structure its plot, based on chapter titles and excerpts.
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Editorial Edition Score 4.7/5

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  • Text length15 pts
  • Chapters / structure15 pts
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They had not gone more than a block from the station, and Peveril was wondering at the crowds of comfortable-looking folk who thronged the wooden sidewalks, as well as at the rows of brilliantly lighted shops, when his guide turned abruptly into the door of a saloon.

Following curiously, the young man also entered, and, passing behind a latticed screen, found himself in a long room having a sanded floor, and furnished with a glittering bar, tables, chairs, and several queer-looking machines, the nature of which he did not understand. Several men were leaning against the counter of the bar; but without noticing them other than by a general nod of recognition, Mark Trefethen walked to the far end of the room, where he deposited Peveril's bag on the floor beside one of the machines already mentioned.

It was a narrow, upright frame, placed close to the wall, and holding a stout wooden panel. In the centre of this, at the height of a man's chest, was a stuffed leathern pad, on which was painted a grotesque face, evidently intended for that of a negro, and above it was a dial bearing numbers that ranged from 1 to 300. The single pointer on this dial indicated the number 173, a figure at which Mark Trefethen sniffed contemptuously.

"Let's see thee take a lick at 'Blacky,' lad, just for luck," he said.

Although he had never before seen or even heard of such a machine as now confronted him, Peveril was sufficiently quick-witted to realize that his companion desired him to strike a blow with his fist at the grinning face painted on the leathern pad, and he did so without hesitation. At the same time, as he had no idea of what resistance he should encounter, he struck out rather gingerly, and the dial-pointer sprang back to 156.

Mark Trefethen looked at once incredulous and disappointed. "Surely that's not thy best lick, lad," he said, in an aggrieved tone; "why, old as I am, I could better it mysel'." Thus saying, the miner drew back a fist like a sledge-hammer, and let drive a blow at "Blacky" that sent the pointer up to 180.

"Now, lad, try again," he remarked, with a self-satisfied air; "and remember, what I should have telled thee afore, that the man who lets pointer slip back owes beer to the crowd."

Wondering how he should cancel the indebtedness thus innocently incurred, and also at the strangeness of such proceedings on the part of one who had just invited him to a much-longed-for supper, Peveril again stepped up and delivered a nervous blow against the unresisting leathern pad, driving the pointer to 184.

The miner's shout of "Well done, lad! That's spunky," attracted the idlers at the bar and brought them to the scene of contest. They arrived just in time to see Trefethen deliver his second blow, the force of which drove the sensitive needle six points farther on, or until it registered 190.

With a flush of pride on his strongly marked face, the old Cornishman exclaimed, "There's a mark for thee lad, but doan't 'ee strike 'less thee can better it, for I'd like it to stand for a while."

Peveril only smiled in answer, and, taking a quick forward step, planted so vigorous a blow upon the painted leather that the pointer gained a single interval. So small were the spaces that at first it was thought not to have moved; but when a closer examination showed it to indicate 191, a murmur of approbation went up from the spectators. Mark Trefethen said not a word, but, throwing off his coat and baring his corded arm for a mighty effort, he again took place before the machine. Carefully measuring his distance, he drew back and delivered a blow into which he threw the whole weight of his body. As though galvanized into action, the needle leaped up four points and registered 195.

"A record! A record!" shouted the spectators, while the miner turned a face beaming with triumph towards his athletic young antagonist. On many an occasion had he played at solitaire fisticuffs with that leathern dummy, but never before had he struck it such a mighty blow, and now he did not believe that another in all Red Jacket could equal the feat he had just performed.

"Lat it stand, lad! Lat it stand!" he said, good-humoredly, but in a tone unmistakably patronizing. "You've done enough to take front rank, for not more than three men in all the Jackets have ever beat your figure. Besides, the beer is on the house now for a record, but 'twill be on any man who lowers yon--so best lat well enough alone."

This advice was tendered in all sincerity, and was doubtless very good, but Peveril was now too deeply interested in the novel contest to accept defeat without a further effort. Besides, the stroke-oar of a winning crew in the great Oxford-Cambridge boat-race, which is what Dick Peveril had been only two months earlier, was not accustomed to be beaten in athletic games.

