Dave Porter in the Far North; Or, The Pluck of an American Schoolboy — Key Ideas to Explore
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Dave was anxious to meet his own family, but could not find out just where they were. While waiting for word from them, he went back to Oak Hall, and in the third volume of the series, called "Dave Porter's Return to School," we learned how he became innocently involved in a mysterious series of robberies, helped to win two great games of football, and brought the bully of the academy to a realization of his better self.
As time went by Dave longed more than ever to meet his father and his sister, and how he went in search of them I leave the pages which follow to relate. As before, Dave is bright, manly, and honest to the core, and in those qualities I trust my young readers will take him as their model throughout life.
Once more I thank the thousands who have taken an interest in what I have written for them. May the present story help them to despise those things which are mean and hold fast to those things which are good.
II. A ROW IN A RESTAURANT 12
III. OFF THE TRACK 22
IV. WHAT HAPPENED AT THE BARN 32
V. BACK TO OAK HALL 42
VI. GUS PLUM'S CONFESSION 51
VII. HOW JOB HASKERS WENT SLEIGH-RIDING 59
VIII. A MYSTERIOUS LETTER 69
IX. DAVE TALKS TO THE POINT 78
X. AN ADVENTURE ON ROBBER ISLAND 87
XI. A HUNT FOR AN ICE-BOAT 97
XII. THE MEETING OF THE GEE EYES 107
XIII. AN INTERRUPTED INITIATION 116
XIV. GOOD-BYE TO OAK HALL 125
XV. DAVE AND ROGER IN LONDON 134
XVI. SOME IMPORTANT INFORMATION 143
XVII. ON THE NORTH SEA 152
XVIII. IN NORWAY AT LAST 162
XIX. OFF TO THE NORTHWARD 171
XX. AN ENCOUNTER WITH WOLVES 181
XXI. CAUGHT IN A WINDSTORM 190
XXII. SNOWBOUND IN THE MOUNTAINS 200
XXIII. LEFT IN THE DARK 210
XXIV. THE BURGOMASTER OF MASOLGA 219
XXV. TO THE NORTHWARD ONCE MORE 228
XXVI. DAYS OF WAITING 237
XXVII. DAVE STRIKES OUT ALONE 246
XXVIII. A JOYOUS MEETING 255
XXIX. BEARS AND WOLVES 264
XXX. HOME AGAIN--CONCLUSION 274
In a twinkling the turnout was upset (page 206) _Frontispiece_
Roger shoved it aside and it struck Isaac Pludding full on the stomach 25
"Can't stop, I'm on the race-track!" yelled Shadow 58
The mule shied to one side and sent Dave sprawling on the ice 101
What was left of the camp-fire flew up in the air 120
Once they ran close to a three-masted schooner 160
"Out with the lot of them! I will take the rooms" 229
Dave received a blow from a rough paw that sent him headlong 267
DAVE PORTER IN THE FAR NORTH
"Here we are at the station, Dave!"
"Yes, and there is Phil waiting for us," answered Dave Porter. He threw up the car window hastily. "Hi, there, Phil, this way!" he called out, lustily.
A youth who stood on the railroad platform, dress-suit case in hand, turned hastily, smiled broadly, and then ran for the steps of the railroad car. The two boys already on board arose in their seats to greet him.
"How are you, Dave? How are you, Ben?" he exclaimed cordially, and shook hands. "I see you've saved a seat for me. Thank you. My, but it's a cold morning, isn't it?"
"I was afraid you wouldn't come on account of the weather," answered Dave Porter. "How are you feeling?"
"As fine as ever," answered Phil Lawrence. "Oh, it will take more than one football game to kill me," he went on, with a light laugh.
"I trust you never get knocked out like that again, Phil," said Dave Porter, seriously.
"So do I," added Ben Basswood. "The game isn't worth it."
"Mother thought I ought to stay home until the weather moderated a bit, but I told her you would all be on this train and I wanted to be with the crowd. Had a fine Thanksgiving, I suppose."
"I did," returned Ben Basswood.
"Yes, we had a splendid time," added Dave Porter, "only I should have been better satisfied if I had received some word from my father and sister."
"Not a line, Phil," and Dave Porter's usually bright face took on a serious look. "I don't know what to make of it and neither does my Uncle Dunston."
"It certainly is queer. If they went to Europe your letters and cablegrams ought to catch them somewhere. I trust you get word soon."
"If I don't, I know what I am going to do."
"Go on a hunt, just as I did when I found my uncle," was Dave Porter's reply.
While the three boys were talking the train had rolled out of the station. The car was but half filled, so the lads had plenty of room in which to make themselves comfortable. Phil Lawrence stowed away his suit case in a rack overhead and settled down facing the others. He gave a yawn of satisfaction.
"I can tell you, it will feel good to get back to Oak Hall again," he observed. "You can't imagine how much I've missed the boys and the good times, even if I was laid up in bed with a broken head."
"You'll get a royal reception, Phil," said Dave. "Don't forget that when you went down you won the football game for us."
"Maybe I did, Dave, but you had your hand in winning, too, and so did Ben."
"Well, if the fellows---- Say, here comes Nat Poole." Dave lowered his voice. "I don't think he'll want to see me."
As Dave spoke, a tall, fastidiously dressed youth came down the car aisle. He was not bad-looking, but there was an air of dissipation about him that was not pleasant to contemplate. He wore a fur-trimmed overcoat and a cap to match, and heavy fur-lined gloves.
"Hello!" he exclaimed, on catching sight of Phil Lawrence. "Going back to the Hall, eh?"
"I am, and you are going back too, Nat, I suppose."
"Yes," drawled Nat Poole. He turned and caught sight of Dave and Ben. "Humph!" he muttered, and without saying more continued on his way down the aisle and through to the next car of the train.
"He's real sociable, he is," observed Ben Basswood, with a grin.
"I knew he wouldn't want to see me," said Dave.
"What's up--more trouble, Dave?" questioned Phil. "Remember, I've been away from Oak Hall so long I've rather lost track of things."
"This trouble didn't occur at the school," answered Dave. His face grew a trifle red as he spoke.
"It happened back at Crumville," broke in Ben, and winked one eye. "You see, Nat wanted to come to a Thanksgiving party the Wadsworths gave. But Dave told Jessie just what sort Nat was, and she left him out at the last moment. It made Nat furious, and I've heard that he is going to do his best to square up with Dave this winter."
"You're mistaken, Ben; I didn't have to tell Jessie anything," corrected Dave. "A fellow named Bangs wanted Nat invited, but Jessie didn't want him and neither did her folks. Bangs got mad over it, and said he wouldn't come either, and he and Nat went to a show instead."
"Well, I heard that Nat blamed it on you."
"He is apt to blame everything on me--if he can," said Dave, with a short, hard laugh. "It's his style. I suppose he'll even blame me for getting Gus Plum to reform."
"Well, you did get Gus to do that," declared Ben, heartily. "It's the best thing I ever heard of, too."
"If Plum cuts Poole, what's the dude to do?" asked Phil. "The two used to be great cronies."
To these words Dave did not reply. He was wiping the steam from the car window. Now he peered out as the train came to a stop.
"Hurrah! Here we are!" he cried, and leaped from his seat.
"Where are you going?" demanded Ben.
"After Roger. I know he'll be at the station, for I sent him a special message," and away went Dave after Roger Morr, one of his best and dearest schoolmates. The two met on the car platform, and as the train moved off again, both came in to join Ben and Phil.
To those who have read the former volumes in this "Dave Porter Series" the boys already mentioned need no special introduction. They were all pupils of Oak Hall, a first-class boarding school located in the heart of one of our New England States. At the academy Dave Porter seemed to be a natural leader, although that place had been at times disputed by Nat Poole, Gus Plum, and others. It was wonderful what a hold Dave had on his friends, considering his natural modesty. Physically he was well built and his muscles were those of a youth used to hard work and a life in the open air. Yet, though he loved to run, row, swim, and play games, Dave did not neglect his studies, and only a short time before this story opens had won the Oak Hall medal of honor, of which he was justly proud.
In times gone by Dave's enemies had called him "a poorhouse nobody"--something which had caused him a great deal of pain. When a child, he had been picked up alongside of the railroad tracks by strangers and taken to the Crumville poorhouse. At this institution he remained until he was nine years old, when a broken-down college professor named Caspar Potts, who had turned farmer, took him out and gave him a home. At that time Caspar Potts was in the grasp of a hard-hearted money lender, Aaron Poole, the father of Nat Poole, already mentioned, and the outlook soon became very dark for both man and boy.