So he, too, threw off his coat and bared the glorious right arm that had at once been the pride of his college and the envy of every other in the 'varsity. In breathless silence the little group of spectators watched his movements, and when, with sharply exhaled breath, he planted a crashing "facer" straight from the shoulder squarely upon the leathern disk they sprang eagerly forward to note the result. For an instant they gazed at each other blankly, for the needle, though trembling violently, remained fixedly pointing at the figure 195.

Then they realized what had happened. Mark Trefethen's score had been neither raised nor lowered, but had been duplicated. A double record had been established, and that in a single contest. Such a thing had never before happened in Red Jacket, where trials of strength and skill similar to the one they had just witnessed were of frequent occurrence. As the amazing truth broke upon them, they raised a great shout of applause, and every man present pressed eagerly about the two champions with cordially extended hands.

But Peveril and the old miner were already shaking hands with each other, for Mark Trefethen had been the first to appreciate the result of his opponent's blow, and had whirled around from his examination of the dial to seize the young man's hand in both of his.

"Now I believe it, lad!" he cried. "Now I believe the story boy Tom telled this night. I couldn't make it seem possible that you had lifted him as he said, and so I wanted proof. Now I'm got it, and now I know you for best man that's come to mines for many a year. Pray God, lad, that you and me'll never have a quarrel to settle wi' bare fists, for I'm free to say I'd rayther meet any ither two men in the Jackets than the one behind the fist that struck yon blow."

"You will never meet him in a quarrel if I can help it, Mr. Trefethen," replied Peveril, flushing with gratified pride, "for I can't imagine anything that would throw me into a greater funk than to face as an enemy the man who established the existing record on that machine. But, now, don't you think we might adjourn to the supper of which you spoke awhile since? I was never quite so famished in my life, and am nearly ready to drop with the exhaustion of hunger."

"Oh, Jimmy!" groaned one of the listening spectators. "If 'e done wot 'e did hon a hempty stummick, hit's 'eaven 'elp the man or the machine 'e 'its when 'e's full."

"Step up for your beers, gentlemen," cried the bartender at this moment. "The house owes two rounds for the double record, and is proud to pay a debt so handsomely thrust upon it."

This invitation was promptly accepted by the spectators of the recent contest, all of whom immediately lined up at the bar. Mark Trefethen stood with them, and when he noticed that Peveril held back, he called out, heartily, "Step up, lad, and doan't be bashful. We're waiting to take a mug wi' thee."

"I thank you all," rejoined Peveril, politely, "but I believe I don't care to drink anything just now."

"What! Not teetotal?"

"Not wholly," replied the other, with a laugh, "but I long ago made it a rule not to take liquor in any form on an empty stomach."

"Oh, it won't hurt you. And this time needn't count, anyway," said one of the men, whose features proclaimed him to be of Irish birth.

"I think it would hurt me," replied Peveril, "and if my rule could be broken at this time, of course it could at any other. So I believe I won't drink anything, thank you."

"You mane you're a snob, and don't care to associate with working-men," retorted the other.

"I mean nothing of the kind, but exactly what I said, that I don't propose to injure my health to gratify you or any other man. As for associating with working-men, I am a working-man myself, and have come to this place with the hope of finding a job in one of the mines. If I hadn't wanted to associate with working-men I shouldn't be here at this minute."

"Well, you can't associate with them in one thing if not in all, Mr. Workingman," rejoined the Irishman, sneeringly, "and so, if you won't drink with us, you can't become one of us."

"That's right," murmured several voices.

"Moreover," continued the speaker, "you don't look, talk, or act like a working-man, and I'm willing to bet the price of these beers that you never earned a dollar by honest labor in your life."

"If I didn't, that's no reason why I shouldn't."

"I knew it from the first," exclaimed the other, triumphantly, "you're nothing but a d--d--"

"Shut up, Mike Connell! don't ye dare say it!" shouted Mark Trefethen, shaking a knotted fist in close proximity to the Irishman's face. "How dare you insult the friend I've brought to this place? Lad's right about the liquor, too, and damned if I'll drink a drop of it mysel'. Same time, working-man or no, he's worth any two of you wi' his fists, and, I'll bate, has more brains than the rest of us put together. So keep a civil tongue in your head in the presence of your betters, Mike Connell. Come, lad, time we were getting home. Mother 'll be fretting for us."

Thus saying, the sturdy miner laid his toil-hardened hand on Peveril's shoulder and led him from the place.

A 'VARSITY STROKE STRIKES ADVERSE FORTUNE

Richard Peveril, student at Christ Church, was not only one of the most popular men in his own college, but, as stroke of the 'varsity eight, was becoming one of the best known of Oxford undergraduates when the blow was struck that compelled him to leave England and return to the land of his birth without even waiting to try for his degree. He had been an orphan from early boyhood, and, under the nominal care of a guardian who saw as little of his charge as possible, had passed most of his time in American boarding-schools, until sent abroad to finish his education. While his guardian had never been unkind to him, he had not tried to understand the boy or to win his affection, but had placed him at the best schools, supplied him liberally with pocket-money, and then let him alone.

Although the lad had thus been denied the softening influence of a home, the tender care of a mother, and a father's counsel, his school-life had trained him to self-reliance, prompt obedience to lawful authority, a strict sense of honor, and to a physical condition so perfect that in all his life he had never known a day's sickness. Having always had plenty of money, he had never learned its value, though in his school-days his allowance had been limited by the same wise rules that also checked undue extravagance. Thus, while brought up to live and spend money like a gentleman, he had not been permitted to acquire vicious habits.

Even at college his allowance had always been in excess of his needs, and so, though ever ready to help a friend in trouble, he had never run into debt on his own account.

Another influence for good was the lad's inherited love for all out-of-door sports, and he could not remember the time when he was not in training for a team, a crew, or an athletic event of some kind. Thus the keeping of regular hours, together with a studied temperance in both eating and drinking, had been grafted into his very nature.

Life had thus been made very pleasant for our hero, and, believing himself to be heir to a fortune, he had never been disturbed by anxieties concerning the future. Of course, while he had hosts of acquaintances, most of whom called themselves his friends, he was well aware that some of them were envious of his position and would rejoice at his downfall, should such an event ever take place. It was partly this knowledge, partly his own sense of absolute security in life, and partly a habit acquired during a long career of leadership among his school companions that rendered him brusque with those for whom he did not particularly care and contemptuous to the verge of rudeness towards such persons as he disliked. Thus it will be seen that our young man possessed a facility for the making of enemies as well as friends.

Of his secret enemies the most bitter was a fellow-student, also an American, named Owen, who, possessed of barely means enough to carry him through college, and with no prospects, had, by relinquishing everything else, taken much the same stand in scholarship that Peveril had in athletics. As a consequence, each was envious of the other, for the stroke of the 'varsity eight was so little of a student that he had never more than barely scraped through with an examination in his life, and was always overwhelmed with conditions. This jealousy would not, however, have led to enmity without a further cause, which had been furnished within a year.

Owen had crossed on a steamer with Mrs. Maturin Bonnifay, of New York, and her only daughter, Rose. They did London together, and never had the young American found that smoke-begrimed city so delightful. At his solicitation the Bonnifays consented to visit Oxford, and permitted him to act as their escort. In contemplating the pleasure of such a visit, Owen had lost sight of its dangers; but, alas for his happiness! they became only too quickly apparent.

The ladies must be taken to the river, of course, and there the one thing above all others to see was the 'varsity eight at practice. Of the entire crew none attracted such instant attention as the stroke-oar, and when they learned that he was an American their interest in him was doubled.

Of course he and Mr. Owen, being compatriots in a strange land, and both having done so splendidly at the dear old university, must be friends.

Then wouldn't Mr. Owen present his friend? It was always so pleasant to meet the right kind of Americans when abroad. "Why! There he comes now! I am sure that must be he; isn't it, Mr. Owen? Though one does look so different in a boat and out of it."

It was indeed Peveril, who had purposely sauntered in that direction for a closer view of the pretty girl whom "Dig" Owen, of all men, had picked up; and, in another minute, Owen, with an extremely bad grace, had introduced him.

From that moment, as is always the case when athletes and scholars compete for feminine favor, the scholar was almost ignored, while his muscular rival was petted to a degree that Owen declared simply scandalous. Although the latter was still allowed to act as second-best escort to the ladies, and form a fourth in their various excursions, it was always Peveril who walked, sat, strolled, and talked with Miss Rose, while Owen was monopolized by her mother.