Then came an unexpected turn of affairs, and from that moment Dave's future seemed assured. As related in my first volume, "Dave Porter at Oak Hall," the boy called upon Mr. Oliver Wadsworth, a rich manufacturer of that neighborhood. The gentleman had a daughter Jessie, a bright-eyed miss some years younger than Dave. She was waiting to take an automobile ride when the gasoline tank of the machine caught fire. It was plucky Dave who rushed in and, at the peril of his own life, saved the girl from being fatally burned.
The Wadsworths were more than grateful, and when Mr. Wadsworth discovered that Caspar Potts was one of his former college teachers, he insisted that both the old man and Dave come to live at his mansion. He took a great interest in Dave, more especially as he had had a son about Dave's age who had died.
"The lad must go to some boarding school," said Oliver Wadsworth, and at his own expense he sent Dave to Oak Hall. With Dave went Ben Basswood, a friend of several years' standing.
Dave made friends with great rapidity. First came Roger Morr, the son of a United States senator, then Phil Lawrence, whose father was a wealthy ship-owner, Sam Day, who was usually called "Lazy," because he was so big and fat, "Buster" Beggs, "Shadow" Hamilton, and a number of others, whom we shall meet as our story proceeds.
For a while all went well with Dave, but then came trouble with Nat Poole, who had come to the Hall, and with Gus Plum, the school bully, and Chip Macklin, his toady. The cry of "poorhouse nobody" was again raised, and Dave felt almost like leaving Oak Hall in disgust.
"I must find out who I really am," he told himself, and fortune presently favored him. By a curious turn of circumstances he fell in with an old sailor named Billy Dill. This tar declared he knew Dave or somebody who looked exactly like him. This unknown individual was on an island in the South Seas.
"My father's ships sail to the South Seas," Phil Lawrence told Dave, and the upshot of the matter was that Dave took passage on one of the vessels, in company with the ship-owner's son, Roger Morr, and Billy Dill.
As already related in the second volume of this series, "Dave Porter in the South Seas," the voyage of the _Stormy Petrel_ proved to be anything but an uneventful one. Fearful storms arose, and Dave and some others were cast away on an uninhabited island. But in the end all went well, and, much to the lad's joy, he found an uncle named Dunston Porter.
"Your father is my twin brother," said Dunston Porter. "He is now traveling in Europe, and with him is your sister Laura, about one year younger than yourself. We must return to the United States at once and let them know of this. They mourn you as dead."
There was a good deal of money in the Porter family, a fair share of which would come to Dave when he became of age. The whole party returned to California and then to the East, and word was at once sent to Europe, to David Breslow Porter, as Dave's father was named. To the surprise of all, no answer came back, and then it was learned that Mr. Porter and his daughter Laura had started on some trip, leaving no address behind them.
"This is too bad," said Dave. "I wanted so much to see them."
"We'll get word soon, never fear," replied his uncle, and then advised Dave to finish out his term at Oak Hall, Mr. Porter in the meantime remaining a guest of the Wadsworth family.
How Dave went back to Oak Hall, and what happened to him there has already been related in detail in "Dave Porter's Return to School." His enemies could no longer twit him with being a "poorhouse nobody," yet they did all they could to dim his popularity and get him into trouble.
"He shan't cut a dash over me, even if he has money," said Nat Poole, and to this Gus Plum, the bully, eagerly agreed. There was likewise another pupil, Nick Jasniff, who also hated Dave, and one day this fellow, who was exceedingly hot-tempered, attempted to strike Dave down with a heavy Indian club. It was a most foul attack and justly condemned by nearly all who saw it, and thoroughly scared over what he had attempted to do, Nick Jasniff ran away from school and could not be found.
There had been a number of robberies around Oakdale, where the academy was located, and one day when Dave and his chums were out ice-boating they had come on the track of two of the robbers. Then to his surprise Dave learned that Nick Jasniff was also implicated in the thefts. He knew that Jasniff and Gus Plum were very intimate, and wondered if the bully of the school could be one of the criminals also. At length, one snowy day, he saw Plum leave the Hall and followed the fellow. Plum made for the railroad, where there was a deep cut, and into this cut he fell, just as a train was approaching. At the peril of his life Dave scrambled to the bottom of the opening and drew the bully from the tracks just as the train rolled by.
If ever a boy was conquered, it was Gus Plum at that time. At first he could not realize that Dave had saved him. "To think you would do this for me--you!" he sobbed. "And I thought you hated me!" And then he broke down completely. He confessed how he had tried to injure Dave and his chums, but said he had had nothing to do with the robberies. Nick Jasniff had wanted him to go in with the robbers, but he had declined.
"I am going to cut Jasniff after this," said Gus Plum, "and I am going to cut Nat Poole, too. I want to make a man of myself--if I can."
But it was hard work. A short time after the railroad incident the two robbers were caught and sent to prison, to await trial, and Plum had to appear as a witness for the state and tell how he had been implicated. In the meantime Nick Jasniff ran away to Europe, taking several hundred dollars of the stolen funds with him. Dave thought he had seen the last of the young rascal, but in this he was mistaken, as the events which followed proved.
A ROW IN A RESTAURANT
The majority of the boys had been home only for the Thanksgiving holidays. The exception was poor Phil Lawrence, who had been laid up for a number of weeks as the result of a blow on the head while playing a game of football. Phil said he felt as well as ever, but he was somewhat pale and in no humor for anything in the way of roughness.
As the train stopped at one station and another along the line, it began to fill up with passengers, including a goodly number of Oak Hall students. At one place Sam Day and Shadow Hamilton came on board, followed by half a dozen snowballs, sent after them by boys who had come to see them off.
"Hi! stop that!" cried Sam Day, as he tried to dodge, and just then a snowball meant for his head took a somewhat stout man in the ear. The man uttered a cry of surprise, slipped on the platform of the car, and fell flat, crushing his valise under him. At this a shout of laughter rang out from the depot platform, and the lads standing there lost no time in disappearing.
"You--you villains!" roared the stout man when he could catch his breath. "I'll--I'll have you locked up!"
"It wasn't my fault," answered Sam Day, trying hard to suppress the grin on his face. "Shall I help you up?"
"No," grunted the man, and arose slowly. "Do you know I have a dozen fresh eggs in that valise?"
"A dozen eggs!" cried Shadow Hamilton. "Well, I never! Say, that puts me in mind of a story. Once a man bought some eggs that weren't strictly fresh, and----"
"Pah! who wants to listen to your stories?" interrupted the stout man. "You had better pay for the eggs that are smashed," and he entered the car in anything but a pleasant humor.
Dave had come to the car door to greet Sam and Shadow and conduct them to a seat near his own. The stout man was so upset mentally that he bumped roughly into the youth.
"Get out of my way, will you?" grunted the irate passenger.
"Excuse me, I didn't know you owned the whole aisle," said Dave, coldly. He did not like the manner in which he had been addressed.
"See here, are you another one of them good-for-nothing schoolboys?" bellowed the stout individual. "If you are, I want you to understand you can't run this train--not as far as I am concerned, anyhow."
Dave looked at the man for a moment in silence. "You are very polite, I must say," he observed. "I haven't done anything to you, have I?"
"No, but you young bloods are all in together. I know you! Last spring I was on the train with a lot of college boys, and they tried to run things to suit themselves. But we fixed 'em, we did. And we'll fix you, too, if you try to run matters here," and with a savage shake of his head the stout man passed down the aisle and dropped heavily into the first vacant seat he reached.
"Isn't he a peach?" murmured Sam Day to Dave. "Meekest man I ever saw, and ought to have a monument for politeness."
"I hope all his eggs are smashed," said Shadow Hamilton. "He certainly deserves it."
"Shouldn't wonder if they are--he came down hard enough," answered Dave.
By good luck all the students had seats close to each other, and as the train rolled along they told of their various holiday experiences and discussed school matters.
"Just four weeks and then we'll close down for Christmas," said Roger.
"We ought to have lots of fun," said Ben. "We can go skating and ice-boating, and we can build a fort----"
"And snowball Pop Swingly and Horsehair," interrupted Sam, mentioning the janitor of Oak Hall and the driver for the institution. "Don't forget them or they'll feel slighted."
"What's the matter with snowballing Job Haskers?" asked Phil, mentioning a teacher who was anything but popular with the students.
"Oh, we'll attend to him, never fear," answered Roger Morr.
"Has anybody heard from Plum?" questioned Sam, during a lull in the conversation.