The Bonnifays had only intended to spend a day or two in Oxford, but the place proved so charmingly attractive that they remained a month, and when they finally took their departure for the Continent Miss Rose wore a superb diamond ring on the third finger of her left hand, that had very recently been placed there by Peveril.

Before they separated it had been arranged that he and they should travel through Norway together during the following summer. Owen had also been invited to join the party, but had declined on the ground that immediately upon taking his degree he would be obliged to return to America.

So that winter the scholar, filled with envy and bitterness, ground away gloomily but persistently at his books; while the athlete, radiant with happiness, steadily cheerful and good-natured, labored with his crew. Finally, he stroked them to a win on the Thames, and then, at the height of his glory, began to consider his chances for a degree. At this moment the blow was struck, and it came in the shape of a cablegram from a New York law firm.

"Return at earliest convenience. Carson dead. Affairs badly involved."

Boise Carson was the guardian whom Peveril had so seldom seen, but who had always controlled his affairs and provided so liberally for all his wants. Upon coming of age, a few months before, Peveril had sent over a power of attorney, and his ex-guardian had continued to act for him as before. They were to have had a settlement when the young man took his degree, for which purpose he had planned to run over to New York, spend a few days there, and return in time for his Norway trip with the Bonnifays. In the autumn he and they would sail for New York together, and the wedding would take place as soon thereafter as was practicable.

Now this wretched cablegram promised to upset everything, and he must look forward to spending the summer in trying to disentangle an involved business, instead of spending it with the girl of his heart. Perhaps, though, "badly involved" did not mean so _very_ badly, and possibly he might get through with the hated business in time for the Norway trip after all, if he only set to work at once. Of course that would necessitate the giving up of his degree, but what difference did that make? Other things were of infinitely more importance.

So Peveril bade farewell to Oxford, wrote a long letter, full of love and hopeful promises, to Rose Bonnifay, at Rome, sent her a reassuring telegram from Southampton, and sailed for New York. Having been so long absent, he found very few friends in that city, and it seemed to him that some even of those few greeted him with a constraint bordering on coldness.

As Boise Carson, who had lived and died a bachelor, had roomed at the Waldorf, Peveril also established himself in that palatial caravansary, and was then ready to plunge into the business that had brought him to America.

His first shock came from the lawyer who had summoned him, and who at once told him that he feared everything was lost.

"I don't exactly understand what you mean," said Peveril.

"In plain terms, then, I am afraid that your late guardian not only squandered his own fortune in unwise speculation, but yours as well. Perhaps this note, left for you, will explain the situation."

Thus saying, the lawyer handed Peveril a sealed envelope addressed to him in the well-known handwriting of Boise Carson. Tearing it open, the young man read as follows:

"Having lost everything, including your fortune and my own honor, I have no longer an object in living. I therefore conclude that it will be best to efface myself as speedily as possible. I have made a will, leaving you my sole heir and executor. You are welcome to whatever you can save from the wreck. All papers belonging to your father and left in my charge will be handed you by Mr. Ketchum. Good-bye.

"Yours, for the last time,

"He didn't commit suicide?" exclaimed Peveril, incredulously.

"It is to be feared that he did," replied the lawyer, "and the state of his affairs bears out the supposition."

From its first chapter, "Startling Introduction of Tom Trefethen," Kirk Munroe's The Copper Princess establishes a pattern of abrupt, often dangerous encounters that propel the narrative. The novel's structure relies on a constant vertical axis: the surface world of Lake Superior's Upper Peninsula and the deep shafts of copper mines. Chapter titles such as "A Mile Beneath the Surface" and "Lost in a Prehistoric Mine" signal that the story's tension derives from characters moving between these two realms. The excerpts show protagonist Peveril trapped in an ancient mine shaft, where he discovers copper tools and battles rats, while the frontispiece depicts "a girlish figure" on a cliff face—likely the titular Copper Princess. This note traces how Munroe uses setting, recurring images of copper, and scene transitions to build suspense.

Vertical Structure and Scene Shifts

The chapter list reveals a deliberate alternation between above-ground action and underground peril. Early chapters like "Starting in Search of the Copper Princess" and "The Trefethens" establish surface-level relationships, while "A Mile Beneath the Surface" and "In the New Shaft" plunge the reader into the mines. Later, "Log-wreckers and Smugglers" and "A Sea Fight on Lake Superior" return to open water and land. This oscillation creates a rhythm of confinement and release. The excerpt from Peveril's entrapment in the prehistoric mine—where he reflects, "I may live for several days, but I must live them alone"—is a low point in this vertical journey. His subsequent escape and return to the surface (implied by chapter titles like "Rescued from the Shaft") complete a descent-ascent arc that repeats throughout the novel.

Copper as Object and Symbol

Copper is not merely the mineral being mined; it functions as a recurring material and symbolic thread. In the prehistoric mine, Peveril stumbles over "hammers and hatchets, chisels, knives, and other tools ... all of tempered copper." This discovery links the modern mining enterprise to ancient peoples, giving the setting historical depth. The novel's title, The Copper Princess, suggests a personification of the metal—perhaps a young woman associated with the mine or a rich vein. The frontispiece shows a girl on a cliff, and chapter "A Royal Name for a Royal Mine" hints at naming a claim after her. Copper thus bridges the industrial (tools, mining) and the romantic (the princess figure), grounding the adventure in a tangible resource.

Underground as a Space of Transformation

The excerpts portray the underground as a crucible where characters are tested. Peveril's soliloquy in the shaft moves from despair—"What have I done to deserve such a fate?"—to resolve: "I will no longer be either" an ingrate or a coward. This interior shift is mirrored by his physical actions: he gathers copper tools, kills a rat for food, and surveys his prison. The mine is described as "of artificial construction," a human-made labyrinth that becomes a stage for resourcefulness. Other chapter titles, such as "Peveril in the Hands of His Enemies" and "From One Trap Into Another," suggest that the underground repeatedly serves as a site of captivity and escape. The darkness and isolation strip away social roles, forcing characters to rely on pluck and ingenuity.

Movement Between Confined and Open Spaces

Munroe contrasts the claustrophobic mine shafts with expansive Lake Superior settings. Chapter titles like "A Sea Fight on Lake Superior" and "Log-wreckers and Smugglers" introduce open-water action, while "A Night with a Madman" and "Left in Sole Possession" suggest isolated, confined spaces. The excerpt from the shaft emphasizes sensory deprivation: "the feeble light finding its way down the shaft" and the "black pool" below. In contrast, the frontispiece shows a figure on a cliff, open to the sky. This alternation keeps the reader off-balance, never settling into one environment for long. The novel's pacing depends on these shifts, with each return to the surface offering relief but also new dangers, such as smugglers or madmen.

Readers attentive to the novel's geography will notice how Munroe uses the mine as both a literal setting and a narrative engine. The copper tools, the rats, and the vertical shafts are not mere decoration but structural elements that drive Peveril's transformation. The Copper Princess herself remains a distant figure, glimpsed on cliffs and named in chapters, her identity tied to the mineral wealth below. This interplay of surface and depth, of open air and rock-bound darkness, gives the story its distinctive rhythm.

Reading about the Copper Princess’s descent into those prehistoric shafts, I kept thinking of another kind of descent—the one in The Temptation of St. Antony; Or, A Revelation of the Soul — Key Ideas to Explore. Both feel less like journeys into rock or desert than into a particular quietness of the mind, where every echo sounds like something waiting to be remembered.

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    Michelle Morris - 1 month ago
    {'rating': 4, 'text': 'The Copper Princess: A Story Of Lake Superior Mines is a thrilling adventure that combines mystery, romance, and historical detail. The author vividly portrays the harsh realities of mining life while weaving an intriguing plot. The technical aspects are well-researched, adding authenticity. The characters are compelling, and the twists keep you hooked. A must-read for fans of historical fiction with a touch of intrigue.'}

  • ...
    Nicole Henry - 1 month ago
    {'rating': 2, 'text': 'The Copper Princess fails to deliver on its promising premise. The plot is convoluted and often drags, while the characters are flat and uninteresting. The technical jargon may bore casual readers, and the supposed romance is unconvincing. The story lacks emotional depth and fails to keep the reader engaged. A disappointing read.'}

  • ...
    Kelly Lester - 4 weeks ago
    {'rating': 3, 'text': "The Copper Princess is an interesting read with a unique setting. The mining details are fascinating, and the plot has some good twists. However, the pacing is inconsistent, and the romance feels underdeveloped. The characters are likeable but not deeply fleshed out. Overall, it's an enjoyable but not outstanding novel."}


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