"I got a letter from him," answered Dave, seeing that nobody else replied. "He is afraid he is going to have a hard time of it to reform. I hope you fellows will treat him as well as you can."
"I shall," said the senator's son, and several nodded.
Edward Stratemeyer opens Dave Porter in the Far North with a preface that frames the story as a quest for family—Dave longs to meet his father and sister—but the excerpts reveal a narrative engine driven less by travel than by verbal confrontation. The dialogue in the library scene (Chapter XVII) is notably blunt: Dave declares, “I can prove every statement I make,” and the old man, Philip Chesterfield, brandishes a cane and repeats “Who says a relative of mine is dishonest?” These exchanges rely on direct accusation and moral posturing rather than subtlety. Stratemeyer’s diction favors emphatic verbs (“stormed,” “exclaimed,” “cried bitterly”) and short, declarative sentences that keep the emotional temperature high.
Confrontation as Plot Engine
The excerpt from Chapter XVII shows Stratemeyer using face-to-face accusation to advance the story. Dave and Roger corner Nick Jasniff in a library; the scene is built around a series of challenges: “If you refer to this boy as your relative, I say he is dishonest,” Dave states, and later “I came all the way from America to catch you.” The old man locks the door, turning the room into a courtroom. This pattern—characters stating moral positions aloud, then demanding proof—recurs throughout the excerpts. The author rarely lets a conflict simmer; instead, he has characters voice their grievances in full, often repeating key phrases (“dishonest,” “bundle of lies”). The effect is a narrative that feels like a series of public hearings, where every wrong must be named before it can be resolved.
Moral Labels and Character Tags
Stratemeyer assigns clear moral labels to his characters through repeated epithets. Dave is “bright, manly, and honest to the core” (preface); Nick Jasniff is called “the runaway” and “a young scoundrel” by his own uncle. The author uses these tags to guide reader sympathy without ambiguity. In dialogue, characters reinforce these labels: Dave says Jasniff “brought all that on yourself” and “had no business to go in with those two thieves.” The old man’s shift from rage to acceptance—“If this is true, you are a young scoundrel”—shows how quickly the moral framework is applied. This technique, common in boys’ adventure fiction of the period, treats character as fixed and knowable, with redemption or punishment delivered by the plot.
Setting as Stage Direction
Although the catalog subjects list Norway and ocean travel, the excerpts reveal that setting is often reduced to a backdrop for dialogue. The library scene could take place in any room; the only spatial detail is the door being locked. When the scene shifts to the North Sea (Chapter XVII heading), the text offers no sensory description of the sea—no wind, salt, or cold. Instead, the chapter title announces the location, and the action continues in dialogue. This suggests that Stratemeyer uses setting primarily as a stage direction, not as an immersive environment. The travelogue element promised by the title may appear in later chapters, but the excerpts show a writer more interested in moral geometry than in landscape.
The Weight of the Preface
The preface, written in Stratemeyer’s own voice, is unusually direct about the series’ formula. He summarizes previous volumes, names Dave’s virtues (“a natural leader”), and states the moral purpose: “I trust my young readers will take him as their model throughout life.” This paratext reveals the author’s conscious construction of a hero who is both exemplary and reactive. The preface also establishes the central mystery—Dave’s missing father and sister—which the excerpts show being resolved through confrontation rather than detection. The author’s claim that the book is “a complete story in itself” is undercut by the heavy reliance on backstory; new readers must accept that Dave’s past conflicts with Jasniff are already settled. The preface thus functions as a contract, promising that virtue will be rewarded and vice punished.
Readers approaching Dave Porter in the Far North should expect a narrative that prioritizes moral clarity over atmosphere or psychological depth. Stratemeyer’s prose moves quickly, driven by confrontational dialogue and explicit value judgments. The Norwegian setting, though advertised, may function more as a change of scene than as a fully realized place. For those interested in early twentieth-century boys’ series fiction, this volume offers a clear example of how authors like Stratemeyer built stories around a fixed moral compass and a hero who speaks his mind without hesitation.
Sitting with Dave Porter’s brisk moral certainty, I remembered how another old story handled a quieter kind of nerve. Stratemeyer’s boys always face down bullies, but in Ted and the Telephone — Inside the Classic, the courage feels more like patience. A different melody from the same distant tune. Strange, how one plain adventure can echo another. I keep thinking about that gentle persistence.
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